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Images of 'Kopfhaut Schale' found, 69

St. Roch (oil on canvas)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
St. Sinibaldus, from an organ shutter from the Church of San Bartolomeo, 1508-09 (see also 81280)
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Trompe L'Oeil with Fan, 2005 (w/c on paper)
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St. James, detail from the San Martino polyptych (tempera on panel) (see 76671 and 76669)
Bust of Muzio Frangipane (d.1588) c.1630-40 (marble) (b/w photo)
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St James the Greater (tempera on panel)
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Red Shelves (oil on panel)
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Venus from a series of reliefs depicting the planetary symbols and signs of the zodiac by Agostino di Duccio (1418-81), c.1450 (plaster)
Ikebana 07, 2018 (photography)
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Boys Blowing Bubbles, c.1640s (Oil on canvas)
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Oyster plate, manufactured by Union Porcelain Works, Greenpoint, New York, c.1880 (porcelain)
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Oya Shell I, 2016, charcoal on paper (from the hand drawn animation The Masque of Blackness)
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Fresh fish, 2014 (gouache)
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Ikebana 06, 2018 (photography)
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Venus Between Two Amores (oil on panel)
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Samurai helmet (wood, lacquer, metal & fibre)
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Languedoc, 2015 (gouache)
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Laing MS III 283, fol.484v, Vanitas, The Hague, from the 'Album Amicorum' of Michael van Meer, 1622 (w/c on paper)
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Modern Catholic Church (photo)
Chartres cathedral, South portal, central door, jamb figures, c.1145-50 (b/w photo)
Detail from an urn, Belvoir Castle, Leicestershire (b/w photo)
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Busts, Chateau du Chastenay, Burgundy, France (b/w photo)
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The arrival of Lohengrin in Antwerp, from the Lohengrin Saga, Salon, c.1882-83 (oil on canvas) (detail of 419254)
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The arrival of Lohengrin in Antwerp, from the Lohengrin Saga, Salon, c.1882-83 (oil on canvas) (see also 419255)
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Sioux chief ha-won-je-tah, One Horn, of the Mee-ne-cowl-e-gee band, named for a single shell hanging from his neck. In a robe of elk skins fringed with porcupine quills and scalp-locks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.