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Animal Farm, p34 Chapt 3, 1995 (drawing)
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Animal Farm, p39 Chapt 3, 1995 (drawing)
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Animal Farm, p35 Chapt 3, 1995 (drawing)
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Animal Farm, p31 Chapt 3, 1995 (drawing)
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Animal Farm, p3 Chapt 1, 1995 (drawing)
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The Yûgao Chapter from "The tale of Genji", 1886, 3rd month (woodblock print; ink and color on paper)
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Dick Tracy's G-Men,chapter 3 The false signal, 1939 (print)
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Windmill design for irrigation, engraving by Giacomo Bassaglia, 1835
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Decorative element at beginning of Chapter 3, illustration from Milan Cathedral and designs for facade, by Camillo Boito (1836-1914), 1889
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Fluid mechanics, hydraulics, engraving by Giacomo Bassaglia from Hydraulic Architecture or Art of conducting, 1835
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Communicating vessels, fluid mechanics, hydraulics, engraving by Giacomo Bassaglia, 1835
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The Dog and the Horse, Chapter 3 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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Water wheels, fluid mechanics, hydraulics, engraving by Giacomo Bassaglia, 1835
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Chapter 22, The Tendril Wreath (Tamakazura) (colour woodcut)
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Newcomen steam engine, engraving by Giacomo Bassaglia, 1835
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Chapter 37, The Flute (Yokobue) (colour woodblock print)
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Chapter 30, Thoroughwort Flowers (Fujibakama) (colour woodblock print)
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Medieval Latin manuscript with illuminated Illustration of Shadrach, Meshach, and Abednego
Papyrus 782, Fragments of the Gospel of St. John
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Designs of wagons for fire pumps, engraving by Giacomo Bassaglia, 1835
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Chapter 10, Under The Cherry Blossoms (Hana No En) (colour woodcut)
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Papyrus 2484, Fragments of the Gospel of St. John (ink on papyrus)
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Chapter Title Page of 'The Battle of Gettysburg' page 541, Volume 4 (w/c on paper)
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Matsukaze with Genji Crest, Chapter 44 from 'The Tale Of Genji', 1852 (colour woodblock print)
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Aoi, With Genji Crest For Chapter 9, “Aoi,” Of The Tale Of Genji (colour woodblock print)
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Otome with Genji Crest, Chapter 44 from 'The Tale Of Genji', 1852 (colour woodblock print)
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Kiritsubo, with Genji Crest, Chapter 10 from 'The Tale Of Genji', 1852 (colour woodblock print)
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Unread, with Genji Crest, Chapter 16 from 'The Tale Of Genji', 1852 (colour woodblock print)
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Sekiya, with Genji Crest, Chapter 16 from 'The Tale Of Genji', 1852 (colour woodblock print)
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Windmill design for raising water, engraving by Giacomo Bassaglia, 1835
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E-Awase, with Genji Crest, Chapter 17 from 'The Tale Of Genji', 1852 (colour woodblock print)
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Anatomy of a tree: cross section of pine branch 1b, wood chip 1a, the same magnified 2, magnified further 3. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1798. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.
Termite: male 1a, magnified 1b, worker 2a, magnifed 2b, female 3, pregnant female 4, nest 5, and cross section through mound 6. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1798. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.
'The Return after 3 days', 1865
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Portrait of King Solomon (c.1011-c.928 BC), by Gustave Dore (1832-1883) (engraving)
Amedeo Modigliani - Dialectics No.3 Male/Female
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Witches burnt, from Les Grandes chroniques de France, MS Royal 16 G VI  f. 64, 1332-50 (ink on parchment)
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The image of Gold and the Fiery Furnace, 2010 (acrylic on canvas)
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The Fiery Furnace (gouache on paper)
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Plate 3 showing gems and precious stones, carved and polished.

Gems and Precious Stones of North America. A popular description of their occurrence, value, history, archæology, and of the collections in which they exist, also a chapter on pearls and on remarkable foreign gems owned in the United States.

George Frederick Kunz

New York : Scientific Publishing Co., 1890.
The Investiture of Napoleon III with the Order of the Garter, 18 April 1855, 1860 (oil on canvas)
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Page from Volume 3 of the “Shirley” manuscript, written by Charlotte Bronte (1816-1855) around 1849. Chapter entitled “The Valley of the Shadow of Death” written after losing his brother and sisters, beginning with a harrowing sentence: “The future sometimes seems to sob a low warning of the events it is bringing us, like some gathering though yet remote storm, which, in tones of the wind, in flushings of the firmament, in clouds strangely torn, announces a blast strong to strew the sea with Wrecks”
The Art of Letter Writing, 2007 (w/c on paper)
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Lot and his daughters - Bible
The Fiery Furnace, 19th century (engraving)
BAPTISM OF JESUS/JOHN
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Gutenberg portrait - German
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Khoi-San musicians await the return of Sarah Baartman's remains in Cape Town, May 3, 2002. Baartman,.., 2002-05-03 (photo)
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Little Women by Louisa M Alcott
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illustration for Candide by Voltaire, 1809 (engraving)
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