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Demonic beasts.
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Manuscript text and drawing/s.
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A troll.
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Pen and ink drawing of a unicorn, with colour wash; rubrication and text
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(Whole folio) A unicorn, ensnared by a virgin, is caught by a hunter.
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Decorated initial and hybrid and non-hybrid creatures.
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A griffin
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The Green knight.
A letter T and a figure.
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An elephant and a dragon. Two animals facing each other. Dragon breathing fire.
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A plant, flowers and seedheads, and a centaur. Half man half goat. A herbal and bestiary Pharmacopoeia.
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ACT IV: Scene I, line 37
Go bring the rabble
O'er whom I give thee power, here to this place.
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An engraving of a dragon.
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Plants with foliage and flowers, and a centaur holding a plant. A herbal and bestiary Pharmacopoeia.
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Frontispiece of 'Il Seneca di G. F. Bonomi'
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The slave of the ring
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A dragon.
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A 17th century woodcut depicting a winged serpent.
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Inside of a decorated manuscript cover showing animals, mythical beasts, trees and plants
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Inside of a manuscript cover decorated with animals, mythical beasts, trees and plants
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Dragon in a pit, with a woman holding a crucifix.
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A scene from 'Marvels of the East'
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The dragon and the grandmother.
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Animals of the zodiac with explanations and illustrations of lucky and unlucky omens.
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Father time and the fairies.
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Illustration of two human-elephant hybrid creatures standing upright, and a baby on the ground.
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Illustration of sculpture of centaur from Italy.
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John the Baptist flanked by a lion and a unicorn.
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The genie.
An illustration for 'Aladdin and his Wonderful Lamp ..'.
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Rustam and his horse Rahksh fighting a dragon
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A map of Guiana.
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Story of Susa, the impetuous.
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"Stopping beside a fountain, she let her hair fall loose, and dipped her weary feet in the cool in the cool water."
The Blue Bird.
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Lucky and unlucky omens.
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'He saw a genie of monstrous bulk advancing towards him'
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He struck a violent blow upon the monster's head as it passed.
The lambton worm.
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Pen and ink drawing of a centaur , with colour wash; rubrication and text
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Male and female sea creatures on a parade float
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Drawings based on the Chinese zodiac.
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ACT I: Scene II, line 382
BURTHEN [dispersedly]. Hark, hark.
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Mascot figures who influence the fortunes of persons born in the year of the rabbit
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Gave the warm rich milk to him.
The Prince-Dragon.
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Centaur and man
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Bringing together the four symbols. A dragon, tiger, tortoise and a bird, the animals of the four directions, surround an alchemical crucible
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Illustration of the marriage of the dragon and the tiger. A boy rides the tiger, and a girl rides the dragon. They infuse their energies into the alchemical crucible
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An illustration of a double-headed serpent
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Symbolic depiction of a chakra, showing a sea creature.
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Miniature of a human-headed dragon, representing the papacy of Urban VI whose election was contested and resulted in the appointment of the anti-pope Clement VII
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A woodcut showing a woman riding a dolphin, in the sea.
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Dragon with the head of king. Allegorical.
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Cotton Vitellius A. XV f.103v, A tree from which balsam grows; a donestre, a beast-headed man, on the left holding a human leg and foot, and a person on the right, illustration from Beowulf, from the 'Nowell Codex' (ink on parchment)
Scene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman,
watches Ondine, the water sprite.
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The deeds of Merlin: Vortigern finds red and white dragons beneath the foundation of his castle.
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Illustration of human-bird hybrid creatures.
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Pegasus at the foot of a mountain.
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"At this very instant the young fairy came out from behind the hangings". Illustration for the story 'the Sleeping Beauty in the wood'.
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Cotton Vitellius A. XV, f.100, A cynocephalus, a man with a dog-like head, illustration from Beowulf, from the 'Nowell Codex' (ink on parchment)
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Scene from 'La Sylphide', a ballet. James, a Scottish farmer, dreams of the Sylph.
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Scene from 'La Sylphide', a romantic ballet. James, a Scottish farmer, pursues the sylph through the woods.
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A fairy and an elf.
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ACT IV: Scene I, line 132
Come, temperate nymphs, and help to celebrate
A contract of true love.
Prospero instructs Ariel to leave garish clothing on a tree to tempt the men.
Plants with flowers and leaves. Medicinal benefits. A herbal and bestiary Pharmacopoeia.
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Diagram symbolizing the Trinity
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Title page of 'Tre quesiti in dialogo sopra il fare batterie..'.
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Bahram Gur killing the dragon
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Woodcut Illustration of a man in profile surrounded by mythical and real beasts. A religious subject.
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"Out of the fire flew a beautiful bird, who, singing deliciously, rose up high in the air."
The Juniper-Tree.
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A unicorn.
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Scene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman, sees the naiad arise from the water, standing on a sea shell.
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Red lacquer cover with a design of carved dragons.
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Red lacquer cover with a design of carved dragons and calligraphy by the Quianlong Emperor (1711-99).
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Red lacquer cover with a design of carved dragons and calligraphy by the Quianlong Emperor (1711-99).
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The Temple of God and the Ark of His Testament; the Woman and the Dragon (Rev. 11: 19, 12: 1-5).
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Very Nearly! "All alone, those rocks amid- one night I very nearly did!"
Three mermaids
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"The fairy there welcomed her majesty."
The Butterfly.
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A lady and a unicorn
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Plants with foliage and flowers. Different root systems. A man holding a sword, with a dragon. Dragon slayer.
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The mermaid.
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"Oh ! they do get away down under ground. In hollow pleazen where they can't be found." A scene of Faries and other mythical beings.
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A burst of flame and on either side a lion salient before a wall, and two scrolls ('The mouth of the Collorick beware' and 'Heare is the last of the red stone and the beginning to put away the dead the elixir vita').
A sun above a crowned male Bird of Hermes, standing on a dark, sea-filled orb and surrounded by droplets of fire; the border of the orb is inscribed with the words 'aquila anima spiritus' in various combinations, and is stuck with eight feathers.
A large scroll bearing verses in two stanzas.
A scroll bearing an inscription ('The Red Sea, The Red Sol, The Red Elixir Vitae'), above a yellow sun containing three interlinked orbs (red, white and black).
A crescent moon, being bitten by a large brown dragon, beneath.
The Moon Maiden.
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Illuminated miniatures, of the plant sorrel (Oxilapatium), which was used for curing stiffness; and the plant Curmel held by a centaur, because of its Latin name (Centauria maior)
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Midsummer's night dream.
Act IV. Scene I
A wood. Titiana, Queen of the fairies, Bottom, fairies, attending etc
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"Three spirits mad with joy come dashing down on a tall wayside flower." Illustration for a poem by Tennyson. "A Fairy Revel, before the coming of Guinevere."
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When Caliban was lazy and neglected his work, Ariel would come slily and pinch him'.
Scene from 'the Tempest'.
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Scenes from the life of the Buddha.
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Crest of the Worshipful Company of Skinners with shield and dragons.
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A lion ('leo viridis') and a dragon ('basiliseus horribilis') salient , the left one white and the right one red, rearing up before a hermetic flask (labelled above 'matrimonium viri et mulieris', and below 'hec duo mercurious mundi') that contains golden droplets, a golden bird ('spiritus'), a white woman ('anima') and golden man ('corpus').A furnace heating a bath containing a flask, entitled 'Ignis viseralis calida sed humido operatur in frigides et siccis virtutem'); a verse in English beneath.Two distillation flasks with conjoined spouts, containing golden droplets.a tower furnace enclosing two conjoined flasks that separate 'spiritus' (above) from 'anima' and 'corpus' (below); Latin verses on either side.
Miniature of Mary Magdalene (with an unguent-pot), Mary of Egypt (covered with long white hair and holding a loaf), Margaret (piercing a dragon with a long cross) and another (with a palm-branch). A bas-de-page scene of Margaret tied up by her hair, being scourged and lacerated by four figures with flesh-hooks
Illustrations of characters from Harley Granville Barker's production of a Midsummer Night's Dream
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