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Ms. 597/1424 fol. 113v-114r The Sodomites, 'Cantica del Inferno', from 'Divinia Commedia' by Dante Alighieri (1265-1321) (vellum) (detail)
Virgil rescues Dante from the evil demons, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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The Minotaur, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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Devils setting out with Dante and Virgil, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
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Ulysses and Diomed swathed in the same flame, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
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The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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The Punishment of Rusticucci and his Companions, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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Dante seizing the Traitor Bocca by the Hair, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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Ms. 597/1424 fol. 113v-114r The Sodomites, 'Cantica del Inferno', from 'Divinia Commedia' by Dante Alighieri (1265-1321), early 14th century (vellum) (b/w photo)
Anataeus setting down Dante and Virgil in the Last Circle of Hell, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper)
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Dante and Virgil gazing into the Ditch of Flatterers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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The Pit of Disease: Gianni Schicchi and Myrrha illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil on paper)
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Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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Donati transformed into a serpent; Francesco de'Cavalcanti retransformed into a man, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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Demons tormenting the seducers of Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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Ephialtes and two other Titans, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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Capaneus the Blasphemer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper)
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The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
Ugolino's Narrative, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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The thieves and serpents, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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The schismatics and sowers of discord: Mosca de'Lamberti and Bertrand de Born, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil on paper)
Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper)
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In the second circle of hell, from Canto V of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321)
Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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Circle of hell from Divine Comedy, by Dante Alighieri, Nazarene school, 19th century fresco in casino of Villa Massimo Lancellotti, Rome, Italy, 19th century
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Geryon conveying Dante and Virgil down towards Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
First Circle of Hell (La prima bolgia dell'inferno), by Renato Guttuso, 20th Century, tempera on paper
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Copyright
  • Le droit d'auteur s'applique
Agnello de Brunelleschi of Florence being transformed into a serpent, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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The Virgin of Carmel Saving Souls in Purgatory (oil on canvas)
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The six-footed serpent attacking Agnello dei Brunelleschi, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
The Circle of the Gluttons, with Cerberus, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
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Paolo and Francesca, 1856 (oil on canvas)
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The Divine Comedy, Inferno, Canto 18: Paramours and flatterers in the eighth circle - by Dante Alighieri, 1885
The angel at the gate of Dis, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
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Dante and Virgil are rowed in the ferry across the River Styx, in the fifth Circle of Hell, which contains the which the Wrathful who spend eternity struggling with one another; the Sullen lie bound beneath the Styx's waters, choking on the mud.
The Divine Comedy, Inferno, Canto 6: Virgil feeds Cerberus in the third circle - by Dante Alighieri, 1885
vision of Paolo and Francesca in the circle of lust. Chant V of Hell, chromolithography from 1918.
Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
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Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
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Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
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Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
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Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
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Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
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Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
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