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'Kinetische Kunst' images and/or videos results page 1 of 5

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Meta-mechanical Sculpture, 1960 (metal)
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White cross-ruling on a black background, optical illusion, kinetic art
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Double Metamorphosis, 1968-69 (oil on aluminium)
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Grand écriture (Large Writing) c.1963-66 (wire and wood assemblage)
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Marine Background, 1963 (mixed media)
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Marine Background, 1963 (mixed media)
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Light Blue, 1997 (mixed media)
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A Kinetic sculpture on display at the 32nd Art Biennale, Venezia, Italy
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A Kinetic work of art by Julio Le Parc on display at the 32nd Art Biennale, Venezia, Italy
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Mobile (mixed media)
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Subject Optical Dynamic no. 1, 1963 (wood, machined aluminum & nylon)
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Carlos Cruz-Diez, Chromointerférence mécanique série C, Paris 1968
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Carlos Cruz-Diez in front of a Cromovela in his artist's studio, 2018
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Houston Penetrable, 2004-14 (lacquered aluminium structure with PVC tubes & a water-based silkscreen with ink)
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Switzerland Tinguely and De Saint Phalle (b/w photo)
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Chromosaturation, Paris, 1965/2008
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Environment - Virtual Parameters Structure, 1969 (2005) (chipboard walls, projectors & motor)
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Color Aditivo serie Caracas C1, 2010 (chromography on aluminum)
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Chromosaturation, Paris, 1965/2017
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Carlos Cruz-Diez in the Chromosaturation SCAD, 1965/2017 (photo)
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Couleur Additive Denise C, 2007 (chromography on aluminium)
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A boy observing Virtual Cylindrical Structuring by Giovanni Anceschi at the 32nd Art Biennale, Venice, Italy
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Surfaces in Vibrating Texture (Superfici a testura vibratile) - PROB. 1/2/3; Prob dis / and / 1.2.3., 1963 (prism with aluminum sheets)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Transmuro UBS, 1975-79
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Surfaces in Vibrating Texture (Superfici a testura vibratile) - PROB. 1/2/3; Prob dis / and / 1.2.3., 1963 (prism with aluminum sheets)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Urmnt 70, 1964 (black perforated metal sheet, PVC and white electric motor)
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Magnetic Surface (Superficie magnetica), 1959-64 (electromechanical aluminum, glass, iron polveredi, magnets and electric motor)
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Strobe Environment no. 4, 1967 (wood, mirrors, strobe lights, micromotors & proximity sensors)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Environment - Virtual Parameters Structure, 1969 (2005) (environment with chipboard walls, projectors & motor)
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Expérience Chromatique Aléatoire Interactive [Interactive Random Chromatic Experience], second edition, 2012 (photo)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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A man observing Superficie Magnetica by Davide Boriani at the 32nd Art Biennale, Venezia, Italy
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Linear Variable Transparent (Lineare variabile trasparente), 1960 (wire, magnets and sixteen segments in wood and paint)
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Induction Chromatique N°214, 2016 (acrylic paint on aluminum)
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Couleur Additive série Carlitos cercles, 2000 (chromatography on paper, plastic)
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Variable Bright + Q 130, 1964 (quadrionda glass, perspex, neon, wood and electric motor)
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Ambient Light Shock, 1964 (room with plaster walls and fabric ceiling, two wall lights and strobe light with timer)
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Strobe Environment no. 4, 1967 (wood, mirrors, strobe lights, micromotors & proximity sensors)
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Carlos Cruz-Diez in front of the Induction du Rose N°206 in his studio, 2018 (photo)
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Environment - Virtual Parameters Structure, 1967 (mixed media)
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A boy observing Virtual Cylindrical Structuring by Giovanni Anceschi at the 32nd Art Biennale, Venice, Italy
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Chromosaturation, 1965/2019 (chromatic environment)
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Variable Bright + Q 130, 1964 (quadrionda glass, perspex, neon, wood and electric motor)
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Variable Bright + Q 130, by Grazia Varisco, 1964 (quadrionda glass, perspex, neon, wood and electric motor)
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A man and a woman observing Strutturazione acentrica by Gianni Colombo at the 32nd Art Biennale, Venezia, Italy, 1964
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Ambient Light Shock, 1964 (room with plaster walls and fabric ceiling, two wall lights and strobe light with timer)
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Induction du Jaune Korea, Paris 2011 (chromography on paper)
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Physichromie 1619, 2009 (chromography on aluminium, plastic inserts)
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Cromovela, 2014
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Topoestesia - Planned Route (1955-70 (elastic thread, wood, iron, red light on fluorescent and other colours)
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9 x 9 x X Spaces variation (9 x 9 x X Spazi in variazione), 1961 (perspex, glass, wood, neon and electric motor)
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9 x 9 x X Spaces variation (9 x 9 x X Spazi in variazione), 1961 (perspex, glass, wood, neon and electric motor)
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9 x 9 x X Spaces variation (9 x 9 x X Spazi in variazione), 1961 (perspex, glass, wood, neon and electric motor)
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View of the exhibition "RGB. The Colors of the Century", 2023
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Transmuro UBS, 1975-2018
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Interrelazione cromospeculare, 1969, (mixed media)
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9 x 9 x X Spaces variation (9 x 9 x X Spazi in variazione), 1961 (perspex, glass, wood, neon and electric motor)
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Transchromie mécanique aléatoire, 1965
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9 x 9 x X Spaces variation (9 x 9 x X Spazi in variazione), 1961 (perspex, glass, wood, neon and electric motor)
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Estructura óptica, 1958 (acrylic paint on paper, wood)
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Chromosaturation, Paris, 1965/2013
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Inducción del amarillo Tataito, 2012 (chromography on aluminum)
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Topoestesia - Planned Route, 1955-70 (elastic thread, wood, iron, red light on fluorescent and other colours)
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Carlos Cruz-Diez in front of his Inducción Circular Antonella 2 , 2012 (chromography on plastic)
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Vega Pal, 1969 (serigraphy)
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Topoestesia - Planned Route, 1955-70 (elastic thread, wood, iron, Wood's light, red light on fluorescent and other colours)
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9 x 9 x X Spaces variation (9 x 9 x X Spazi in variazione), 1961 (perspex, glass, wood, neon and electric motor)
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Continuous Moving (Continuo mobile), by Julio Le Parc, 1960-1963, 20th century (wood, stainless steel, nylon, aluminum and lamps) 200 x 205 x 20 cm
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Inducción Cromática a doble frecuencia, 2014
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9 x 9 x X Spaces variation (9 x 9 x X Spazi in variazione), 1961 (perspex, glass, wood, neon and electric motor)
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9 x 9 x X Spaces variation (9 x 9 x X Spazi in variazione), 1961 (perspex, glass, wood, neon and electric motor)
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Carlos Cruz-Diez in his artist's workshop, 2011
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Carlos Cruz-Diez with his granddaughter Mariana Cruz in front of his Inducción Circular Antonella 2, 2012 (chromography on plastic)
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Carlos Cruz-Diez in front of the Physichromie 500, 2014 (acrylic on plastic, plastic inserts and wood)
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Carlos Cruz-Diez signing an Induction Chromatique à double fréquence Lucca, 2018 (silkscreen on paper)
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Carlos Cruz-Diez looking at a Physichromie, 2013
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Couleur Additive 46, 1973 (acrylic on canvas, wood)
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Carlos Cruz-Diez signing the Couleur Additive Angélica, 2014 (chromography on paper)
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Carlos Cruz-Diez in his artist's studio, 2017
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Carlos Cruz-Diez looking at the Inducción Circular Antonella 2 , 2012 (chromography on plastic)
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Carlos Cruz-Diez in front of the Induction du Rose N°206 in his artist's studio, 2018 (acrylic on aluminum)
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Physichromie Trinity (close-up), 2017 (chromography on aluminum)
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Couleur Additive RVB 2, 2014 (chromography on paper)
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Chromostructure, Rainbow Bridge, Shanghai, China, 2016 (aluminium powder coated)
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Carlos Cruz-Diez signing the Couleur Additive Angélica, 2014 (chromography on paper)
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