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Hans Bellmer (photo)
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Portrait of Unica Zurn, 1954 (oil and collage on wood)
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Drawing by Hans Bellmer
Hans Bellmer (b/w photo)
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Portrait of Max Ernst (1891-1976) at Les Milles, 1940 (oil on canvas)
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Inarticulated Hands; Les Mains Inarticulees, 1950 (gouache on canvas)
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Composition double érotique (drawing)
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The Half Doll, 1971 (painted wood with assemblage)
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Les mains de Francoise , c.1950 (pencil and ink on paper)
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Portrait d'Henri Michaux, (oil on canvas board)
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Portrait of Joe Bousquet , c.1940s (drawing)
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Pre-Natal Education; L'Education Prenatale,  (oil on panel)
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Portrait of Hans Arp; Bildnis von Hans Arp, (oil on paper)
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Portrait of Andre Breton, poet, critic, founder of Surrealist movement, France, 1948
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Poupee, variations sur le montage d'une mineure articulee. Sculpture by Hans Bellmer (1902-1975) Dim: 19.5x30cm. Musee Cantini, Marseille
Portrait of Max Ernst with Dorothea Tanning, 1958 (oil on panel)
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View of a detail of the fresco decorating the refectory “The cortege of service providers”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR
View of a detail of the fresco decorating the refectory “Food et liberte”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR
General view of the refectory decor of the fresco “Food and Liberte” and “The Harvest” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR
View of a detail of the fresco “Food and Liberte”” decorating the refectory, collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR
View of a detail of the fresco decorating the refectory “The cortege of service providers”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR
General view of the refectory decorating the fresco of “The feast of peoples”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR
General view of the refectory decorating the fresco of “The Banquet of Nations”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR
The Doll, 1934 (gelatin silver print)
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Detail of the fresco of “The Banquet of Nations”” collective work of 1941. Tuilerie des Milles, former internment camp,
The Games of the Doll, Plate II, 1949 (hand-coloured gelatin print)
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La Poupee. Seconde Partie (The Doll. Part II), 1936 (hand tinted photo)
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Untitled, 1961 (pencil & gouache on paper)
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La Poupee. Seconde Partie (The Doll. Part II), 1936 (hand tinted photo)
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Portrait of Joe Bousquet (1897-1950) c.1940 (pen & ink and gouache on paper)
Untitled, 1931 (pencil and gouache on paper)
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The doll, 1934 (sculpture)
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Children, the Spring games (Construction with Tzirf Joint), c.1936/37 (pencil and watercolour on mounted card)
La Poupee. Seconde Partie (The Doll. Part II), 1936 (hand tinted photo)
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Untitled, 1946 (pencil on paper)
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The Doll, 1935 (aluminium) (b/w photo)
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Pour Madame Edwarda, c.1954/55 (pencil on parchment paper)
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Self portrait, 1942 (gouache on paper mounted on wood)
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A medical operation in progress.
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Jack der Aufschlitzer. Two Twelve Songs with Drawings by Rudolf Schlichter., 1924 (photo)
Untitled, c.1938 (pencil and collage on paper)
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La Poupee. Seconde Partie (The Doll. Part II), 1936 (hand tinted photo)
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Untitled (La Poupee), c.1936 (b/w photo)
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Untitled, 1959 (oil and collage on canvas)
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Doll (La Poupee) 1934-37 (mixed media)
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In between two volumes of water, 1941 (gouache on paper)
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Untitled, 1941 (?) (pencil and white gouache on paper)
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Study for Ubu, 1934 (white gouache on black card)
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Untitled, 1952 (pen and Indian ink and wash on paper)
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Print from 'Surrealism in 1947', 1947 (colour litho)
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Untitled, 1934 (pencil on paper)
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Untitled, 1942 (pencil on paper)
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Architecture, 1950 (pen and Indian ink and wash on paper)
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Untitled (La Poupee), c.1936 (b/w photo)
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Untitled, 1934 (pencil on paper)
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Sisters, 1952 (pen and Indian ink and w/c on paper)
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Head in the style of Arcimboldo, 1940 (pencil and opaque white on brown paper)
Portrait of Max Ernst and studies, 1944 (pencil, Indian ink and white wash on paper)
Cefalopodes
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Map of Europe, engraving, 16th century
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The Great Deception, 1938 (pencil and watercolour on paper)
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Three Small Objects with Hinges, 1938 (pencil and watercolour on paper)
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Untitled, 1958 (pencil on paper)
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Little Painting with Doll, 1941 (oil on canvas)
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Woman with jointed arms
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Untitled, 1960 (pencil on paper)
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Forms, 1943 (pencil and opaque white on brown hand made paper)
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Girl's Head, 1958 (pencil and gouache on paper)
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Untitled, 1964 (pencil on paper)
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The Full Secret of Diana from Ephesus. (Object), 1938 (pencil, watercolour and opaque white on mounted card)
Untitled (La Poupee), c.1936 (b/w photo)
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No Title (La Poupee), c.1936 (b/w photo)
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Untitled, 1963 (pencil and white gouache on paper)
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Three girls and Death, 1941 (gouache on paper)
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Marcel Duchamp (1887-1968), 1955 (pencil on paper)
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Iridescent Cephalopod, 1939 (oil on canvas)
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Les Bas Rayes, 1975 (litho)
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Front cover of 'Le Surréalisme', même 4, 1958 (colour litho)
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Pour Madame Edwarda, 1955 (pencil on paper)
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Untitled, 1946/7 (pencil on paper)
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Girls from Poinas, 1940 (pencil and gouache on paper)
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Hommage to Antonin Artaud, 1942 (pencil on paper)
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Untitled (La Poupee), c.1936 (b/w photo)
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Portrait of Max Ernst (1891-1976) 1944 (pencil on paper)
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The Bat, 1961 (pencil & gouache on paper)
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The Rioter. 'For this witterly was his ful entente - To slen hem bothe, and never to repente'