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optical illusion (print)
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Sketch for Optique de Precision, 1925 (ink on paper)
Projecting Praxinoscope
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Projecting Praxinoscope
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Lorenzo de' Medici (1449-92) surrounded by artists, admiring Michelangelo's 'Faun' (fresco)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)
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Through the Window, 1981 (oil on board)
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Untitled, c.1970s (colour screenprint)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting open cupboards and niches designed by Baccio Pontelli (d.1492) displaying above the portraits of illustrious men painted by Pedro Berruguete (d.1503) and Juste Gand (1435-80) (photo)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a display of sections of armour in a curtained cupboard, designed by Baccio Pontelli (d.1492), 15th century (wood)
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The Triumph of Christianity, in the Room of Constantine, Raphael Rooms, c.1585 (fresco)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78488)
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Self Portrait, 1646 (Painting)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a cupboard with latticework doors open to reveal shelves of books, designed by Baccio Pontelli (d.1492), 15th century (wood)
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Lorenzo amongst the artists (fresco)
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Still Life, 1675 (oil on canvas)
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Planches, 1972 (acrylic on panel and canvas)
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Rabbit-Duck, 1892 (wood engraving)
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Vega-WA-3, 1968 (tempera on board)
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Reclining Nude, 1983 (oil on canvas)
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The Theatre (photo)
A door flanked by two guards, from the Tomb of the Augurs, 5th century BC (mural painting)
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The children of King Christian II of Denmark, Norway and Sweden (1481-1559); John, Christina and Dorothea
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Door with Lanterns, c.1880 (oil on canvas)
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Anamorphosis (oil on canvas)
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Doughnuts (mixed media)
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Anamorphosis (oil on panel)
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Sala dei Cavalli, detail showing a portrait of a chestnut horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco)
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The trompe l'oeil oculus of the Camera degli Sposi, 1465-74 (fresco)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting (L) an open cupboard of books and (R) Hope in an architectural niche with musical instruments on a shelf below (wood)
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Charlotte Philippine de Chatre de Cange, Marquise de Lamure (pastel on blue paper)
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Detail of the cyclops, from the destruction of the giants by Jupiter's thunderbolts, Sala dei Giganti, 1536 (fresco)
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Interior view of the house with frescoes dating from 25 BC - AD 25 (fresco)
Frescos in the Tablinium, House of Livia, 1st century AD (photo)
The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco)
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A Philosopher
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Mosaic from the House of Neptune and Amphitrite (mosaic) (for room see 113527)
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Gray Scramble (single), 1969 (acrylic on canvas)
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A scene from 'Didone Abbandonata' (oil on canvas)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a reading stand in an alcove designed by Baccio Pontelli (d.1492), 15th century (wood)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)
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Sala dei Cavalli, detail showing a portrait of a chestnut horse from the stables of Ludovico Gonzaga III of Mantua, its cheek branded with a 'G', 1528 (fresco)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting (L) a cupboard containing astrological instruments and books and (R) Faith in an architectural niche, designed by Baccio Pontelli (d.1492), 15th century (wood)
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An engraving depicting a method of using a camera obscura as a drawing aid, 19th century
Sala dei Giganti, view of two walls showing the destruction of the rebellious giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78483-86)
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Convexity, 1966 (acrylic on canvas)
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Anamorphosis (oil on panel)
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Summer (oil on canvas)
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Central vault of the Church of Saint Ignatius of Loyola (Chiesa di Sant'Ignazio di Loyola) in Rome, a mural representing the apotheosis of Saint Ignatius of Loyola, founder of the company of Jesus, canonized in 1622 and the allegory of Jesuit missionary work, The dome en trompe l'oeil, carried out in 1685 Andrea Pozzo (1642-1709), Art of the Contre reforme, Italian religious architecture in Baroque style dating from the 17th century. Photography, KIM Youngtae, Rome, Lazio, Italy.
Add 35214 f.67 Flowers and butterfly, from a Book of Hours, Paris, 1515-20 (vellum)
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Garden Paintings from the so-called 'Villa of Livia', Primaporta, Rome, c.20 BC (fresco)
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