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HAVELOCK MORALISING
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Behold the Lilies, 1943 (oil on canvas)
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The Myth of Philemon and Baucis, 1964 (mixed media)
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Royal MS 20 C V f.75r Gaia Caecilia or Tanaquil at her loom, from 'Des cleres et nobles femmes', an anonymous French translation of Boccacio's 'De mulieribus claris', c.1410 (ink, colour & gold on vellum)
Nobility and Virtue Defeating Perfidy, c.1744-5 (oil on canvas)
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Allegory of Merit Accompanied by Nobility and Virtue, c.1757-8 (fresco)
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Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
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The Promenade or Young Couple Threatened by Death, c.1498 (engraving on laid paper)
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Cabinet, detail, c.1650
Peasants by an Inn (oil on canvas)
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Death and the Lovers, 1620-30 circa (black chalk, pen and brown ink, brown and red washes, traces of white bodycolour on laid paper)
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