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Half-man half-woman, engraving from Coelestis Physiognomoniae (Celestial Physiognomy), Book V, by Giambattista della Porta, printed by Giovan Battista Sottile, 1603, Naples
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Allegory of Sun (right) and Moon (left), engraving from Coelestis Physiognomoniae (Celestial Physiognomy), Book II, by Giambattista della Porta, printed by Giovan Battista Sottile, 1603, Naples
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Comparison between head of boy and head of boar, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Portrait of Giacomo Attendolo (1369-1424) and Gian Galeazzo Visconti (1351-1402), engraving from Coelestis Physiognomoniae (Celestial Physiognomy), Book II, by Giambattista della Porta, printed by Giovan Battista Sottile, 1603, Naples
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Comparison between head of man and head of ox, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Comparison between head of man and head of crow, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Comparison between head of eagle and head of Servius Sulpicius Galba, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Comparison between head of dog and head of Plato, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Comparison between head of man and head of ram, engraving from De Humana Physiognomonia (On Human Physiognomy), Book II, by Giambattista della Porta, printed by Giuseppe Cacchi, 1636, Vico Equense
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  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
'Heures de l'Usage de Rome' open at a page depicting the Death of the Virgin, printed by Philippe Pigouchet, 1498 (vellum)
C.45.h.3 The Astronomer Tycho Brahe, aged 40, in 1587, amongst his astronomical instruments, from `Tychonis Brahe, Astronomi Instaurat Mechanica', 1598 (coloured engraving)
K.8.K.7. Book 2 plate IV The Music and Ceremony concluded, the Dance begins : music, dance steps and dancers for a Minuet from Kellom Tomlinson's 'Art of Dancing', engraved by Jan van der Gucht (1697-1776), 18th century (engraving)
Titlepage from 'Of ghostes and spirites walking by nyght', 1572 (woodcut)
Hirsch 5258 'A singing lesson in a girls boarding school', frontispiece to 'Grande Methode Complete de Chant', 19th century (engraving)
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Hirsch I 569 f.43v Illustration of dance steps, from 'Orchesographie' written by canon Jehan Tabourot (alias Thoinot Arbeau), Langres, France, pub. 1589 (woodcut)
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Book cover "Arsène Lupin, gentleman thief", 1921 (print)
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The Popular Dream Book, titlepage, c.1883 (engraving)
Hirsch I 429 p.118 Two couples dancing, from 'Nuove Inventione' written by Cesare Negri, engraved by Leone Pallavicini (fl.c.1590-1616) (engraving)
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Hirsch I 569 f.17 Instructions to a military band on how to play when accompanying soldiers into battle, illustrated with musicians and soldiers, from 'Orchesographie', written by canon Jehan Tabouret (alias Thoinot Arbeau), Langres, France, pub. 1589 (woodcut)
Hirsch I 429 p.197 A couple dancing, from 'Nuove Inventione' written by Cesare Negri, engraved by Leone Pallavicini (fl.c.1590-1616) (engraving)
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K.8.K.7.Book 2 plate IV 'A single dance for a Young Lady', music, dance steps and dancer from Kellom Tomlinson's 'Art of Dancing', 18th century (engraving)
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Line drawing titled 'La Grant Danse Macabre' from one of the earliest printed books
K.8.K.7 Book I plate IV 'Saraband', the music, dance steps and dancers, from Kellom Tomlinson's 'Art of Dancing', engraved by H. Fletcher (fl.1729) (engraving)
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Hirsch I 569 f.40v Two musicians accompany a couple dancing the 'Reuerence', from 'Orchesographie', written by canon Jehan Tabouret (alias Thoinet Arbeau), France, Langres, pub. 1589 (woodcut)
Cover of a book against the dances
1488.5 Planet Man, from a Book of Hours printed by Philippe Pigouchet for Simon Vostre, 1498 (vellum)
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The Adventures of Arsène Lupin: The Eight Blows of the Clock, 1924 (print)
Book cover "Arsène Lupin, gentleman thief", 1921 (print)
'Peter Pan and Wendy' by James Matthew Barrie (print)
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Two Pages of a Printed Book by William Caxton, (c.1422-91)
Hirsch I. f.191. Frontispiece to 'Theoricum Opus Musicae', written by Garfori (1451-1522), pub. c.1496 (woodcut)
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Hirsch I. 196 Frontispiece to 'Practica Musicae', 1512 written by Gafori (1451-1522) (woodcut)
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'La Gerusalemme liberata' by Torquato Tasso (1544-95) published in 1617
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Title page from Actes and Monuments (engraving)
Fasciculus medicinae
Front cover of 'Contes des Grand'mères' by Xavier Marmier, 1892 (printed textile)
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United States, 1950s: written text on printed book
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Dust jacket of Adolf Hitler's  'Mein Kampf', 1930s (print)
Title page of Rongo 論語 or ‘Analects of Confucius’, printed c.1390-1450 (vellum)
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