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Images of 'D'arimathie' found, 104

The Entombment and the swoon of the Virgin (stone)
Joseph of Arimathea Seeks Pilate to Beg Permission to Remove the Body of Jesus, illustration from 'The Life of Our Lord Jesus Christ', 1886-94 (w/c over graphite on paper)
Add. 38117, f.224 Miniature of Arthur and Guinevere, from 'Suite de Merlin or Post-Vulgate Suite', by Robert de Boron, c.1310 (vellum)
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The Entombment and the swoon of the Virgin (stone)
The Entombment and the swoon of the Virgin (stone)
JESUS OF NAZARETH (Movie & TV drama Miniseries) 1977 (film still)
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Cross descent, 1500 (oil on wood)
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Christ Sustained by Joseph of Arimathea
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Christ Sustained by Joseph of Arimathea with the Virgin Mary
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Tomb of Joseph of Arimathia (Arimathee). In “” Views in Egypt”, 1802.
Joseph of Arimathea, c.1650-1750 (pastel, charcoal and blood on paper)
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Joseph of Arimathea, c.1650-1750 (pastel, charcoal and blood on paper)
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Mary Magdalene, Saint John, the Virgin, an old man and Joseph of Arimathea
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The Head of Saint Joseph of Arimathea in Prayer (after Rogier van der Weyden)
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Former monastery (Zwartzusterklooster). The cloister. A stained glass window. Scene of Our Lady of Sorrows. The Burial of Jesus by Joseph of Arimathea.
Pieta. Saint Joseph of Arimathia, Saint Nicodema, Saint Mary Magdalene, Saint John and the Virgin Mary surrounding the body of Jesus Christ, 1495 (oil on canvas)
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Christ Sustained by Joseph of Arimathea surrounded by the Virgin Mary, an old man, Saint Magdalene, Saint John, Mary of Cleophas and Mary Salome
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The Deposition, 1521 (oil on wood)
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The Crucifixion, early 14th century. The Virgin Mary wrings her hands in distress. From the Romance of the Saint Graal.
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Illustration for the Royaumont Bible, 1811 (engraving)
Joseph of Arimathea collecting Christ's blood at the crucifixion, c1300-c1350. Joseph of Arimathea using the vessel from the last supper, the Holy Grail, to collect Christ's blood at the crucifixion. From the Quest of the Holy Grail and the Morte d' Arthur.
The Deploration of Christ (Lamentation of the Dead Christ), detail. Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud, Saint John supports the Virgin Mary who faints, Saint Mary Magdalene heals the wounds of Jesus with ointment and Saint Francis of Assisi recognizable by his stigmata. Most of them have tears on their cheeks and cry. In the background, the city of Avignon. Anonymous painting from the Avignon school, undated. altarpiece. Oil on wood. Collegiate Church of Pignans, Var.
The Deploration of Christ (Lamentation of the Dead Christ). Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud, Saint John supports the Virgin Mary who faints, Saint Mary Magdalene heals the wounds of Jesus with ointment and Saint Francis of Assisi recognizable by his stigmata. Most of them have tears on their cheeks and are crying. In the background, the city of Avignon and in the foreground the nails and the crown of thorns. The inscription I.N.R.I. (INRI) can be seen on the cross. Anonymous painting from the Avignon school, undated. altarpiece. Oil on wood. Collegiate Church of Pignans, Var.
JESUS'S BODY TAKEN
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Deposition in the sepulchre Lamentation of Christ - oil on panel, 1460-1463
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Deposition, c.1510-13 (oil on panel)
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Deposition, by Felice Schiavoni, 1830, 19th Century, oil on canvas
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Cross descent (sculpture)
Pieta', 1493-94 circa, (oil on wood)
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Crucifixion, by Francesco Polazzo, 18th Century, canvas
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Glastonbury Thorn
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Deposition from the Cross and Transport to the Sepulchre (Deposizione e trasporto al sepolcro), by Guillaume de Marcillat, 1500, 16th Century, stained glass window
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Stone of Anointing, Church of the Holy Sepulchre, Jerusalem
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