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Poster advertising La Vie Populaire, Parisian magazine dedicated to novel La Bete Humaine, by Emile Zola (1840-1902)
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Algerians sign up for the Armee Nationale Populaire, Paris, 1963 (photo)
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Algerians sign up for the Armee Nationale Populaire, Paris, 1963 (photo)
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Algerians sign up for the Armee Nationale Populaire, Paris, 1963 (photo)
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Architectural detail of the popular pavilion (Pavillon Populaire) next to the Place de la Comedie Montpellier France

Facade of the Pavellón Popular photographic art center (Pavillon Populaire), The creation in 1984 of the Municipal Photography Gallery, which culminates with the appearance of the Biennial "Montpellier Photo-Visions" in 1991, generated the need for a space for photography in the so-called "Popular Pavilion", This is a space that allows for large exhibitions, a large archive of images and a library, With these characteristics, its objectives are aimed at the investigation of contemporary authors and private collections, especially of an international nature, the dissemination of photography in all its forms and techniques, the search for new interlocutors for the creation of projects and finally the establishment of Contacts between national and international authors in relation to the cultural policy of the Villa de Montpellier and the Languedoc-Roussillon region, 2020 (photo)
Turin le 15/05/1939 Mussolini visitant le nouvel établissement de la Fiat Mirafiori accompagné du sénateur Giovanni AGNELLI (à sa droite), de Dino ALFIERI (Ministre de la culture Populaire) et d'Achille STARACE (Secrétaire du PNF)
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Painted wall depicting men with a camel (wall painting)
Painted wall depicting a man with a camel (wall painting)
Painted wall depicting the Kaaba camel (wall painting)
The Ganges, India, c 1915
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European man and African woman, c 1925
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A snapshot photograph of a group of Indian women, taken by an unknown photographer in about 1910
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Outdoor political propaganda poster print media displayed on Parisian side newsstand…, 1936 (photo)
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14th party of the GDR Christian Democrats
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Reading/work-piece No 63, 1963 (mixed paints on canvas)
Wolf Biermann performing in East Germany for the first time since he was deprived of his citizenship in 1976, Leipzig, 1st December 1989 (photo)
Popular Big Beat 'Mephisto' singer Pruneova with 1912 Bugatti in 1964.
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The finals of the 'Top Pops of Czechoslovakia' in 1965. Singing are: Michael Volek (left) and Pavel Bobek.
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Palermo's popular culture is above all religious
People's receiver on the IFA in Berlin, 1933 (b/w photo)
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Wolf Biermann performing in East Germany for the first time since he was deprived of his citizenship in 1976, Leipzig, 1st December 1989 (photo)
Wolf Biermann performing in East Germany for the first time since he was deprived of his citizenship in 1976, Leipzig, 1st December 1989 (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Wolf Biermann performing in East Germany for the first time since he was deprived of his citizenship in 1976, Leipzig, 1st December 1989 (b/w photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Wolf Biermann performing in East Germany for the first time since he was deprived of his citizenship in 1976, Leipzig, 1st December 1989 (b/w photo)
'Dandy Jim, from Carolina', a free black who dressed and acted above his station, as shown on this sheet music from 1843
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A man selling trinkets for cabs, in Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one.  (photo)
Giant heavy-lidded eyes painted on side and back panels and pastel-colored scarves fluttering from cab windows are intended to ward off the evil eye. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one.  (photo)
Wolf Biermann performing in East Germany for the first time since he was deprived of his citizenship in 1976, Leipzig, 1st December 1989 (b/w photo)
Kalsa district. Palermo. HLM decorated. Figures of Palermitan popular culture
Zulu Village and Dancers Africa, 1879 (engraving)