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Perpetual motion machine
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"Perpetual motion machine"
Perpetual motion machine
Swinging pendulum, close-up
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Robert Fludd (engraving)
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Water pump, miniature from the Book of Knowledge of Ingenious Mechanical Devices by Al-Jazari, 1203, Turkey
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Mechanics: Discovering Perpetual Motion (in a Wife's Tongue)', c 1830s
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Mechanics: Discovering Perpetual Motion (in a Wife's Tongue)', c 1830s
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Engraving depicting perpetual motion by magnetism. Dated 18th Century
Engraving depicting perpetual motion by magnetism. Dated 18th Century
Engraving depicting perpetual motion by magnetism and weights. Dated 18th Century
Engraving depicting the design for an air and weight driven by perpetual motion. Dated 19th Century
Turkey, perpetual fires of Yanartas at the Chimaera, near Cirali
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Perpetual motion clock in gold and enamel casing, by Pierre Jaquet-Droz (1721-1790), 1790
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Hypothetical perpetual motion water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 150, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Hypothetical perpetual motion water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 128, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Hypothetical perpetual motion milling machine, copperplate engraving from Theatrum Machinarum Novum, Plate 55, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Hypothetical perpetual motion water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 145, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Hypothetical perpetual motion milling machine, copperplate engraving from Theatrum Machinarum Novum, Plate 54, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Hypothetical perpetual motion milling machine, copperplate engraving from Theatrum Machinarum Novum, Plate 53, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Hypothetical perpetual motion milling machine, copperplate engraving from Theatrum Machinarum Novum, Plate 56, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Hypothetical perpetual motion water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 130, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Hypothetical perpetual motion water mill, copperplate engraving, from Novo Teatro di Machine et Edificii per Varie et Sicure Operationi, by Vittorio Zonca, published by Pietro Bertelli, Padua, 1607
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Hypothetical perpetual motion hydraulic machine, copperplate engraving from Theatrum Machinarum Novum, Plate 152, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Hypothetical perpetual motion knife-sharpener, copperplate engraving from Theatrum Machinarum Novum, Plate 151, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
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Invention of a water pump, miniature from the Book of Knowledge of Ingenious Mechanical Devices by Al-Jazari, 1203, Turkey
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Water operated clock, miniature, Islamic art, 13th Century
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Orffyreus' Wheel - Man
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Codex Atlanticus, sheet 179 verso, 1478-1518 (pen & ink)
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Orffyreus' Wheel
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Codex Atlanticus, sheet 880 recto, 1478-1518 (pen & ink)
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Codex Atlanticus, sheet 1062 verso, 1478-1518 (pen & ink)
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Codex Atlanticus, sheet 778 verso, 1478-1518 (pen & ink)
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Codex Atlanticus, sheet 800 recto, 1478-1518 (pen & ink)
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Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Ixion in Tartarus is bound by the Furies to the wheel to be tortured ( Issione che nel Tartaro viene legato dalle Furie alla ruota destinata pel di lui supplizio), by Abbondio Sangiorgio, 1820, 19th Century, engraving
Codex Atlanticus, sheet 760 recto, 1478-1518 (pen & ink)
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Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
The End of Innocence, 2009 (Screen, projector and hard drive)
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The End of Innocence, 2009 (Screen, projector and hard drive)
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The End of Innocence, 2009 (Screen, projector and hard drive)
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The End of Innocence, 2009 (Screen, projector and hard drive)
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The End of Innocence, 2009 (Screen, projector and hard drive)
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Codex Atlanticus, sheet 1061 recto, 1478-1518 (pen & ink)
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Codex Atlanticus, sheet 1061 recto, 1478-1518 (pen & ink)
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Codex Atlanticus, sheet 778 recto, 1478-1518 (pen & ink)
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William Martin, English poet and physicist, c 1820s
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