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Study for Homage to the Square, 1973 (oil on masonite)
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Jar, late 15th century with tou ts'ai decoration ('fighting' or contrasting colour)
W.M. IV (Weights and Measures IV), 1996 (etching with aquatint)
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Sin Título, 1969-70 (oil on canvas)
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"Apart and Together" brooch, 2010 (gold, alabaster, balsawood, and pigment)
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Interior of the Stock Exchange, c.1790 (etching)
W.M. III (Weights and Measures III), 1996 (etching with aquatint)
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W.M. (Weights and Measures), 1995 (etching with aquatint)
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W.M. II (Weights and Measures II), 1995 (etching with aquatint)
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Grand Spectra, 1968 (acrylic on canvas)
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Assistance in Drawing, 1995 (gouache, graphite, ballpoint pen & ink on paper)
A model presents this double-breasted black suit worn with a contrasting white silk tie and black le.., 2001 (photo)
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Poster contrasting child poverty with children cared for and educated by the Soviet State, 1950 (poster)
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Two vegetable, fruit and meat sellers on city street pavement (photo)
Mathaf, Arab Museum of Modern Art, Qatar (photo)
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Mathaf, Arab Museum of Modern Art, Qatar (photo)
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Woman wearing walking dresses with matching jacket, brown, light blue with patterns in contrasting color, Madame Fladry designs, France, headpiece with floral decorations by Madame Deloffre, France
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LiAn emblematical miniature illustrating the proverb 'you shouldn't limp in front of a lame person'.The scene contrasts a lame man leaning on his crutch with a richly dressed figure holding a bell. It is also a pun on the twin meanings of 'cloche' ['limp' and 'bell']. The scene illustrates a love poem dedicated by Pierre Sala to Marguerite Builloud.
Egyptian Gallery, Ashmolean Museum and Extension, Oxford, UK (photo)
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Cactus Detail, 1968 (silver gelatin print)
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Art of America Wings, Museum of Fine Arts, Boston, USA (photo)
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National Portrait Gallery, Smithsonian Institution, Washington DC, USA (photo)
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Bearded man's head and lion's head Comparing man and animal heads.A physiognomy book from the 16th century. Physiognomy assessment of a person's character or personality from their outer appearance, especially the face. Comparing man and animal heads
Painting No.3, 1952 (oil on masonite)
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Man's head and bird's head in profile. A physiognomy book from the 16th century. Physiognomy assessment of a person's character or personality from their outer appearance, especially the face. Comparing man and animal heads. Man and bird. Eagle. Noses.
Ninive, 1952 (oil on canvas)
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Women wearing elegant dresses, in beige with contrasting brown trim and steel blue with black trim, Madame Breant-Castel designs, France, colored engraving from La Mode Illustree, No 41, October 10, 1875
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Mother, 1988 (b/w photo)
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Glass roof over the Kagod Courtyard, National Portrait Gallery, Smithsonian Institution, Washington DC, USA (photo)
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Firstsite, Colchester, Essex, UK (photo)
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Plantains; Platanos machos, 2001 (oil on canvas)
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Museum of Scotland, Edinburgh, Scotland (photo)
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Children's day dresses for ages 2-17, plain and striped, with ruffles, flounces, laces and contrasting color trims, Mademoiselles Hunsinger designs, France, engraving from La Mode Illustree, No 21, May 23, 1875
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Three Squares (Ceruleum, Naples, Ochre): January 1960
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Bellatrix II, 1957 (oil on canvas)
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Maidstone Museum and Bentlif Art Gallery, Kent, UK (photo)
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Maidstone Museum and Bentlif Art Gallery, Kent, UK (photo)
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(Left): portrait of an Acholi chief, identified as Faiso, wearing an animal skin and a cowrie decorated headdress surmounted by a feather or fibre contrasting plume.
(Right): Portrait of an Acholi chief, identified as Aguen, wearing a patterned shirt with a disk hair ornament.
Bindu Pancha Tatva, 1999 (acrylic on canvas)
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Formal garden and fountain in front of old main entrance, Lenbachhaus, Munich, Germany (photo)
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Alcoholic differences between apple juice and apple wine
Carre D'Art, Nimes, France, 1984-93 (photo)
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Reflections of Horseriders; Reflets des cavaliers, 2002 (oil on canvas)
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Storm in a Teacup, 1987 (digitally colourised photo)
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Mathaf, Arab Museum of Modern Art, Qatar (photo)
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Untitled, 1999 (acrylic and ink on paper)
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Turner Contemporary from the beach and sea wall, Margate, Kent, UK (photo)
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Worshipping Buddha, Indo-China, 1956 (black and red chalk on paper)
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