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BLUNT/CETUS/PLATE 53
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Morpho menelaus
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Tringa nebularia
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Passerina ciris, painted bunting, Plate 53 from John James Audubon's Birds of America, original double elephant folio, 1827-30 (hand-coloured aquatint)
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Renaissance, plate 53 from 'Polychromatic Ornament: One Hundred Plates in Gold, Silver and Colours', 1873 (colour litho)
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Pionopsitta barrabandi
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Colourful illustration of five fish
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The Baptism of Christ, detail from the drawers of a cabinet for storing silver, c.1450-53 (tempera on panel)
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Pycnonotus zeylanicus
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Amid the Flowers 53, 2021 (b/w photo)
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Sturnus vulgaris
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Phalacrocorax aristotelis
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Communion of the Apostles, 1451-53 (tempera on panel)
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Pterygolichthys gibbiceps
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Plate 53 from Mineralogie by Swebach Desfontaines
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Lophophorus impejanus
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Hypothetical perpetual motion milling machine, copperplate engraving from Theatrum Machinarum Novum, Plate 53, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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White Flowered Rose (Rosa Leucantha / Rosier à fleurs blanches) Plate 53 from "Les Roses", Vol. 1, 1817 (hand-coloured engraving)
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'Carrosse Automobile de Grand Gala', plate 53 from 'Gazette du Bon Ton', Volume I, no.6, June 1914 (pochoir print)
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Empidonax atriceps
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Phasianus colchicus sahwii
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Crinum sp.
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Life of Christ : the vision of Ezechiel, Armadio degli Argenti, 1451-53 (tempera on wood)
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Scenes from the Nativity, panel one from the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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Details of doors of entrance vestibule to Basilica, engraving from The Vatican and St Peter's Basilica, 1882, by Paul Marie Letarouilly (1795-1855), Volume I, St Peter's Basilica, Plate 53
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Le Coq de roche jeune age, No. 53 (Rooster).
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Christ Among the Doctors, detail from panel one of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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Sir Thomas Aston (1550-1613), aged 53
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Apobat, by unknown artist, 20-37, 1st Century B.C. - 1st Century A.D., painting on marble, 48 x 53 cm
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Scenes from the Life of Christ, panels one and two from the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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The Adoration of the Magi, detail from panel one of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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Anne Carew, Lady Throckmorton (1520-1587), aged 53
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The Massacre of the Innocents, detail from panel one of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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The Angel of Death, plate 53 from 'A Book of Images, introduced by W. B. Yeats', 1898 (litho)


A Book of Images. Drawn by W. T. Horton and introduced by W. B. Yeats.

1898
The Annunciation, detail from panel one of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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The Deposition, detail from panel four of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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The Washing of the Feet, detail from panel three of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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The Circumcision, detail from panel one of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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The Nativity, detail from panel one of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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Stormy Sea with a Cliff, after Simon Jacobsz de Vlieger, ca. 1640 - 1660, 17th Century, oil on panel, 41 x 53 cm
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The Last Judgement, detail from panel four of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel)
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Halcyon smyrnensis
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Polyptych of the Dormition of the Virgin, detail of St. Gregory the Great (540-604) Praying for the Deliverance of the Soul of Trajan (53-117) from Purgatory, the Annunciation, the Flight into Egypt and Jesus with the Doctors (tempera on panel)
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Coloured engraving of an archer with long bow, wearing the uniform of the Toxophilite Society, with a green coat and a green feather in the hat. This engraving was designed by -- Slater as a plate for Thomas Waring's Treatise on Archery. Waring himself, a manufacturer of bows and arrows, of Charlotte Street, Bloomsbury, stood as the original model. Dated 17th April 1794
New Fuchsias.
Fuchsia. 1. Prince Leopold; 2. Black Prince; 3.
White Lady
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Muscat
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Thylacinus Cynolephalus, Gould. Common name: Tasmanian wolf, also known as Thylacine. Extinct species.
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King Edward VI, c.1550 (oil on panel)
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(First section) A medallion, partly damaged but containing some drawing in the lower half, atop a blank panel. - a monk-like figure reclining on a grassy platform, clothed in a white hooded robe, with his left eye closed; an angel standing at his feet, bearing a platter of unidentified objects. - a monk-like figure reclining on a grassy platform, clothed in a white hooded robe, awake; an angel standing at his feet, bearing a platter containing a heart with a knife stuck in it. A speech scroll accompanies the angel; the text is partially legible: 'Collirio inunge oculus tuos vi videns'. - a scroll, bearing a largely illegible inscription (from Ashmole Roll 53: 'Est lapis occultus secreto fonte sepultus fermentu variat lapide qui conta colora'); beneath, a frog.
(There is a join at this location between two sheets of paper. Comparison with Ashmole Roll 53 shows a small section is missing.) - within a ribboned section, seven roundels connected by laureal wreaths/ropes to a central red shape, illustrating stages in the alchemical process. Each roundel contains a monk-like figure similar to those depicted above, attending in various ways to a furnace, atop which sits a large flask containing a homunculus. - 
- the ribbons come together at a capital on top of a pillar. A naked, dragon-tailed woman straddles the pillar upside-down, caressing the head of a naked, bearded man climbing up beneath her. - the base of the pillar stands within a hexagonal battlemented enclosure filled with water. Six further monk-like figures stand in the turrets at the corners. The front wall of the enclosure bears a large red dragon and a small green frog.