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Struttura neutra, 1959
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View of the facade of the Montecarlo Theater, designed by Charles Garnier. Monaco, 1890 ca., France, Monaco, Montecarlo (b/w photo)
Album Italie (b/w photo)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Structure n. 9, 1965 (oil on plywood)
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Coffee table with formica top and metal frame, 1950s, Italy, 20th century
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Structure of building, La Defense district, Paris, Ile-de-France, France, Detail
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Structure of building, La Defense district, Paris, Ile-de-France, France, Detail
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Structure of building, La Defense district, Paris, Ile-de-France, France, Detail
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Structure of building, La Defense district, Paris, Ile-de-France, France, Detail
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Agostino Bonalumi in his personal room at the 35th Venice Biennale
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Venetian lacquered cantonal cabinet with spruce structure, second half 1700, Italy, 18th century
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Decorative element on Venetian lacquered cantonal cabinet with fir structure, Italy, 18th century, Detail
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Trilobed building, al-Fustat, Egypt, photograph by Ugo Monneret de Villard, 1921-1926
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A photographer taking a picture of Agostino Bonalumi at the 35th Venice Biennale
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George I-style sofa base, ca 1725, United Kingdom, 18th century
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Empire-style mahogany and gilt bronze cradle stand, 1800-1810, France, 19th century
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Sideboard with brass frame, maple, Macassar walnut and crystal, 1950s, Italy, 20th century
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Arch, ruins of amphitheatre of Luni, Ortonovo, Liguria, Italy, 2nd-3rd century, Roman civilization
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Trilobed building, al-Fustat, Egypt, photograph by Ugo Monneret de Villard, 1921-1926
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Trilobed building, al-Fustat, Egypt, photograph by Ugo Monneret de Villard, 1921-1926
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Ashoka table lamp, 1981
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Louis Philippe-style dark walnut bedside table with pitch-pine structure and gray Sant'Anna marble top, Detail
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Carved book-shaped desk and stool, structure that imitates bamboo, 1890, Italy, 19th century
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Louis Philippe-style dark walnut bedside table with pitch-pine structure and gray Sant'Anna marble top, Detail
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Corner of Venetian lacquered cantonal cabinet with spruce structure, second half 1700, Italy, 18th century, Detail
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Structure of Kladka Slodowa, pedestrian bridge on the Oder river, connecting the city to the island Wyspa Slodowa, Wroclaw, Poland
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Door decorated with classical temple ruins, Venetian lacquered cantonal cabinet with spruce structure, Italy, 18th century, Detail
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Boat with a modular structure, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532
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Structure of Kladka Slodowa, pedestrian bridge on the Oder river, connecting the city to the island Wyspa Slodowa, Wroclaw, Poland
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Chair with seat and back made of rubber cord and nickel-plated steel frame, 1931
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Painted polychrome sofa structure, Louis XIV-Louis XV transition period, first half 1700, made in Genoa, Italy, 18th century Detail
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Table, by Clement Mere (1861-1940), Makassar ebony structure, ivory, dyed leather and embossed decoration, Art Deco style, France, 20th century
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Aerial steam vehicle (aircraft) moving, and its structure, lithograph by Giovanni Mariani from Poliorama Pittoresco, n 39, May 6, 1843
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Glass crystal table with a fishing scene, 1930s
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Structure of Louis XV-Louis XVI transitional-style oak and fir dressing table with rosewood and Breche d'Alep marble inlays, France, 18th century, Detail
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Design for altar in church of Carugate, parish of Vimercate, September 26, 1759, Cardinal Giuseppe Pozzobonelli, drawing of architectural and decorative structure, Italy, 18th century
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Directory-style Cuban mahogany half moon sideboard with sliding doors and gray marble top from the French Alps, oak frame and stamped Durand, France, 18th-19th century
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Milano Expo 2015, Italy
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Milano Expo 2015, Italy
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Milano Expo 2015, Italy
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Milano Expo 2015, Italy
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Milano Expo 2015, Italy
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Milano Expo 2015, Italy
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Milano Expo 2015, Italy
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Milano Expo 2015, Italy
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Alley of the historical centre, Brescia, Italy
Milano Expo 2015, Italy
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View of the ceiling, Entrance Hall or Foyer, Teatro Grande, Brescia, Italy (photo)
Small Louis XV-style Genoese bois de violette and bois de rose veneered chest of drawers, with maritime pine drawer and peach marble top, ca 1750, Italy, 18th century
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Alley of the historical centre, Teatro Grande, Brescia, Italy
The Entrance Hall or Foyer, Teatro Grande, Brescia, Italy
Gilt and carved handle of Louis XV-style Genoese bois de violette and bois de rose veneered chest of drawers, with maritime pine drawer and peach marble top, ca 1750, Italy, 18th century, Detail
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Pair of Louis XV style armchairs made for Louise Elisabeth of France (1727-1759), Duchess of Parma, also known as Madame Infante, with carved wooden frame and ornaments attributed to Nicolas-Quinbert Foliot (1706-1776), 120x80x81cm, France, 18th century
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Hydro-extractor with electric motor for drying linen: perforated copper basket; B cast-iron external structure; C crankshaft; G support; L electric motor, illustration from L'Industria, Rivista tecnica ed economica illustrata, Milan, 1900
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Putto (plaster)
The Luxor Obelisk in Place de la Concorde view from the work Clara-Clara by Richard Serra. Installed in April 2008 in the Tuileries gardens at the time of the exhibition Monumenta at the Grand Palais. The gigantic steel sculpture has been illegally occupying the location since the month of November 2008. it was not created for the Tuileries, unlike the often repeated claims, but rather for an exhibition at Beaubourg in 1983. As the floor at the Centre Pompidou was too fragile to bear the weight of the 50 ton sculpture, it had then been presented in the gardens, arousing a controversy at the time. After being moved to a square in the 13th arrondissement, Clara-Clara had finally been relegated to a storage depot for art works belonging to the City of Paris.
Remains of the Temple of the Hadrian and fragments
Arkwright's water frame, c.1775 (wood)
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Cork structure
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Diagonal Structure, 1966 (painted blackboard & nails)
Muscle structure, 15th century (drawing)
Structure a, 2019 (mixed media)
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Structure
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Cott Aug A V f.345v Flemish landscape with a watermill in the foreground and a windmill in the background, from the 'Histoire Universelle', c.1286 (vellum)
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Liver structure schema
Structure, 2016 (mixed media)
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Artists impression of 'the Hanging Gardens of Babylon' (colour litho)
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Goligher Structure
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Taut structure.
Structure of a leaf
Structure of a leaf
Structure of the Paradise
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