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derision
The Mockery of Christ, c.1600-50 (oil on panel)
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The Mocking of Christ (tempera on wood)
The first motor buses were greeted by derision
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The Bohemian, circa 1626 (oil on canvas)
The Drunkenness of Noah (oil on copper)
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Derision of Christ, c. 1529 (oil on wood)
Derision of Christ, c. 1529 (oil on wood)
Ms 39/1601 The Mocking of Christ, from 'Passio Domini Nostri Jesu Christi Secundum Joannem' (vellum)
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Salt-glazed stoneware fountain by the Martin Brothers (photo)
The derision of Christ. Detail. Low relief of the right pulpit, 15th century
Church of the Eremitani. The derision of Christ. Wall painting.  Padua. Italy.  (photo)
The Panic of 1837. Political cartoon mocking temporary bank notes. 1837
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The Panic of 1837. Political cartoon mocking temporary bank notes. 1837
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Renoir and a friend at the First Impressionist Exhibtion (gouache on paper)
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Artist's shit (Artwork, 1961)
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The Mocking of Christ, 1622-25 (black and red chalk on paper oil on paper)
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Mrs. Godichon. Engraving in "ABC Les Images en Alphabet". Epinal imaging. Pellerin and Cie, printer-publisher, Epinal, late 19th century, circa 1890. 10 pages. Dim: 19.5 x 13.5 cm
Mocking of Christ, Calvary of Saint-Thegonnec, by Roland Dore (1616-1660), Brittany, France, 17th century
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Illustration by Edouard Francois ZIER (1856-1924) for Paul Scarron's “comic novel”: during a theatre performance, a comedian mistaken text and made the audience laugh -
Mocking of Christ, Calvary of Saint-Thegonnec, by Roland Dore (1616-1660), Brittany, France, 17th century
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Flower-mania. Woman with as many flowers on her dress and hair as there are in the basket and vase near her. “The ridiculous abundance of every kind of flowers on the dress and hair of our women inspired this costume.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Popular song: “A Paris y a-t-une dame", 1889 (engraving)
Dinner with a lute player. (Painting, 1616-1620)
Restrictions relatives aux images
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Old woman trying on a pink bonnet in front of three young shopgirls, “” Women appear to have sworn to lie about youth up to their last breath.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
The old young man. Old dandy in jacket with high collar, bicorn, tight breeches and hose, has a tie ties by a young shopgirl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Ancient mythology: Comus (Komos), god of joy and good dear, Themis, goddess of justice, law and equity, and Momus (Momos), deity of mockery, mischievous criticism and good words - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from the mythology in prints or figures divinites fabulous, ca. 1820 - Comus, Themis and Momus, Greek gods of festivity, divine law and satire - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
The problem with Capote bonnets: two women's deep-brimmed bonnets collide as they greet each other, while fashionable men watch. The bonnets with long sides were obviously invented by pretty coquettes who wanted to prick the curiosity of men and keep them mystified until the last moment. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
The Derision of Christ Painting by Annibale Carracci (Annibal Carrache, 1560-1609) 1596 approx. Sun. 60x69,5 cm Bologna, Pinacoteca Nazionale
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Prisoners mock Madame Roland in the Prison of Sainte Pelagie, 1886 (engraving)
Mr. Fanferluche. Engraving in "ABC Les Images en Alphabet". Epinal imaging. Pellerin and Cie, printer-publisher, Epinal, late 19th century, circa 1890. 10 pages. Dim: 19.5 x 13.5 cm
A woman to buy, 1891 (oil on canvas)
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