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Chromosaturation, 1965/2017 (chromatic environment)
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Meta-Maxi, 1986 (mixed media)
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Vibración en negro (painted aluminium)
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Model windmill, c.1600 (wood)
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La Bascule VII, 1967 (iron, wood, steel, rubber and electric motor)
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Queen of Diamonds, 1980 (aluminium, glass prism)
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Siete icosidodecaedros, c.1977 (stainless steel wire)
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Feathered Lady, 1979 (mixed media)
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Meta-mechanical Sculpture, 1960 (metal)
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Kinetic Construction, 1965 (wood, paint, nylon thread & paper)
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Seven Rotors Hanging, 1986 (stainless steel)
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White cross-ruling on a black background, optical illusion, kinetic art
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Untitled, c.1974 (stainless steel wire)
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Filoscope, with printed kinetic subject and numbered picture sheets, 1897
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Heshe, 1980
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Jean Tinguely, 1970 (b/w photo)
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She So Blue, 1984-5 (mixed media)
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Construction No.35 (steel with wood & electric motor)
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Construction No.35 (steel with wood & electric motor)
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Two Lines Oblique, 1968-71 (stainless steel)
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Traitor's Gate, 1966 (wood, plastic film & chain)
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Atom Body was Light, 1963 (letraset & paint on wooden cone with motorised turntable)
Baluba No. 5, 1961 (ballpoint pen on paper)
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Traitor's Gate, 1966 (wood, plastic film & chain)
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Leaping figure, 1929-32 (pencil on paper)
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Aparelho cinecromático, 1962 (wooden box with plastic cover, electric motor, coloured light bulbs linked to a programmed electric circuit and cardboard paddles)
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Cycle, 1965 (paint pigment mixed with polyvinyl acetate on hardboard)
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Traitor's Gate, 1966 (wood, plastic film, chain)
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Traitor's Gate, 1966 (wood, plastic film & chain)
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Construction No.35 (steel with wood & electric motor)
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Carlos Cruz-Diez and Gustavo Dudamel, 2009 (b/w photo)
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Untitled (Free Jazz Mobile), 2007 (mixed media)
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Double Metamorphosis, 1968-69 (oil on aluminium)
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Grand écriture (Large Writing) c.1963-66 (wire and wood assemblage)
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Two Lines Oblique, 1968-71 (stainless steel)
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Marine Background, 1963 (mixed media)
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Moving disc with projected light, c.1980 (mixed media)
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Incense burner with images of the planets within roundels, Mamluk, 1280-90 (pierced & engraved brass inlaid with silver)
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Light Blue, 1997 (mixed media)
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Free Floating Clouds, 1980 (oil on canvas)
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The Joiner by Eric Williamson, 1985 (boxwood, cotton, wool & hair)
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Marine Background, 1963 (mixed media)
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A man and a woman observing Strutturazione acentrica by Gianni Colombo at the 32nd Art Biennale, Venezia, Italy, 1964
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Composition, 1972 (oil on board with wire)
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Gallery exhibiting works by Bruce Nauman (b.1941) (photo)
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Chromosaturation, Paris, 1965/2004 (chromo-cubicles)
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Moving disc with projected light, c.1980 (mixed media)
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Moving disc with projected light, c.1980 (mixed media)
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Interrelazione cromospeculare, 1969 (mixed media)
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Ms. 8937, Codex Madrid I f.45r, tempered spring, 1493 (pen & ink on paper)
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Double Poke In The Eye, 1985 (neon & white aluminium box)
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Cromosaturation, Paris, 1965-2004 (chromo-cubicles)
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Chromosaturation, Paris 1965/2004 (chromo-cubicles)
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Interazione cromospeculare, 1969 (mixed media)
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Mobile (mixed media)
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A Kinetic work of art by Julio Le Parc on display at the 32nd Art Biennale, Venezia, Italy
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A Kinetic sculpture on display at the 32nd Art Biennale, Venezia, Italy
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HISTORY OF PHOTOGRAPH AND CINEMA The “toy” called thaumatropio
Portrait of Narciso Debourg (artist of kinetic and optical art) in the gallery Meyer-Zafra in Paris in 2008.
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Portrait of Narciso Debourg (artist of kinetic and optical art) in the gallery Meyer-Zafra in Paris in 2008.
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HISTORY OF PHOTOGRAPH AND CINEMA The “toy” called thaumatropio
Windzeichen 1 (b/w photo)
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Environment - Virtual Parameters Structure, 1969 (2005) (chipboard walls, projectors & motor)
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Windzeichen 3 (b/w photo)
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Urmnt 70, 1964 (black perforated metal sheet, PVC and white electric motor)
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Subject Optical Dynamic no. 1, 1963 (wood, machined aluminum & nylon)
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Reflected relief with orthogonal incidence, 1967-70 (mixed media)
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A boy observing Virtual Cylindrical Structuring by Giovanni Anceschi at the 32nd Art Biennale, Venice, Italy
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Magnetic Surface (Superficie magnetica), 1959-64 (electromechanical aluminum, glass, iron polveredi, magnets and electric motor)
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A man observing Superficie Magnetica by Davide Boriani at the 32nd Art Biennale, Venezia, Italy
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Environment - Virtual Parameters Structure, 1969 (2005) (environment with chipboard walls, projectors & motor)
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Strobe Environment no. 4, 1967 (wood, mirrors, strobe lights, micromotors & proximity sensors)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Untitled (silk screen print)
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Surfaces in Vibrating Texture (Superfici a testura vibratile) - PROB. 1/2/3; Prob dis / and / 1.2.3., 1963 (prism with aluminum sheets)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Vega Pal, 1969 (serigraphy)
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Three Colour Structure (Struttura tricroma), 1964 (four cubic elements in wood and metal, flush screen, rear lighting system with additive color synthesis and four electromechanical motors)
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Little America 8 (b/w photo)
Ambient Light Shock, 1964 (room with plaster walls and fabric ceiling, two wall lights and strobe light with timer)
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Linear Variable Transparent (Lineare variabile trasparente), 1960 (wire, magnets and sixteen segments in wood and paint)
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Surfaces in Vibrating Texture (Superfici a testura vibratile) - PROB. 1/2/3; Prob dis / and / 1.2.3., 1963 (prism with aluminum sheets)
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