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Psyche Fainted, Model, before 1838 (marble)
Veiled Dame, 1845 (marble)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Portrait of Eugenia Bolognini (the Bolognina), 1851 (marble)
Faith in God, 1835 (marble)
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Faith in God, 1835 (marble)
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Spring, screen divided in 5 panels, detail, 1927-28 (oil painting on canvas)
Psyche Abandoned, Model, 1816 (marble)
Faith in God, 1835 (marble)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Spring, screen divided in 5 panels, detail, 1927-28 (oil painting on canvas)
Spring, screen divided in 5 panels, detail, 1927-28 (oil painting on canvas)
Spring, screen divided in 5 panels, detail, 1927-28 (oil painting on canvas)
Spring, screen divided in 5 panels, 1927-28 (oil painting on canvas)
Spring, screen divided in 5 panels, detail, 1927-28 (oil painting on canvas)
Spring, screen divided in 5 panels, detail, 1927-28 (oil painting on canvas)
Spring, screen divided in 5 panels, detail, 1927-28 (oil painting on canvas)
Spring, screen divided in 5 panels, detail, 1927-28 (oil painting on canvas)
Paul and Virginie, 1844 (marble)
The widow of the soldier, 1851 (marble)
Flute Player, 1955, by Remedios Varo (1908-1963), oil on masonite. Mexico, 20th century.
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The flight, ca 1961, by Remedios Varo (1908-1963), oil on masonite. Mexico, 20th century.
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The Bride of the Songo of Songs, 1854 (marble)
The three Graces, 1812-17 (marble)
Roman art : Fragment with scene of shoot - Museo Nacional de Arte Romano, Merida, Spain
Reliquary in gold, enamel, rock crystal, emeralds and rubies, from Madre de Deus Convent, Lisbon, around 1520
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The Weavers of Atitlan
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  • Not available to clients invoiced in Italy
Flora, 1838-40 (marble)
Portrait of Simon Bolivar (Caracas,1783-Santa Marta, 1830), Venezuelan general, patriot and revolutionary, Painting by Daniel Hernandez
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  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
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Flora, detail of the rear part, 1838-40 (marble)
Flora, detail, 1838-40 (marble)
Young Dancer, before 1845 (marble)
The three Graces, 1812-17 (marble)
Hebe, 1800-05 (marble)
Hebe, detail, 1800-05 (marble)
Veiled female head , the head probably belongs to a funerary statue , from Taranto
Restrictions relatives aux images
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
The three Graces, detail of the feet, 1812-17 (marble)
Hebe, 1800-05 (marble)
Hebe, detail, 1800-05 (marble)
Hebe, 1800-05 (marble)
The Sacrifice of Isaac, 1858, painting by Santiago Rebull (1829-1902).
Permissions
  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Italy