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The Battle of Marengo, June 14, 1800 (oil on canvas)
Temerite -  1830 (lithograph)
Colombia Military Hospital (photo)
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Conspiracy theory, 1997 (film still)
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Johnny English le Retour
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Fragile(s) de Martin Valente avec Caroline Cellier et Francois Berleand, 2007
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Victory celebrations July 14, 1919, defile of the mutile, 1919 (oil on canvas)
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Les Saltimbanks, 1874 (oil on canvas)
Pieta. (1368) painting by Simone dei Crocefissi (1330-1399).
Poster, France, May 1968: No (a man? with a severed hand writing on the wall in his blood), 1968 (poster)
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Poster, France, May 1968: Bourgeois, you haven't understood anything, 1968 (poster)
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Poster, France, May 1968: Enough murders, every Friday the demonstration at Place Beauveau, 1968 (poster)
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Wounded soldier, First World War, 1914-18 (photo)
Ancient Rome: Eruption of Vesuvius, 79 AD, 1866 (engraving)
Persian war carriage during a battle, Ancient Orient, 1866 (coloured engraving)
Jesus being nailed to the Cross, detail of the altarpiece (painted wood)
Christ on the Cross, detail of the altarpiece (painted wood)
Psalms of the Passion. The dead Christ, with blood streaming from his wounds, kneels by an open tomb, with instruments of the Passion behind him. Borders with trompe l'oeil decoration of flowers. At foot, inscription in the hand of King Henry VIII: inscription in French 'Si silon mon affection la sufvenance sera en voz prieres ne seray gers oblie car vostre suis Henry R. a jammays' ('If you remember my love in your prayers as strongly as I adore you, I shall hardly be forgotten, for I am yours. Henry R. forever')
The Resurrection of Christ, from the right wing of the Isenheim Altarpiece, c.1512-16 (oil on panel) (detail of 17677)
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The Battle of Araure, 1828
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Tancred Baptizing Clorinda, c.1586-1600 (oil on canvas)
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Portia and Brutus, c.1486–90 (tempera & gold on panel)
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Aeneas injured, from Pompeii (fresco)
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The Incredulity of St. Thomas, 1466-83 (bronze)
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Braddock's Retreat on 9th July 1755, 1865 (oil on canvas)
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The Doubting Thomas (bronze)
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Pieta (oil on panel)
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XVIIIv The Wound Man, from the 'Feldtbuch der Wundartzney' by Hans von Gersdorff, 1517 (colour woodcut)
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