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Self Portrait, 1646 (Painting)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)
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The Triumph of Christianity, in the Room of Constantine, Raphael Rooms, c.1585 (fresco)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Lorenzo de' Medici (1449-92) surrounded by artists, admiring Michelangelo's 'Faun' (fresco)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78488)
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Untitled, c.1970s (colour screenprint)
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Through the Window, 1981 (oil on board)
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Still Life, 1675 (oil on canvas)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a display of sections of armour in a curtained cupboard, designed by Baccio Pontelli (d.1492), 15th century (wood)
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Lorenzo amongst the artists (fresco)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Central vault of the Church of Saint Ignatius of Loyola (Chiesa di Sant'Ignazio di Loyola) in Rome, a mural representing the apotheosis of Saint Ignatius of Loyola, founder of the company of Jesus, canonized in 1622 and the allegory of Jesuit missionary work, The dome en trompe l'oeil, carried out in 1685 Andrea Pozzo (1642-1709), Art of the Contre reforme, Italian religious architecture in Baroque style dating from the 17th century. Photography, KIM Youngtae, Rome, Lazio, Italy.
A door flanked by two guards, from the Tomb of the Augurs, 5th century BC (mural painting)
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Doughnuts (mixed media)
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Rabbit-Duck, 1892 (wood engraving)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting open cupboards and niches designed by Baccio Pontelli (d.1492) displaying above the portraits of illustrious men painted by Pedro Berruguete (d.1503) and Juste Gand (1435-80) (photo)
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The children of King Christian II of Denmark, Norway and Sweden (1481-1559); John, Christina and Dorothea
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The Theatre (photo)
Vega-WA-3, 1968 (tempera on board)
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Door with Lanterns, c.1880 (oil on canvas)
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Sala dei Cavalli, detail showing a portrait of a chestnut horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco)
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A Philosopher
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a cupboard with latticework doors open to reveal shelves of books, designed by Baccio Pontelli (d.1492), 15th century (wood)
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Planches, 1972 (acrylic on panel and canvas)
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Sala dei Cavalli, detail showing a portrait of a chestnut horse from the stables of Ludovico Gonzaga III of Mantua, its cheek branded with a 'G', 1528 (fresco)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)
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Detail of the cyclops, from the destruction of the giants by Jupiter's thunderbolts, Sala dei Giganti, 1536 (fresco)
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The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco)
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Mosaic from the House of Neptune and Amphitrite (mosaic) (for room see 113527)
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Sala dei Giganti, view of two walls showing the destruction of the rebellious giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78483-86)
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A scene from 'Didone Abbandonata' (oil on canvas)
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Human optical system, 1662 (engraving)
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Frescos in the Tablinium, House of Livia, 1st century AD (photo)
Charlotte Philippine de Chatre de Cange, Marquise de Lamure (pastel on blue paper)
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Summer (oil on canvas)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting (L) an open cupboard of books and (R) Hope in an architectural niche with musical instruments on a shelf below (wood)
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Reclining Nude, 1983 (oil on canvas)
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Cabinet of curiosities (with glass doors) with various objects, by Andrea Dominico Remps (1621-1699).
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Convexity, 1966 (acrylic on canvas)
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Add 35214 f.67 Flowers and butterfly, from a Book of Hours, Paris, 1515-20 (vellum)
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Alex, 1991
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Program Design, 1951 (w/c on paper)
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Optical composition, 1969 (screenprint)
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Sala dei Cavalli, detail showing a portrait of 'Morel Favorito', a horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a reading stand in an alcove designed by Baccio Pontelli (d.1492), 15th century (wood)
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The Painted Hall, Chatsworth House, Derbyshire (photo)
The main salon, designed by Pirro Ligorio (c.1500-83) for Cardinal Ippolito II d'Este (1509-72) and decorated with frescos by Livio Agresti (c.1508-1580) 1550 (photo)
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The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco)
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An engraving depicting a method of using a camera obscura as a drawing aid, 19th century