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51 médias trouvés pour 'Cappello A Tre Angoli'

Costume designs for 'Tricorne' by Manuel de Falla (1876-1946) (pencil & watercolour on paper)
Painter Pablo Picasso working at the curtain for ballet "The Three-Cornered Hat", 1919 (photo)
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Rob Roy  by Sir Walter Scott
Lute, violin, flute, musical score and three-cornered hat …
Gentleman in a Three-Cornered Hat, 1747 (pastel on paper)
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Louis Philippe (1725-85) Duke of Orleans in Hunting Costume, 1763 (pencil, watercolour & gouache on paper)
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Rob Roy  by Sir Walter Scott
Three cornered knitted hat, circa 1941.
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Sketch for the stage curtain of 'Tricorne' by Manuel de Falla (1876-1946) (oil on canvas)
Guardsman of the Civil Guard in Spain poses, wearing three corner hat, 1949., 1949 (photo)
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The Three-Cornered Hat by Manuel de Falla, premiered in London 22 July 1919
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Guardsman of the Civil Guard in Spain poses, wearing three corner hat, 1950., 1950 (photo)
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Russian ballet season at Paris Opera, Costumes for Three-Cornered Hat, 1919-20
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Courtly couple from era
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Three-cornered hat with orange ostrich feather border, by Meyer and Mortimer Ltd, London, 1911
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Three-cornered hat with orange ostrich feather border, by Meyer and Mortimer Ltd, London, 1911
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Louis-Antoine du Prat de Nantouillet, Marquis of Barbancon, huntsman to the Duke of Orleans, 1763 (pencil, watercolour & gouache on paper)
Manuel de Falla 's
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Margot Fonteyn (1919-1991), and John Hart (b. 1921) performing the ballet THREE CORNERED HAT, produced by Sadlers Wells Ballet Company, London, c. 1946. The ballet is based on the novella by Pedro Antonio de Alarcon, in which a government official attempts to seduce the faithful wife of a humble milner
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Hat fashion from 1909 (b/w photo)
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'...Afternoon dress made by Barroin for Mme Norghornoff. The tunic and bolero are of green cloth, crossed over to the left and trimmed with elaborate incrustations of black velvet. the skirt and bodice are of the velvet, a great rosette of which fastens the bolero at the side. Sleeves of green cloth tied up with two bands of velvet and rosettes. A three-cornered hat of black felt, trimmed with a group of feathers, completes this charming toilette'.
Design by Mesdammes Emma and Marie Weille. An afternoon toilette. Made in the princesse form it is lightly draped across the waist and fastens on the left side with buttons of turquoise. The skirt is cut out in a waved edge bordered with the sable over a deeply pleated frill of turquoise blue taffetas, and it is further decorated with waved bands of the fur in a scroll design. The corsage is turned back into a double fichu collar, over a vest of cream-coloured satin veiled with guipure de Venise. A muff of sable ... The hat is of turquoise ble velvet in the fashionable three-cornered shape, and is trimmed with a cluster of white feathers.
A Meissen coffee pot, 1742 (pottery)
Design by Fred. A bolero and skirt; an autumn walking dress. It is made of fine faced cloth in a new tint which he has called "fauvette" The skirt has two flounces cut en forme. The bolero has a collar and double revers of white.: it ends in rounded points above the waist, each one cut a little shorter than its fellow and overlaid. It is fastened by three large turquoise buttons down the left side. The belt, the vest and the cravate are all of turquoise blue. The three-cornered black felt hat is edged with a line of felt in white and trimmed on one side with a large chou of ribbon.
Manuel de Falla's 'The
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'La Jota' A quick
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Tamara Toumanova - in
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Wilson Aylesbury Roberts the younger (1770 - 1853), of Bewdley, Worcs., as a boy
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Italy - Meran or Merano - Saltners
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The Good Effects of Carbonic Gas !!!', 1807
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Sir Robert Walpole, 1st Earl of Orford, KG (1676-1745), as Ranger of Richmond Park (after Jonathan Richardson the elder)
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The Good Effects of Carbonic Gas', 1807
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Portrait of Francis, Earl of Dalkeith (oil on canvas)
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Holy Roman king Adolf of Nassau, 17th century (etching)
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Thomas Peter Giffard (1735-1776)
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A Saltner from Merano, Italy
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