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29th chapter of Candide, philosophical novel by Voltaire (1694-1778), engraving after drawing by Jean Michel Moreau (1741-1814), illustration from Oeuvres completes de Voltaire, 1787
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Three Marys at Holy Sepulchre, fresco, upper church of St Benedict's Cave (Sacro Speco), Subiaco, Lazio, Italy, woodcut from Le cento citta d'Italia (hundred Italian towns), illustrated monthly supplement of Il Secolo, Milan, 1901
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Angel announcing Christ's resurrection to three Marys, detail from Scenes from life of Christ, Stories of New Testament, bas-reliefs by Lorenzo Maitani (before 1275-1330), third pillar, facade of Orvieto cathedral, Umbria, Italy, 13th-14th century
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Ms 9/1695 f.28 The Entombment of Christ and the Holy Women at the Tomb, from the 'Psautier d'Ingeburg de Danemark', c.1210 (vellum)
Christ Falls under the Cross
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Christ Bidding Farewell to his Mother (oil on canvas)
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The Resurrection of Christ and the Pious Women at the Sepulchre, 1442 (fresco)
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The Deposition of Christ from the Cross (panel)
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The Three Maries at the Tomb, carved plaque, School of palace of Charlemagne, French (ivory)
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Crucifixion (oil on canvas)
Entombment of Jesus Christ. Bottom, Saint John and the three Maries leaving the sealed tomb.
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The Three Maries at the Sepulchre, 1862 (stained glass)
The Deposition of Christ
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The Three Marys, 1633 (oil on canvas)
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The Descent from the Cross, detail of the women, 1521 (panel) (detail of 85135)
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Three Maries at the Sepulchre, from The Benedictional of St Æthelwold, c.963-984 (ink & gold on parchment)
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Office for the Dead at Vespers. Placebo, with initial 'P'. The three Maries at the sepulchre; the angel in the empty sepulchre; the women tell the disciples. Marginal scenes of a death-bed, a burial service, and a tomb with figures of mourners [perhaps of the Earl of Arundel]; and small scenes of men with a chest of money, a beggar, and a camel passing through a narrow gate.
Miniature in three registers of the Three Maries at the Tomb; the Three Maries before the Resurrected Christ; and the lion of Mark, at the beginning of the Gospel of Mark.
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Plaque depicting the Holy Women at the Tomb (ivory)
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Madonna and Child with Saints, detail from the predella of the Death of the Virgin (tempera on panel) (detail of 80340)
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Crucifixion, top half of a panel (see also 78637) (panel)
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Three Maries at the Sepulchre
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Three Maries at the Sepulchre
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Jesus Christ in pity between Our Lady, the three Maries, holy bishop (Sant'Ercolano?) , St. John the Evangelist, St. John the Baptist and St. Agatha, 1479 (tempera on canvas)
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The Three Maries at the Tomb (stained glass)
The Three Maries
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Lamentation over the Body of Christ, with St. Dominic, 1442 (fresco)
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Princess Marie Lubomirska, 1881 (oil on canvas)
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Madonna and Child with three Saints (Madonna con il Bambino e tre Santi), by Carlo Maratta, 1625 - 1713, 17th Century, oil on canvas, 400 x 222 cm
Marie Taglioni as the Sylph in Filippo Taglioni's 1832 ballet La Sylphide; Fanny Elssler as Florinda in the dance La Cachucha from Jean Coralli's 1836 ballet Le Diable boiteux; and Fanny Cerrito in the Grand pas de Diane from Albert's 1842 ballet La Jolie Fille du Gand.
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The three Maries (Holy Women) who discover the tomb of Christ empty while the angel Gabriel announces his resurrection to them. Painting by Bartolomeo Schedoni (or Schedone, 1578-1615), 17th century. Galleria nazionale of Parma Italy
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Two saints from the Quaratesi Polyptych: St. Mary Magdalen and St. Nicholas 1425 (tempera on panel) (detail of 53943, see also 85683)
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Three Marys at tomb by Bartolomeo Schedoni (1578-1615), oil on canvas, 200x281, 5 cm, 1613
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Psalm 49. the Entombment
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The Dead Christ Mourned ('The Three Maries'), 18th century (oil painting)
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The Crucifixion
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The angel shows the Three Maries the empty tomb, with sleeping soldiers below. London Psalter. between 1250 and 1260.
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M Sklodovski and his three daughters (b/w photo)
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Marie Laurencin, from the Marcel Jouhandeau Album, 1922 (b/w photo)
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Marie-Angelique Scoraille de Rousille, Duchesse de Fontanges (enamel)
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Deposition from the Cross (oil on canvas)
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Marie Curie, 1931 (b/w photo)
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