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487 médias trouvés pour 'Arts Visuels'

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Odysseus' ships are destroyed

Odysseus' ships are destroyed

XLF3780773

Queen Cleopatra

Queen Cleopatra

XLF3780774

University of Visual Arts Dresden

University of Visual Arts Dresden

SAO3853910

Palace

Palace

BL3278928

School of Visual Arts Dresden

School of Visual Arts Dresden

SAO3853917

Sculptured figures from mythology.

Sculptured figures from mythology.

BL3300458

Schools of Modern Dance and Visual Arts (photo)

Schools of Modern Dance and Visual Arts (photo)

UIG2903664

Darbar at Udaipur, Rajasthan, 1855, February 1855
In the centre of the picture is seated the Maharana of Udaipur, Sarup Singh. Behind him are two attendants with peacock-feather fans. Through an arch can be seen a lake with pavilions. On the Maharana's right are Colonel Sir Henry Lawrence, K.C.B, the Governor-General's Agent for Rajputana; his brother, Colonel (afterwards Sir George) Lawrence; Captain (afterwards General) J.C. Brooke; and Dr. H.A. Ebden, the Residency surgeon. On his left are the Thakurs of Udaipur, including Thakur Bakht Singh, the Rao of Bedla (in blue), and the Rao of Pasoli (in light green). In front of the Maharana is Mehta Sher Singh, the Pardhan or Minister of State, who is unrolling the kaulnama or terms of agreement; behind him is the Maharana's Purohit, or Chaplain, holding a string of beads.
This darbar was held in January 1855 to settle the disturbed state of Udaipur — Darbar at Udaipur, Rajasthan, 1855, February 1855 In the centre of the picture is seated the Maharana of Udaipur, Sarup Singh. Behind him are two attendants with peacock-feather fans. Through an arch can be seen a lake with pavilions. On the Maharana's right are Colonel Sir Henry Lawrence, K.C.B, the Governor-General's Agent for Rajputana; his brother, Colonel (afterwards Sir George) Lawrence; Captain (afterwards General) J.C. Brooke; and Dr. H.A. Ebden, the Residency surgeon. On his left are the Thakurs of Udaipur, including Thakur Bakht Singh, the Rao of Bedla (in blue), and the Rao of Pasoli (in light green). In front of the Maharana is Mehta Sher Singh, the Pardhan or Minister of State, who is unrolling the kaulnama or terms of agreement; behind him is the Maharana's Purohit, or Chaplain, holding a string of beads. This darbar was held in January 1855 to settle the disturbed state of Udaipur

Darbar at Udaipur, Rajasthan, 1855, February 1855 In the centre of the picture is seated the Maharana of Udaipur, Sarup Singh. Behind him are two attendants with peacock-feather fans. Through an arch can be seen a lake with pavilions. On the Maharana's right are Colonel Sir Henry Lawrence, K.C.B, the Governor-General's Agent for Rajputana; his brother, Colonel (afterwards Sir George) Lawrence; Captain (afterwards General) J.C. Brooke; and Dr. H.A. Ebden, the Residency surgeon. On his left are the Thakurs of Udaipur, including Thakur Bakht Singh, the Rao of Bedla (in blue), and the Rao of Pasoli (in light green). In front of the Maharana is Mehta Sher Singh, the Pardhan or Minister of State, who is unrolling the kaulnama or terms of agreement; behind him is the Maharana's Purohit, or Chaplain, holding a string of beads. This darbar was held in January 1855 to settle the disturbed state of Udaipur

BL3304405

The human figure in the visual arts (engraving)

The human figure in the visual arts (engraving)

German School, (19th century)

LLM5216892

An Allegory of the Visual Arts, (oil on metal)

An Allegory of the Visual Arts, (oil on metal)

Platzer, Johann Georg (1704-61)

CH827840

A sculpture of various female figures from antiquity.

A sculpture of various female figures from antiquity.

BL3300462

Emperor Basileios II

Emperor Basileios II

XLF3780863

Choice examples of Wedgwood Art, designs and motifs found on pottery in England during the late 19th century. Classical subjects. Mythology. Silhouettes. People.

Choice examples of Wedgwood Art, designs and motifs found on pottery in England during the late 19th century. Classical subjects. Mythology. Silhouettes. People.

BL3300460

James Andrew Broun-Ramsay, 1st Marquis of Dalhousie (1812-60), Governor-General of India, 1848-56, painted 1905 after the original portrait of 1847
A full-length standing figure, in a black frock coat with grey trousers, the body turned three-quarters to the right. The hands are crossed in front, the left holding a tall hat. To the right is a table, on which are placed some official robes, and an ink-stand, while a red folio volume rests against one of its legs. In the background is a yellow curtain and to the right the sky. — James Andrew Broun-Ramsay, 1st Marquis of Dalhousie (1812-60), Governor-General of India, 1848-56, painted 1905 after the original portrait of 1847 A full-length standing figure, in a black frock coat with grey trousers, the body turned three-quarters to the right. The hands are crossed in front, the left holding a tall hat. To the right is a table, on which are placed some official robes, and an ink-stand, while a red folio volume rests against one of its legs. In the background is a yellow curtain and to the right the sky.

James Andrew Broun-Ramsay, 1st Marquis of Dalhousie (1812-60), Governor-General of India, 1848-56, painted 1905 after the original portrait of 1847 A full-length standing figure, in a black frock coat with grey trousers, the body turned three-quarters to the right. The hands are crossed in front, the left holding a tall hat. To the right is a table, on which are placed some official robes, and an ink-stand, while a red folio volume rests against one of its legs. In the background is a yellow curtain and to the right the sky.

BL3304783

Nadir Shah of Persia (1732-1747)

Nadir Shah of Persia (1732-1747)

BL3297190

Dr. Alexander Russell, c.1730
A half-length portrait. The subject is seated against a brown background facing right, holding a long clay pipe in his right hand. He wears a brownish-black velvet cap, a dark blue jacket, brown waistcoat and white cravat. — Dr. Alexander Russell, c.1730 A half-length portrait. The subject is seated against a brown background facing right, holding a long clay pipe in his right hand. He wears a brownish-black velvet cap, a dark blue jacket, brown waistcoat and white cravat.

Dr. Alexander Russell, c.1730 A half-length portrait. The subject is seated against a brown background facing right, holding a long clay pipe in his right hand. He wears a brownish-black velvet cap, a dark blue jacket, brown waistcoat and white cravat.

BL3304432

Sir Charles Edward Trevelyan, 1st Baronet (1807-86), c.1861
A full-length portrait, facing right. He wears dark ceremonial dress with the red cordon of the insignia of the Bath. He holds a sword in his left hand and his plumed hat is in the crook of his right arm. On the left is a table with papers and books. A curtain with tassels is drawn back to show Government House, Madras, on the right.
Trevelyan served with the East India Company 1826-38, retiring as Secretary to the Board of Revenue. He wrote on education and supported Macaulay on the issue of education through English. From 1840 to 1859 he was Assistant Secretary to the Treasury and reported on reforms in the civil service. He returned to India as Governor of Madras, March 1859-June 1860, but was recalled for publishing his opposition to the financial policy of the Government of India. He became however, Financial Member of the Supreme Council 1863-65. K.C.B, 1848. — Sir Charles Edward Trevelyan, 1st Baronet (1807-86), c.1861 A full-length portrait, facing right. He wears dark ceremonial dress with the red cordon of the insignia of the Bath. He holds a sword in his left hand and his plumed hat is in the crook of his right arm. On the left is a table with papers and books. A curtain with tassels is drawn back to show Government House, Madras, on the right. Trevelyan served with the East India Company 1826-38, retiring as Secretary to the Board of Revenue. He wrote on education and supported Macaulay on the issue of education through English. From 1840 to 1859 he was Assistant Secretary to the Treasury and reported on reforms in the civil service. He returned to India as Governor of Madras, March 1859-June 1860, but was recalled for publishing his opposition to the financial policy of the Government of India. He became however, Financial Member of the Supreme Council 1863-65. K.C.B, 1848.

Sir Charles Edward Trevelyan, 1st Baronet (1807-86), c.1861 A full-length portrait, facing right. He wears dark ceremonial dress with the red cordon of the insignia of the Bath. He holds a sword in his left hand and his plumed hat is in the crook of his right arm. On the left is a table with papers and books. A curtain with tassels is drawn back to show Government House, Madras, on the right. Trevelyan served with the East India Company 1826-38, retiring as Secretary to the Board of Revenue. He wrote on education and supported Macaulay on the issue of education through English. From 1840 to 1859 he was Assistant Secretary to the Treasury and reported on reforms in the civil service. He returned to India as Governor of Madras, March 1859-June 1860, but was recalled for publishing his opposition to the financial policy of the Government of India. He became however, Financial Member of the Supreme Council 1863-65. K.C.B, 1848.

BL3304782

Fath 'Ali Shah of Persia (1797-1834).
The Shah is shown sitting on a rich carpet, wearing a tight-fitting blue costume thickly adorned with jewels. His sword lies across his knees and in his right hand is a jewelled mace. His long black beard reaches almost to the waist. Upon his head is a high Persian turban (a 'tahmazi') decorated with pearls and a jewelled sarpech. A watch of European manufacture lies on the carpet in front. Above in the right hand corner is a pink curtain, while in the lower left-hand corner is a jewelled perfume bottle. The original arched top has been extended to fit a rectangular frame. — Fath 'Ali Shah of Persia (1797-1834). The Shah is shown sitting on a rich carpet, wearing a tight-fitting blue costume thickly adorned with jewels. His sword lies across his knees and in his right hand is a jewelled mace. His long black beard reaches almost to the waist. Upon his head is a high Persian turban (a 'tahmazi') decorated with pearls and a jewelled sarpech. A watch of European manufacture lies on the carpet in front. Above in the right hand corner is a pink curtain, while in the lower left-hand corner is a jewelled perfume bottle. The original arched top has been extended to fit a rectangular frame.

Fath 'Ali Shah of Persia (1797-1834). The Shah is shown sitting on a rich carpet, wearing a tight-fitting blue costume thickly adorned with jewels. His sword lies across his knees and in his right hand is a jewelled mace. His long black beard reaches almost to the waist. Upon his head is a high Persian turban (a 'tahmazi') decorated with pearls and a jewelled sarpech. A watch of European manufacture lies on the carpet in front. Above in the right hand corner is a pink curtain, while in the lower left-hand corner is a jewelled perfume bottle. The original arched top has been extended to fit a rectangular frame.

BL3304380

German city life in the middle ages

German city life in the middle ages

XLF3780862

John Dean (? - 1747), shipwrecked mariner, 1741-43
A three-quarter length figure of a young man, turned half to the left. The dress consists of a coarse grey coat over a blue sleeved waistcoat, a red silk neck-cloth and corduroy breeches. In his extended right hand is a letter apparently addressed 'To the Capt of (...) or any other to whose hands there may come these'; his left holds a walking stick, while his beaver is tucked under his left arm.
Inscribed on a panel below: 'John Dean, The Only Survivor of the Sixteen Men which remained on board the Ship Sussex in the Honble East India Company's Service' — John Dean (? - 1747), shipwrecked mariner, 1741-43 A three-quarter length figure of a young man, turned half to the left. The dress consists of a coarse grey coat over a blue sleeved waistcoat, a red silk neck-cloth and corduroy breeches. In his extended right hand is a letter apparently addressed 'To the Capt of (...) or any other to whose hands there may come these'; his left holds a walking stick, while his beaver is tucked under his left arm. Inscribed on a panel below: 'John Dean, The Only Survivor of the Sixteen Men which remained on board the Ship Sussex in the Honble East India Company's Service'

John Dean (? - 1747), shipwrecked mariner, 1741-43 A three-quarter length figure of a young man, turned half to the left. The dress consists of a coarse grey coat over a blue sleeved waistcoat, a red silk neck-cloth and corduroy breeches. In his extended right hand is a letter apparently addressed 'To the Capt of (...) or any other to whose hands there may come these'; his left holds a walking stick, while his beaver is tucked under his left arm. Inscribed on a panel below: 'John Dean, The Only Survivor of the Sixteen Men which remained on board the Ship Sussex in the Honble East India Company's Service'

BL3304383

Tiger drinking at a jungle pool.

Tiger drinking at a jungle pool.

BL3304463

Charles Lamb (1775-1834), clerk in the East India House 1792-1825, 1826
A seated figure, three-quarter length, dressed in black. The right hand, holding a pen, rests upon a number of official documents. Behind are two volumes, one of which is labelled 'Elia'. A red curtain forms the background, and in the distance is seen the front of the East India House. — Charles Lamb (1775-1834), clerk in the East India House 1792-1825, 1826 A seated figure, three-quarter length, dressed in black. The right hand, holding a pen, rests upon a number of official documents. Behind are two volumes, one of which is labelled 'Elia'. A red curtain forms the background, and in the distance is seen the front of the East India House.

Charles Lamb (1775-1834), clerk in the East India House 1792-1825, 1826 A seated figure, three-quarter length, dressed in black. The right hand, holding a pen, rests upon a number of official documents. Behind are two volumes, one of which is labelled 'Elia'. A red curtain forms the background, and in the distance is seen the front of the East India House.

BL3304806

Drawing of a ship

Drawing of a ship

BL3264558

Lady Heater Jane Francis Melvill (1789-1864), c.1858
Three-quarter length portrait facing front. Lady Melvill is seated against a dark background and wears a black dress and bonnet with white strings. Her left hand rests in her lap and she holds a white handkerchief in her right. — Lady Heater Jane Francis Melvill (1789-1864), c.1858 Three-quarter length portrait facing front. Lady Melvill is seated against a dark background and wears a black dress and bonnet with white strings. Her left hand rests in her lap and she holds a white handkerchief in her right.

Lady Heater Jane Francis Melvill (1789-1864), c.1858 Three-quarter length portrait facing front. Lady Melvill is seated against a dark background and wears a black dress and bonnet with white strings. Her left hand rests in her lap and she holds a white handkerchief in her right.

BL3304413

Sir Robert Montgomery (1809-87) c.1891, from the original of c.1866.
A three-quarter length portrait, the subject standing and facing left. He is plainly dressed in a dark frock-coat; a red cordon supporting the badge of the Bath, the star of the same order upon his breast. On the table to the left lies an address from the principal residents in Lahore, presented to Montgomery upon his retirement; the carved ivory case in which the address was enclosed is seen in his left hand. In the background is the mosque of Dai Anga, the nurse of Shah Jahan, by whom it was erected at Lahore in 1635. — Sir Robert Montgomery (1809-87) c.1891, from the original of c.1866. A three-quarter length portrait, the subject standing and facing left. He is plainly dressed in a dark frock-coat; a red cordon supporting the badge of the Bath, the star of the same order upon his breast. On the table to the left lies an address from the principal residents in Lahore, presented to Montgomery upon his retirement; the carved ivory case in which the address was enclosed is seen in his left hand. In the background is the mosque of Dai Anga, the nurse of Shah Jahan, by whom it was erected at Lahore in 1635.

Sir Robert Montgomery (1809-87) c.1891, from the original of c.1866. A three-quarter length portrait, the subject standing and facing left. He is plainly dressed in a dark frock-coat; a red cordon supporting the badge of the Bath, the star of the same order upon his breast. On the table to the left lies an address from the principal residents in Lahore, presented to Montgomery upon his retirement; the carved ivory case in which the address was enclosed is seen in his left hand. In the background is the mosque of Dai Anga, the nurse of Shah Jahan, by whom it was erected at Lahore in 1635.

BL3304381

Damaged portrait of Dr James Morison (1852-1935). Librarian of the Indian Institute, Oxford. Head and shoulders, wearing a black suit.

Damaged portrait of Dr James Morison (1852-1935). Librarian of the Indian Institute, Oxford. Head and shoulders, wearing a black suit.

BL3307161

Johann Zoffany. (1733 - 1810).
A small half-length portrait, the subject gazing over his spectacles, his right hand holding a 'hookah-snake' and the left his artist's palette. A chair-back appears behind him, so that he is apparently painting seated, but his easel is out of view. On the wall behind is part of a framed painting in the classical style of a young couple, with an easel on the right. — Johann Zoffany. (1733 - 1810). A small half-length portrait, the subject gazing over his spectacles, his right hand holding a 'hookah-snake' and the left his artist's palette. A chair-back appears behind him, so that he is apparently painting seated, but his easel is out of view. On the wall behind is part of a framed painting in the classical style of a young couple, with an easel on the right.

Johann Zoffany. (1733 - 1810). A small half-length portrait, the subject gazing over his spectacles, his right hand holding a 'hookah-snake' and the left his artist's palette. A chair-back appears behind him, so that he is apparently painting seated, but his easel is out of view. On the wall behind is part of a framed painting in the classical style of a young couple, with an easel on the right.

BL3304824

Philip Meadows Taylor (1808-76). Author and administrator in Central India. Self-portrait.

Philip Meadows Taylor (1808-76). Author and administrator in Central India. Self-portrait.

BL3304373

Schools of Modern Dance and Visual Arts (photo)

Schools of Modern Dance and Visual Arts (photo)

UIG2903663

French theatre miniature

French theatre miniature

XLF3780864

Portrait of Pierre Fombelle (1731-1802) with his daughter, Lucy (1766-1819) and granddaughter Mary (1788-1877), c.1795.

Portrait of Pierre Fombelle (1731-1802) with his daughter, Lucy (1766-1819) and granddaughter Mary (1788-1877), c.1795.

BL3304754

Francis Russell (d.1795)

Francis Russell (d.1795)

BL3304753

Edward Thornton (1799-1875). On the staff of East India House 1814-57, and head of the Statistical Department 1846-57. A damaged small full-length portrait, showing Thornton writing in his room at the East India House. The table and floor are littered with books and papers. Maps hang on the wall behind him and a vase of flowers stands on his table.
Thornton was the pioneer in the systematic collection and publication of Indian statistics. He was on the staff of the East India House 1814-57, and head of the Statistical Department 1846-57. — Edward Thornton (1799-1875). On the staff of East India House 1814-57, and head of the Statistical Department 1846-57. A damaged small full-length portrait, showing Thornton writing in his room at the East India House. The table and floor are littered with books and papers. Maps hang on the wall behind him and a vase of flowers stands on his table. Thornton was the pioneer in the systematic collection and publication of Indian statistics. He was on the staff of the East India House 1814-57, and head of the Statistical Department 1846-57.

Edward Thornton (1799-1875). On the staff of East India House 1814-57, and head of the Statistical Department 1846-57. A damaged small full-length portrait, showing Thornton writing in his room at the East India House. The table and floor are littered with books and papers. Maps hang on the wall behind him and a vase of flowers stands on his table. Thornton was the pioneer in the systematic collection and publication of Indian statistics. He was on the staff of the East India House 1814-57, and head of the Statistical Department 1846-57.

BL3307160

F48 Bombay Castle, 1731 (oil on canvas)

F48 Bombay Castle, 1731 (oil on canvas)

Lambert, George (1710-85) and Scott, Samuel (1710-72)

BL3304809

Sir Thomas Theophilus Metcalfe, 1st Baronet (1745-1813).

Sir Thomas Theophilus Metcalfe, 1st Baronet (1745-1813).

BL3304441

Captain Benjamin Sydenham (1777-1828), c.1810

Captain Benjamin Sydenham (1777-1828), c.1810

BL3304438

Primeval Sculpture.

Primeval Sculpture.

BL3314978

John Dean (? - 1747), shipwrecked mariner, 1741-43
A three-quarter length figure of a young man, turned half to the left. The dress consists of a coarse grey coat over a blue sleeved waistcoat, a red silk neck-cloth and corduroy breeches. In his extended right hand is a letter apparently addressed 'To the Capt of (...) or any other to whose hands there may come these'; his left holds a walking stick, while his beaver is tucked under his left arm. It lacks the painted inscription of the 'original'. — John Dean (? - 1747), shipwrecked mariner, 1741-43 A three-quarter length figure of a young man, turned half to the left. The dress consists of a coarse grey coat over a blue sleeved waistcoat, a red silk neck-cloth and corduroy breeches. In his extended right hand is a letter apparently addressed 'To the Capt of (...) or any other to whose hands there may come these'; his left holds a walking stick, while his beaver is tucked under his left arm. It lacks the painted inscription of the 'original'.

John Dean (? - 1747), shipwrecked mariner, 1741-43 A three-quarter length figure of a young man, turned half to the left. The dress consists of a coarse grey coat over a blue sleeved waistcoat, a red silk neck-cloth and corduroy breeches. In his extended right hand is a letter apparently addressed 'To the Capt of (...) or any other to whose hands there may come these'; his left holds a walking stick, while his beaver is tucked under his left arm. It lacks the painted inscription of the 'original'.

BL3304389

Captain Robert W. Eastwick (1772-1865), c.1830
Three-quarter length standing figure, looking left, with left arm resting on the base of a pillar. He served in all parts of the East, from the Persian Gulf to Australia, and voyaged also to the West Indies and South America. Three times he was shipwrecked; twice he lost the whole of his fortune; twice he was taken prisoner after a severe fight, in the first case with a French frigate and in the second with an American privateer. He died at the age of ninety-three, having been totally blind for the last thirty-three years of his life. — Captain Robert W. Eastwick (1772-1865), c.1830 Three-quarter length standing figure, looking left, with left arm resting on the base of a pillar. He served in all parts of the East, from the Persian Gulf to Australia, and voyaged also to the West Indies and South America. Three times he was shipwrecked; twice he lost the whole of his fortune; twice he was taken prisoner after a severe fight, in the first case with a French frigate and in the second with an American privateer. He died at the age of ninety-three, having been totally blind for the last thirty-three years of his life.

Captain Robert W. Eastwick (1772-1865), c.1830 Three-quarter length standing figure, looking left, with left arm resting on the base of a pillar. He served in all parts of the East, from the Persian Gulf to Australia, and voyaged also to the West Indies and South America. Three times he was shipwrecked; twice he lost the whole of his fortune; twice he was taken prisoner after a severe fight, in the first case with a French frigate and in the second with an American privateer. He died at the age of ninety-three, having been totally blind for the last thirty-three years of his life.

BL3304445

Bas-relief

Bas-relief

BL3265070

Palais des Beaux-Arts, Paris, illustration from 'Paris dans sa splendeur', published by Henri Charpentier, engraved by Philippe Benoist (b.1813) 1861 (colour litho)

Palais des Beaux-Arts, Paris, illustration from 'Paris dans sa splendeur', published by Henri Charpentier, engraved by Philippe Benoist (b.1813) 1861 (colour litho)

Chapuy, Nicolas Marie Joseph (1790-1858) (after)

REV326501

Richard Southwell Bourke, Sixth Earl of Mayo (1822-72), Viceroy of India (1869-72).

Richard Southwell Bourke, Sixth Earl of Mayo (1822-72), Viceroy of India (1869-72).

BL3304376

Edward Pellew,1st Viscount Exmouth, Admiral (1757-1835) c.1817
A full-length figure. Pellew is shown standing on his quarter-deck, during the bombardment of Algiers, bareheaded, a telescope in his right hand and the left raised. He wears the ribbon and insignia of the Bath and several foreign decorations.
Viscount Exmouth bombarded Algiers in August 1816 and rescued 3,000 Christian slaves from the Bey. Served in the War of American Independence. Commander-in-Chief East Indies 1804-09. During this period he defeated the Dutch at Batavia and Gresik and protected British ships against French privateers. — Edward Pellew,1st Viscount Exmouth, Admiral (1757-1835) c.1817 A full-length figure. Pellew is shown standing on his quarter-deck, during the bombardment of Algiers, bareheaded, a telescope in his right hand and the left raised. He wears the ribbon and insignia of the Bath and several foreign decorations. Viscount Exmouth bombarded Algiers in August 1816 and rescued 3,000 Christian slaves from the Bey. Served in the War of American Independence. Commander-in-Chief East Indies 1804-09. During this period he defeated the Dutch at Batavia and Gresik and protected British ships against French privateers.

Edward Pellew,1st Viscount Exmouth, Admiral (1757-1835) c.1817 A full-length figure. Pellew is shown standing on his quarter-deck, during the bombardment of Algiers, bareheaded, a telescope in his right hand and the left raised. He wears the ribbon and insignia of the Bath and several foreign decorations. Viscount Exmouth bombarded Algiers in August 1816 and rescued 3,000 Christian slaves from the Bey. Served in the War of American Independence. Commander-in-Chief East Indies 1804-09. During this period he defeated the Dutch at Batavia and Gresik and protected British ships against French privateers.

BL3304785

Horse portrait; Elizabeth and colt in a landscape. A thoroughbred belonging to the East India Company at its Stud Farm at Padnell's Corner near Romford, Essex

Horse portrait; Elizabeth and colt in a landscape. A thoroughbred belonging to the East India Company at its Stud Farm at Padnell's Corner near Romford, Essex

BL3304462

The Temple of Solomon

The Temple of Solomon

BL3261949

Horse portrait; Worthy in a landscape. A thoroughbred stallion belonging to the East India Company at its Stud Farm at Padnell's Corner near Romford, Essex

Horse portrait; Worthy in a landscape. A thoroughbred stallion belonging to the East India Company at its Stud Farm at Padnell's Corner near Romford, Essex

BL3304464

Charles Grant (1746-1823), Painted c.1890 from an original portrait of 1819
Full-length seated figure facing half-right. Grant is seated in a red armchair, his right hand resting on the arm, his left on a red covered table on which lie papers, an ink-well and quill. He wears a black suit, white stock and his hair is white. A red curtain is draped on the top left-hand side. Charles Grant went to India 1767-71, as a private trader. He served in the Company's Bengal cadre 1772-90. After retirement he became an MP in 1802, a Director of the East India Company 1794-1803; Chairman 1805-06, 1809-10 and 1815-16. He was prominent in the Company's opposition to the policy of Marquess Wellesley; was a staunch supporter of missionary and educational work in India, and played a leading part in the establishment of Haileybury College. — Charles Grant (1746-1823), Painted c.1890 from an original portrait of 1819 Full-length seated figure facing half-right. Grant is seated in a red armchair, his right hand resting on the arm, his left on a red covered table on which lie papers, an ink-well and quill. He wears a black suit, white stock and his hair is white. A red curtain is draped on the top left-hand side. Charles Grant went to India 1767-71, as a private trader. He served in the Company's Bengal cadre 1772-90. After retirement he became an MP in 1802, a Director of the East India Company 1794-1803; Chairman 1805-06, 1809-10 and 1815-16. He was prominent in the Company's opposition to the policy of Marquess Wellesley; was a staunch supporter of missionary and educational work in India, and played a leading part in the establishment of Haileybury College.

Charles Grant (1746-1823), Painted c.1890 from an original portrait of 1819 Full-length seated figure facing half-right. Grant is seated in a red armchair, his right hand resting on the arm, his left on a red covered table on which lie papers, an ink-well and quill. He wears a black suit, white stock and his hair is white. A red curtain is draped on the top left-hand side. Charles Grant went to India 1767-71, as a private trader. He served in the Company's Bengal cadre 1772-90. After retirement he became an MP in 1802, a Director of the East India Company 1794-1803; Chairman 1805-06, 1809-10 and 1815-16. He was prominent in the Company's opposition to the policy of Marquess Wellesley; was a staunch supporter of missionary and educational work in India, and played a leading part in the establishment of Haileybury College.

BL3304375

Warren Hastings (1732-1818), Governor-General of Fort William, Bengal, 1774-85. Served in India 1750-85. Governor-General of Fort William, Bengal, 1774-85.
A full-length, life-size portrait. The costume is plain, consisting of a white cravat, dark double-breasted coat with gold buttons, black silk breeches, white stockings, and shoes with gold buckles. — Warren Hastings (1732-1818), Governor-General of Fort William, Bengal, 1774-85. Served in India 1750-85. Governor-General of Fort William, Bengal, 1774-85. A full-length, life-size portrait. The costume is plain, consisting of a white cravat, dark double-breasted coat with gold buttons, black silk breeches, white stockings, and shoes with gold buckles.

Warren Hastings (1732-1818), Governor-General of Fort William, Bengal, 1774-85. Served in India 1750-85. Governor-General of Fort William, Bengal, 1774-85. A full-length, life-size portrait. The costume is plain, consisting of a white cravat, dark double-breasted coat with gold buttons, black silk breeches, white stockings, and shoes with gold buckles.

BL3304769

Isabella Grote (nee Macdonald), c.1832-34
Head and shoulders, full face. She wears a green dress and red stole.
Isabella and Andrew Grote were married on 3 February 1830 at Moradabad. A daughter, Alexandrina Jessy, was born in 1831 and a son, Andrew Macdonald, a month before his father's death on 18 October, 1835. — Isabella Grote (nee Macdonald), c.1832-34 Head and shoulders, full face. She wears a green dress and red stole. Isabella and Andrew Grote were married on 3 February 1830 at Moradabad. A daughter, Alexandrina Jessy, was born in 1831 and a son, Andrew Macdonald, a month before his father's death on 18 October, 1835.

Isabella Grote (nee Macdonald), c.1832-34 Head and shoulders, full face. She wears a green dress and red stole. Isabella and Andrew Grote were married on 3 February 1830 at Moradabad. A daughter, Alexandrina Jessy, was born in 1831 and a son, Andrew Macdonald, a month before his father's death on 18 October, 1835.

BL3304764

Carpet weavers of Patna weaving striped cotton 'satringis'.

Carpet weavers of Patna weaving striped cotton 'satringis'.

BL3304447

Christ enthroned. An illumination from the Book

Christ enthroned. An illumination from the Book

XLF3780763

A woman watching a projected image. The text below is a translated explanation:
"The Kinetograph record the movement of man and reproduce exactly as phonograph records and reproduces his voice. In five or six years, you will enjoy this wonderful composition-based actions by the snapshot, the Kinetograph will be the illustrator of everyday life. Not only do we see the work in the box, but by a system of mirrors and reflectors, all active figures that represent photo-chromo can be projected into our homes on large whiteboards. Scenes from fictional books and adventure novels are mimicked by well dressed and immediately reproduced extras ..'.
A futuristic view on the subject of the end of books. — A woman watching a projected image. The text below is a translated explanation: "The Kinetograph record the movement of man and reproduce exactly as phonograph records and reproduces his voice. In five or six years, you will enjoy this wonderful composition-based actions by the snapshot, the Kinetograph will be the illustrator of everyday life. Not only do we see the work in the box, but by a system of mirrors and reflectors, all active figures that represent photo-chromo can be projected into our homes on large whiteboards. Scenes from fictional books and adventure novels are mimicked by well dressed and immediately reproduced extras ..'. A futuristic view on the subject of the end of books.

A woman watching a projected image. The text below is a translated explanation: "The Kinetograph record the movement of man and reproduce exactly as phonograph records and reproduces his voice. In five or six years, you will enjoy this wonderful composition-based actions by the snapshot, the Kinetograph will be the illustrator of everyday life. Not only do we see the work in the box, but by a system of mirrors and reflectors, all active figures that represent photo-chromo can be projected into our homes on large whiteboards. Scenes from fictional books and adventure novels are mimicked by well dressed and immediately reproduced extras ..'. A futuristic view on the subject of the end of books.

BL3310289

Sir James Rivett-Carnac, Bt. (1785-1846).
A standing figure, with face seen in full, but body turned half to the left. The left hand hangs by the side; the right rests on a table, on which is a plumed hat. The uniform is blue, trimmed with silver, and with silver buttons and epaulettes; the sash is gold, the sword-belt gold and red.
Madras, afterwards Bombay Army 1801-22, and in the Political service. Director of the East India Company 1827, and afterwards Governor of Bomaby 1838-41. — Sir James Rivett-Carnac, Bt. (1785-1846). A standing figure, with face seen in full, but body turned half to the left. The left hand hangs by the side; the right rests on a table, on which is a plumed hat. The uniform is blue, trimmed with silver, and with silver buttons and epaulettes; the sash is gold, the sword-belt gold and red. Madras, afterwards Bombay Army 1801-22, and in the Political service. Director of the East India Company 1827, and afterwards Governor of Bomaby 1838-41.

Sir James Rivett-Carnac, Bt. (1785-1846). A standing figure, with face seen in full, but body turned half to the left. The left hand hangs by the side; the right rests on a table, on which is a plumed hat. The uniform is blue, trimmed with silver, and with silver buttons and epaulettes; the sash is gold, the sword-belt gold and red. Madras, afterwards Bombay Army 1801-22, and in the Political service. Director of the East India Company 1827, and afterwards Governor of Bomaby 1838-41.

BL3304784

Thomas, first Earl Brassey (1836-1918). Painted c.1885.
Three-quarter length portrait, looking towards the right. He has greyish hair and whiskers, black suit and tie. In his right hand he holds a telescope, his hat by his side. — Thomas, first Earl Brassey (1836-1918). Painted c.1885. Three-quarter length portrait, looking towards the right. He has greyish hair and whiskers, black suit and tie. In his right hand he holds a telescope, his hat by his side.

Thomas, first Earl Brassey (1836-1918). Painted c.1885. Three-quarter length portrait, looking towards the right. He has greyish hair and whiskers, black suit and tie. In his right hand he holds a telescope, his hat by his side.

BL3304414

Portrait of Mr Punch.

Portrait of Mr Punch.

BL3304469

A woman offering a cup of wine to her lover, by Anon 1870-1900 (oil on canvas)

A woman offering a cup of wine to her lover, by Anon 1870-1900 (oil on canvas)

BL3304440

Queen Victoria presides at the state opening of the great exhibition of All Nations May 1st 1851

Queen Victoria presides at the state opening of the great exhibition of All Nations May 1st 1851

EVB2938589

Lady Susannah Selina Sophia Metcalfe (1756-1815) wth her young son, Charles Metcalfe (1785-1846), c.1790.

Lady Susannah Selina Sophia Metcalfe (1756-1815) wth her young son, Charles Metcalfe (1785-1846), c.1790.

BL3304406

Sir James Cosmo Melvill (1792-1861). East India Company's Home service 1808-58. Three-quarter length. Three-quarter length. A white haired figure, facing front, sitting sideways with folded hands in a red leather chair. A book and statuette on the table to the right.

Sir James Cosmo Melvill (1792-1861). East India Company's Home service 1808-58. Three-quarter length. Three-quarter length. A white haired figure, facing front, sitting sideways with folded hands in a red leather chair. A book and statuette on the table to the right.

BL3304416

Hasan Reza Khan, minister to Asaf al-Daula of Oudh. Seated on a sofa with his right hand on a sword and his left holding the stem of a hookah. Oil paint canvas 1784 European school; British school.

Hasan Reza Khan, minister to Asaf al-Daula of Oudh. Seated on a sofa with his right hand on a sword and his left holding the stem of a hookah. Oil paint canvas 1784 European school; British school.

BL3290047

A bust.

A bust.

BL3300465

Sa'adat 'Ali Khan, Nawab of Oudh 1798-1814, on horseback. The Nawab wears a black cap and green coat with a flowered cummerband, white trousers and European-style boots. He rides a white horse and rests a riding whip on his shoulder. Brown ground and cloudy sky.

Sa'adat 'Ali Khan, Nawab of Oudh 1798-1814, on horseback. The Nawab wears a black cap and green coat with a flowered cummerband, white trousers and European-style boots. He rides a white horse and rests a riding whip on his shoulder. Brown ground and cloudy sky.

BL3304458

Antonio Saura in 1983, Paris. Spanish painter and artist: 22 September 1930 22 July 1998.

Antonio Saura in 1983, Paris. Spanish painter and artist: 22 September 1930 22 July 1998.

Martinot, Thierry

MTT5850964

Raja Chandu Lal, Minister of the Nizam of Hyderabad, 1809-43, painted c.1836
Three-quarter length portrait. The figure is shown dressed in a white muslin robe and turban, sitting sideways against a scarlet cushion and green background. — Raja Chandu Lal, Minister of the Nizam of Hyderabad, 1809-43, painted c.1836 Three-quarter length portrait. The figure is shown dressed in a white muslin robe and turban, sitting sideways against a scarlet cushion and green background.

Raja Chandu Lal, Minister of the Nizam of Hyderabad, 1809-43, painted c.1836 Three-quarter length portrait. The figure is shown dressed in a white muslin robe and turban, sitting sideways against a scarlet cushion and green background.

BL3304446

Portrait of John Vaughan (1793-1842) painted in 1838 by August Theodor Schoefft. Vaughan is seated on a chair with a banyan tree and mangroves in the background.

Portrait of John Vaughan (1793-1842) painted in 1838 by August Theodor Schoefft. Vaughan is seated on a chair with a banyan tree and mangroves in the background.

BL3304417

Allegorical cartoon of 'European Expansion'

Allegorical cartoon of 'European Expansion'

Christophe, Franz (1875-1946)

XLF3780920

Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of King George III, 1810
Full-length portrait. A bearded figure standing with one hand on the hilt of his sword and the other resting on a folded document on a red-covered table to the right. He wears a long gold brocade robe with a fur-trimmed sleeveless outer garment, a high turban, red stockings and green morocco slippers. Behind, to the right, of a column, a sunset sky. — Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of King George III, 1810 Full-length portrait. A bearded figure standing with one hand on the hilt of his sword and the other resting on a folded document on a red-covered table to the right. He wears a long gold brocade robe with a fur-trimmed sleeveless outer garment, a high turban, red stockings and green morocco slippers. Behind, to the right, of a column, a sunset sky.

Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of King George III, 1810 Full-length portrait. A bearded figure standing with one hand on the hilt of his sword and the other resting on a folded document on a red-covered table to the right. He wears a long gold brocade robe with a fur-trimmed sleeveless outer garment, a high turban, red stockings and green morocco slippers. Behind, to the right, of a column, a sunset sky.

BL3297406

Saint Francis of Assisi preaches to Pope Honorius III

Saint Francis of Assisi preaches to Pope Honorius III

Giotto (Giotto di Bondone) (c.1266-1337)

XLF3780859

A river scene with a nobleman in a morpunkhi, with a shrine and travellers. In the middle of the river is a peacock barge in which a wealthy nobleman rides, his flag flying in the stern with the emblem of the double-bladed sword ('zulfiqar') of 'Ali. On the near bank a lady visits a shrine to Siva; on the far bank travellers pass along a road which runs past a staging post and through a village.
Note: The nobleman could be Zulfiqar al-Daula Mirza Najaf Khan (d.1782), a Persian who rose to be subadar of Allahabad, and whose emblem as suggested by his title would have been the double-bladed sword. — A river scene with a nobleman in a morpunkhi, with a shrine and travellers. In the middle of the river is a peacock barge in which a wealthy nobleman rides, his flag flying in the stern with the emblem of the double-bladed sword ('zulfiqar') of 'Ali. On the near bank a lady visits a shrine to Siva; on the far bank travellers pass along a road which runs past a staging post and through a village. Note: The nobleman could be Zulfiqar al-Daula Mirza Najaf Khan (d.1782), a Persian who rose to be subadar of Allahabad, and whose emblem as suggested by his title would have been the double-bladed sword.

A river scene with a nobleman in a morpunkhi, with a shrine and travellers. In the middle of the river is a peacock barge in which a wealthy nobleman rides, his flag flying in the stern with the emblem of the double-bladed sword ('zulfiqar') of 'Ali. On the near bank a lady visits a shrine to Siva; on the far bank travellers pass along a road which runs past a staging post and through a village. Note: The nobleman could be Zulfiqar al-Daula Mirza Najaf Khan (d.1782), a Persian who rose to be subadar of Allahabad, and whose emblem as suggested by his title would have been the double-bladed sword.

BL3293272

Arthur Wellesley, 1st Duke of Wellington (1769-1852), painted 1902 after the original by Robert Home (1752-1834) of 1804.
A three-quarter length life-size standing figure, in scarlet uniform with a crimson sash and white breeches. The right hand is thrust into the breast of the coat; the left rests on the hilt of his sword. The star of the Bath is worn, but not the ribbon. The face is turned towards the right. In the background, a stretch of open country. — Arthur Wellesley, 1st Duke of Wellington (1769-1852), painted 1902 after the original by Robert Home (1752-1834) of 1804. A three-quarter length life-size standing figure, in scarlet uniform with a crimson sash and white breeches. The right hand is thrust into the breast of the coat; the left rests on the hilt of his sword. The star of the Bath is worn, but not the ribbon. The face is turned towards the right. In the background, a stretch of open country.

Arthur Wellesley, 1st Duke of Wellington (1769-1852), painted 1902 after the original by Robert Home (1752-1834) of 1804. A three-quarter length life-size standing figure, in scarlet uniform with a crimson sash and white breeches. The right hand is thrust into the breast of the coat; the left rests on the hilt of his sword. The star of the Bath is worn, but not the ribbon. The face is turned towards the right. In the background, a stretch of open country.

BL3304399

Photograph of circular engraved plate. An archaeological treasure. From finds by Goldsmith from Romania. From the annals of the Arundel Society.

Photograph of circular engraved plate. An archaeological treasure. From finds by Goldsmith from Romania. From the annals of the Arundel Society.

BL3298411

Mosque of Sidi Masud Khan

Mosque of Sidi Masud Khan

BL3279762

Colossal Head of Aboo Simbel.

Colossal Head of Aboo Simbel.

BL3315969

Castle Sinclair Girnigo

Castle Sinclair Girnigo

BL3280000

The Toto Farnese and other Sculpture in the Greek Court.

The Toto Farnese and other Sculpture in the Greek Court.

BL3315910

Statue of "The Nymph of the Danube," by Schwanthaler.

Statue of "The Nymph of the Danube," by Schwanthaler.

BL3315875

Sculpture of Parsvanath removed from Nagarabastikere by Colin Mackenzie in 1808. 'Statue of Parsa Naat belonging to the Jain religion. Sent home to the E.I. Company in Octr 1808'

Sculpture of Parsvanath removed from Nagarabastikere by Colin Mackenzie in 1808. 'Statue of Parsa Naat belonging to the Jain religion. Sent home to the E.I. Company in Octr 1808'

BL3300234

Lieutenant-General Sir Eyre Coote, (1726-83), served in India 1754-62, 1769-70, 1777-83, in campaigns against the French and later Haidar 'Ali. Commander-in-Chief in the East Indies, 1777-83.
A full-length figure, wearing a military coat of red faced with blue, light-coloured waistcoat and breeches, and high military boots with spurs. He wears the star and ribbon of the Bath; and at his side hangs a gold-hilted sword, possibly the one presented to him by the Company in 1764. His left hand, which rests upon a tasselled cane, holds an unfolded despatch; the right is lightly laid upon his hat which is placed upon a table covered with a dark green cloth. On this are piled or spread out several documents. Two curtains are parted to show a stretch of open country in the background. — Lieutenant-General Sir Eyre Coote, (1726-83), served in India 1754-62, 1769-70, 1777-83, in campaigns against the French and later Haidar 'Ali. Commander-in-Chief in the East Indies, 1777-83. A full-length figure, wearing a military coat of red faced with blue, light-coloured waistcoat and breeches, and high military boots with spurs. He wears the star and ribbon of the Bath; and at his side hangs a gold-hilted sword, possibly the one presented to him by the Company in 1764. His left hand, which rests upon a tasselled cane, holds an unfolded despatch; the right is lightly laid upon his hat which is placed upon a table covered with a dark green cloth. On this are piled or spread out several documents. Two curtains are parted to show a stretch of open country in the background.

Lieutenant-General Sir Eyre Coote, (1726-83), served in India 1754-62, 1769-70, 1777-83, in campaigns against the French and later Haidar 'Ali. Commander-in-Chief in the East Indies, 1777-83. A full-length figure, wearing a military coat of red faced with blue, light-coloured waistcoat and breeches, and high military boots with spurs. He wears the star and ribbon of the Bath; and at his side hangs a gold-hilted sword, possibly the one presented to him by the Company in 1764. His left hand, which rests upon a tasselled cane, holds an unfolded despatch; the right is lightly laid upon his hat which is placed upon a table covered with a dark green cloth. On this are piled or spread out several documents. Two curtains are parted to show a stretch of open country in the background.

BL3304767

Tomb of the Emperor Shere Shah

Tomb of the Emperor Shere Shah

BL3279818

'Figure from life'. A seated lady in a green sari.

'Figure from life'. A seated lady in a green sari.

BL3304766

Charakpuja, the Hook-swinging Festival, 1831

Charakpuja, the Hook-swinging Festival, 1831

Atkinson, James (1780-1852)

BL3304429

Government House, Maymyo

Government House, Maymyo

BL3279831

Donauwellen by Josef Muellner, 1949-45 (b/w photo)

Donauwellen by Josef Muellner, 1949-45 (b/w photo)

SZT2983296

Festival Images, Visual arts biennal of Vevey, Switzerland, 2018 (photo)

Festival Images, Visual arts biennal of Vevey, Switzerland, 2018 (photo)

GNG5902225

Ornamental Sculpture at the back of the Roman Court.

Ornamental Sculpture at the back of the Roman Court.

BL3315988

Half-length portrait of James Weir Hogg, to front, dressed in dark coat and white stock, against a dark red curtain, c.1820-5. James Weir Hogg (1790-1876) practised at the Calcutta Bar from 1814-22, and was Registrar of the Supreme Court from 1822-33. In that year he returned to England, where he entered Parliament. He became a Director of the East India Company in 1839, and Chairman in 1846 and 1852, 'representing, practically, the E.I.Co. in Parliament' (Buckland). He was made a Baronet in 1836, and became in 1858 one of the original members of the Council of India, from which he retired only in 1872. Hogg looks relatively young in this portrait which must have been taken during Chinnery's last years in Calcutta.

Half-length portrait of James Weir Hogg, to front, dressed in dark coat and white stock, against a dark red curtain, c.1820-5. James Weir Hogg (1790-1876) practised at the Calcutta Bar from 1814-22, and was Registrar of the Supreme Court from 1822-33. In that year he returned to England, where he entered Parliament. He became a Director of the East India Company in 1839, and Chairman in 1846 and 1852, 'representing, practically, the E.I.Co. in Parliament' (Buckland). He was made a Baronet in 1836, and became in 1858 one of the original members of the Council of India, from which he retired only in 1872. Hogg looks relatively young in this portrait which must have been taken during Chinnery's last years in Calcutta.

BL3304433

The Temple of Elephanta

The Temple of Elephanta

BL3279752

Tomb of the Emperor Akbar

Tomb of the Emperor Akbar

BL3279804

The Pieta of the Corsini Chapel in San Giovanni Laterano, Rome, by Bernini.

The Pieta of the Corsini Chapel in San Giovanni Laterano, Rome, by Bernini.

BL3315881

Art-students and copyists, among them many women, in the a long, sky-lit gallery of Louvre Museum in Paris. Wood engraving based on Winslow Homer's drawing is from Harper's Weekly, 1868

Art-students and copyists, among them many women, in the a long, sky-lit gallery of Louvre Museum in Paris. Wood engraving based on Winslow Homer's drawing is from Harper's Weekly, 1868

EVB2934416

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