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'Tempi Romani' images and/or videos results page 1 of 2

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Images of 'Tempi Romani' found, 96

Typical London Street Scene in Roman Times (gouache on paper)
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Italy, Pompeii, Forum Baths, 1st century Bc.Interior of the Tepidarium (photo)
Muse. The Roman sculpture after an original of about 130 BC was restored by Bertel Thorvaldsen.
Pompeii, Domus on Via Nocera (Nocera Street), Exterior view, Italy, La Campania
Gauls buried by the Romans - Engraving of the 19th century in "National History illustrated of France from the most remote times to the present day” 1876 -
Syria, Bosra, Roman Theatre, 2nd century AD, Reign of Trajan, View of the stage
Italy, Pompeii, Street of Abundance (photo)
Syria, Palmyra city, Baths of Diocletian, 4th century AD, Ruins, Partial view,
Pompeii, Fresco depicting God Mars with helmet and weapons, It decorated the garden walls of the House of Venus, 1st century AD
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The mouth of Odin's Mine, Derbyshire
Salus Populi Romani (tempera on panel) (b/w photo)
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Greek art. Asia Minor. Ephesus.  Overview of Street of Curetes.
Ancient Rome
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Pompeii, House of the Vetti, 1st century AD, Kitchen with pots
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Early Christians. Roman tombstone with Christian iconography. The deceased along with a dove and olive branch. Baths of Diocletian, part of the National Roman Museum Rome. Italy.
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Italy, Pompeii, House of the Vetti, 1st century AD, Kitchen with pots
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Syria, Dead Cities, Serjilla, Roman tavern, (Photo taken before the Syrian civil war)
Roman tombstone with Christian iconography. Amias Licinia deceased. Fish against an anchor.  Early third century A.D. Baths of Diocletian, part of the National Roman Museum Rome. Italy.
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Roman lictors carrying Fasces
Jerusalem and the Temple of Herod in Our Lord's Time, illustration from 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard) (see also 101203)
Roman tombstone with Christian iconography. Greek inscription. Catacombs of S. Ermete. 3rd AD century. Baths of Diocletian, part of the National Roman Museum Rome. Italy.
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Roman Art. Gravestone, dating the 1st century AD. Porta Nuova city gate in Milan. Italy.
Roman Art. Gravestone, dating the 1st century AD. Porta Nuova city gate in Milan. Italy.
Roman Art. Gravestone, dating the 1st century AD. Porta Nuova city gate in Milan. Italy.
Bust of Athena. Roman sculpture after original of about 420 BC. Glyptothek. Munich. Germany.
Bust of Athena. Roman sculpture after original of about 420 BC. Glyptothek. Munich. Germany.
Italy. Milan. Porta Nuova.
Bust of Athena. Roman sculpture after original of about 420 BC. Glyptothek. Munich. Germany.
Roman tombstone with Christian iconography. Amias Licinia deceased. Fish. Detail. Early third century A.D. Baths of Diocletian, part of the National Roman Museum Rome. Italy.
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Roman tombstone with Christian iconography. Amias Licinia deceased. Fish. Detail. Early third century A.D. Baths of Diocletian, part of the National Roman Museum Rome. Italy.
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Spain. Galicia. Lugo. Roman walls. 3rd Century.
Iran. Naqsh-e-Rustam. Necropolis. Sassanid period. The triumph of Shapur I (241-272).
RUINS DOUGGA TUNISIA
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Sundial of the Lycee Louis le Grand in Paris - Sundial. Louis le Grand School - Dial of Lycee Louis le Grand, in Paris, indicating European and astronomical times. This dial shows the local solar time, numbered at the bottom in Roman numerals. The declination lines are drawn in dots and bear the signs of the Zodiac at their extremity. Some lines have a chaotic trace, the effect of the unfortunate restoration of 1988. This dial dates from the construction of the tower, around 1679. Sundial of 17th century in Lycee Henri IV, Paris
Private Marcomanni (5), wearing a checkerboard tunic and his shield, he wears a crown, according to the practice of several ancient peoples to wear one before fighting. The Marcomanni lived between the Rhine and the Danube and rallied with the Moravian Quadi (6) to attack the Romans. The Quadi wears armor that covers it entirely, of a type that comes from ancient times. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Marble Street, High Angel View, facing North, Ephesus
Marble Street, High Angel View, facing North, Ephesus
Prytaneion, Ephesus
Marble Road, Ephesus
Theatre Baths, Aphrodisias, Stauroupolis
Prytaneion, Ephesus
Inscription, Marble Street, Ephesus
Constellation of Lupus and Norma - Constellation of Lupus and Norma - Also visible are the constellations of the Compas, the Southern Cross, and much of the Centaur. At the top of the picture, the bright spot is the planet Jupiter. Lupus, (the Wolf), was regarded by the Greeks and Romans as an unspecified wild animal, which the Centaur is carrying as a sacrifice the gods. The identification of Lupus as a wolf seems to have been made in relatively recent times. Both Lupus and Norma are in the rich starfields of the southern Milky Way, easily seen between Antares and alpha and beta Centaurii. The brightest object in this image is Jupiter, on the ecliptic at the top of the frame. Norma, (originally Norma and Regula, the builder's level and set square) is an insignificant scattering of stars compared to Lupus and Centaurus. Like the adjacent Circinus (the Drawing Compasses), it was invented by Nicolas de Lacaille, who charted the southern sky from South Africa in 1751 - 2 and felt obliged to fill vacant spaces in the sky with Enlightenment - inspired instruments of science
Spain: Bullfighting mural on a closed cafe grille, near the Real Maestranza bullring in Seville
Temple de Caelestis. In early Roman times "Thugga" became a capital of one of Rome..., 1990s (photo)
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Crompton electric curling tong heater, 1891
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Crompton electric curling tong heater with tongs (chauffe fer a friser electrique et fer a friser), 1891
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Constellation of Lupus and Norma - Constellation of Lupus and Norma - Also visible are the constellations of the Compas, the Southern Cross, and much of the Centaur. At the top of the picture, the bright spot is the planet Jupiter. Lupus, (the Wolf), was regarded by the Greeks and Romans as an unspecified wild animal, which the Centaur is carrying as a sacrifice the gods. The identification of Lupus as a wolf seems to have been made in relatively recent times. Both Lupus and Norma are in the rich starfields of the southern Milky Way, easily seen between Antares and alpha and beta Centaurii. The brightest object in this image is Jupiter, on the ecliptic at the top of the frame. Norma, (originally Norma and Regula, the builder's level and set square) is an insignificant scattering of stars compared to Lupus and Centaurus. Like the adjacent Circinus (the Drawing Compasses), it was invented by Nicolas de Lacaille, who charted the southern sky from South Africa in 1751 - 2 and felt obliged to fill vacant spaces in the sky with Enlightenment - inspired instruments of science