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Images of 'Bleu Jay' found, 57

Geai bleu - Blue jay (Cyanocitta cristata)
Jay, blue jay and magpie. , 1839 (engraving)
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Blue Jay, printed by Julien Bien and published by Roe Lockwood & Son, 1861 (chromolithograph)
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Blue jay
Blue Jay Nineteenth Century Engraving
California scrub jay
Blue-Jay for Corns Magazine, advert, USA, 1950s
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Garrulus glandarius
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Blue-Jay for Corns Magazine, advert, USA, 1910s
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Cyanocitta cristata
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MARINERS BRET BOONE JUMPS OVER SLIDING BLUE JAY KEN HUCKABY, 2002-05-15 (photo)
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Jay from Peru (print)
Garrulus glandarius
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Yankee Rickey Henderson has the tag put on him by Toronto Blue Jay Rance Mulliniks after being caught in a run down, 1986-06-20 (photo)
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Blue Jay Rob Ducey steals 2nd as Mariners' Harold Reynolds is late with tag, 1989-05-08 (photo)
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Birds
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Blue Jay George Bell and Angel catcher Jack Fimple watch as ball hit by Bell sails over fence for homer, 1987-09-02 (photo)
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Untitled, c.1923 (oil on canvas)
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Blue Jay Manny Lee is out at 2nd on a tag by White SOx Fred manrique after trying to stretch a single, 1988-08-24 (photo)
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Birdbath, 2021 (w/c on paper)
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Cyanocitta cristata, Blue Jay, Plate 102 from John James Audubon's Birds of America, original double elephant folio, 1827-30 (hand-coloured aquatint)
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Fleur de Sel No. 1 Paris In Winter, 2021 (oil on canvas)
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Calocitta colliei, Black-Throated Magpie-Jay, Plate 96 from John James Audubon's Birds of America, original double elephant folio, 1827-30 (hand-coloured aquatint)
Fleur De Sel No. 12 This Is Not A Rose, 2021 (oil on canvas)
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Blue Jay, (drawing)
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Garrulus glandarius
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Blue Jay Kelly Gruber strains as he makes an off balance throw to 1st on a bunt, 1988-06-26 (photo)
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Blue Jay George Bell slides past ANgels catcher Butch Wynegar to score, 1988-05-01 (photo)
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Blue Jay Tony Fernandez jumps over top of Tiger Terry Harper to complete double play, 1987-06-15 (photo)
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Blue Jay Tony Fernandez tags out Yankee Ricky Henderson trying to steal second, 1987-06-30 (photo)
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Blue Jay Nelson Liriano jumps high over Lou Whitaker of the Tigers who was forced at second, 1987-09-25 (photo)
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Blue Jay Lloyd Moseby slides into second as Mariner Rey Quinones throws to first on double play, 1987-09-06 (photo)
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Portrait of a young woman in a bluish mantle, circa 1780 -1785 (miniature)
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Portrait of a young woman in a white kerchief, 18th century (metal, enamel, copper)