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Middle Ages: knight dresses in armor by a squire. 19th century colour engraving.
Giron le Courtois and its squires, 13th century (chromolithograph)
Circus scene, squire doing aerobatics, 1824.
Poster for Cirque d'Ete des Champs-Elysees, 1889
Middle Ages: Swiss knight in armor with pages and ecuyer, 15th century.
The Ecuyere, 20th century (oil on canvas)
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Bufale breeders riding horses in water, Italy
Bufale breeders riding horses at the seaside, Campania, Italy
Paladins, warriors of Charlemagne's court, saying their last goodbyes to their bridesmaids in the gallery of the Palace of Bourgtheroude, Normandy. Handcoloured copperplate engraving by Verico after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Cirque: Francois Baucher on horseback - in "Equestrian Plaisir”
Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842
Scooter rider, Ischia, Campania, Italy.
Scooter rider, Ischia, Campania, Italy.
Scooter rider, Ischia, Campania, Italy.
Representation of the four factions of the Roman circus: the whites (factio albata). The factions were clubs engaged in circus competitions in the Upper Empire (1st century AD) and characterized by a color. Mosaic, Rome Museo nazionale Romano.
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Representation of the four factions of the Roman circus: the Greens (factio prasina). The factions were clubs engaged in circus competitions in the Upper Empire (1st century AD) and characterized by a color. Mosaic, Rome Museo nazionale Romano.
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Scooter rider, Ischia, Campania, Italy.
Landscape with three riders, 17th century (painting)
L'Ardia di Sant'Ante horse race, Sedilo, Sardinia, Italy
L'Ardia di Sant'Ante horse race, Sedilo, Sardinia, Italy
Horsemen, Mamoiada, Sardinia, Italy
Representation of the four factions of the Roman circus: the red (factio russata). The factions were clubs engaged in circus competitions in the Upper Empire (1st century AD) and characterized by a color. Mosaic, Rome Museo nazionale Romano.
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L'Ardia di Sant'Ante horse race, Sedilo, Sardinia, Italy
Poster “” Boum Boum”” the circus Medrano in Montmartre, Jeronimo Medrano (1849-1912) dit Boum-Boum. A clown and a cavaliere in the circus arena. Private Collection
Marly's horses. Sculpture by Guillaume Coustou (1677-1746) Marble. Place de la Concorde Paris
Marly's horses. Sculpture by Guillaume Coustou (1677-1746) Marble. Place de la Concorde Paris
Drawing by Marino Marini (1901-1980, 20th century. Milano, Collezione Jesi
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Representation of the four factions of the Roman circus: the blues (factio veneta). The factions were clubs engaged in circus competitions in the Upper Empire (1st century AD) and characterized by a color. Mosaic, Rome Museo nazionale Romano.
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
"La chatte blanche" Tales written by Madame d'Aulnoy, 1931 (chromotypography)
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Poster of the circus Medrano. Boum-Boum (Boum Boum) to Montmartre. A clown and a cavaliere in the circus arena. Dim: 127x90cm. Paris. Private Collection
France: A gatefrenier and his two horses at the door of his master's estate, 1890 - Verandy
Illustration in “” Song illustree”””, circa 1840 - Circus Ecuyer - Cirque - Cheval Horses
Jousting at a quintain or pavo. Taken from Antoine de Pluvinel's L'Instruction du Roy en l'exercise de riding a horse, 1668. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Costumes of lords, 1633 (engraving)
Free horse race during the carnival, 1826 (oil on canvas)
Benoit demasque the cunning of Totila, king of the Goths, to test his clairvoyance, Riggio l'ecuyer and accomplice of Totila comes to report to his king on his visit to Benoit (Benedict uncovers the cunning of Totila, king of the Goths, to test his clairvoyance, Riggio, squire and complicit of Totila reports back to the king visit to Benedict) Fresco of the cloister realized by Luca Signorelli (1445 ca-1523) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1497-1498 Abbey of Monte Oliveto Maggiore, Florence
Hunting costumes in 15th century (engraving)