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Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, detail, 1473 (bronze)
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Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, detail, 1473 (bronze)
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Portrait of Bernardino Corio (1459 - circa 1519), Italian humanist and historian of Renaissance, woodcut from Patria Historia, by Bernardino Corio, published by Alessandro Minuziano, 1503, Milan
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Piazza del Rinascimento,
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Piazza del Rinascimento,
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The Creation of Man, Sistine Ceiling, 1511 (fresco)
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Musical Angel with Violin (fresco)
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Head of a Young Woman with Tousled Hair or Leda (gouache on wood)
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Portrait of Michelangelo, c.1535 (oil on canvas)
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Vitruvian Man, c.1492 (pen & ink on paper)
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Sistine Chapel ceiling and lunettes, Rome,  1508-12 (fresco)
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Portrait of Agnolo Doni, c.1505-06 (oil on panel)
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Fight between a Dragon and a Lion (brown ink with wash on paper)
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Madonna adoring the Infant Jesus with young St John, c.1483-87 (painting)
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David, 1504 (marble)
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Dream of St. Ursula, 1495 (tempera on canvas) (see 686 for whole image)
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Nude, study for the Battle of Cascina (red chalk on paper)
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Detail from The Birth of Venus, c.1485 (tempera on canvas)
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Madonna del Granduca - oil on wood, circa 1504
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Studies of flowing water, with notes, c.1510-13 (pen & ink of black chalk on paper)
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Portrait of Pope Julius II (1443-1513) c.1512 (oil on panel)
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Madonna with the Long Neck, 1534-40 (oil on canvas)
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The Madonna of the Magnificat, detail of the Virgin's face and crown, 1482 (tempera on panel) (detail of 9614)
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The Creation of Adam, 1511-12 (fresco)
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View of the Vasarian Corridor running above the Ponte Vecchio, designed by Vasari (1511-74) 1565 (photo)
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Portrait of Maddalena Doni, 1506 (oil on panel)
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Echidna, from the 'Parco dei Mostri' (Monster Park) by Pirro Ligorio (c.1500-83) 1552 (photo)
Cats, lions and a dragon, c.1513-16 (pen & ink with wash over blue chalk)
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The Sistine Chapel: The Last Judgement, detail of one of the damned, 1538-41 (fresco)
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Marsilio Ficino-portrait of the early Italian Renaissance humanist philosopher.
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Bust of a man in profile with proportions, study of a horse and riders, c. 1503-04 (pencil & ink on paper)
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David, 1501-04 (marble)
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Perspective Study for the Background of The Adoration of the Magi (pen and ink on paper)
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Michelangelo - Italian artist (engraving)
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The Birth of Venus, c.1485 (tempera on canvas)
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The Last Supper, 1495-97 (fresco) (post restoration)
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Ornament-ITALIAN RENAISSANCE
Ornament-ITALIAN RENAISSANCE
Ornament-ITALIAN RENAISSANCE
Ornament-ITALIAN RENAISSANCE
A plan of Imola, 1502 (pen & ink, wash and chalk on paper)
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Studies of proportions of face and eye (with notes), c. 1489-90 (metallic tip, pen and brown ink on paper)
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Ornament-ITALIAN RENAISSANCE
Ornament-ITALIAN RENAISSANCE
Ornament-ITALIAN RENAISSANCE
Ornament-ITALIAN RENAISSANCE
Ornament-ITALIAN RENAISSANCE
St. Anthony Abbot Shunning the Mass of Gold, 1430s (tempera and gold leaf on panel)
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Ornament-ITALIAN RENAISSANCE
A rearing horse, c.1503-04 (pen & ink and chalk on paper)
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Self portrait (oil on panel)
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Ornament-ITALIAN RENAISSANCE
Pieta (marble)
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David, 1501-04 (marble)
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View of the vaulted loggia and entrance hall, designed for Cardinal Giuliano de'Medici (1478-1534) by Raffaello (1483-1520) Giulio Romano (1492-1546) and Giovanni da Udine (1487-1564) 1520's (photo)
Sistine Chapel Ceiling, 1508-12 (fresco) (post restoration)
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Renaissancedance couple
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