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Woman at the mirror, 1932 (oil on canvas)
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Madame Cezanne in Blue, 1888-90 (oil on canvas)
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Portrait of Claude d'Annebault (1490-1552) Admiral and Marshal of France, c.1535 (pencil on paper)
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Maud, 1929 (oil on canvas)
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Letter from Vanessa [Esther Van Homrigh] to Jonathan Swift.
Extract from letter: 'I could have bore the rack much better than those killing, killing words of yours'.
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Portrait of Claude d'Annebault (1490-1552) Admiral and Marshal of France, c.1535 (pencil on paper)
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The Tiff, c.1902 (oil on canvas)
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Lady Dowage (oil on canvas)
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Teddy bears looking for accomodation
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Adriana, 1866 (albumen print)
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Sad Child (Girl), 1968 (oil & graphite on board)
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'Poor little baby sentinel'. An unhappy child sitting in an attic.
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A young woman looks sadly out of the window of a train, 1993 (b/w photo)
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Sad Child (Boy) II, 1968 (oil & graphite on board)
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The rich man regretting his triumph over his enemy when he saw the latter's corpse
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Illustration to the poem, 'Abelard and Eloisa'.
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Louisa Venoni sitting under a tree; behind her, partially hidden, stands Sir Edward
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Village Procession, 1946 (oil on masonite)
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FILIPINO STOCK BROKERS LOOK GLUM DURING TRADING IN MANILA, 1997-08-26 (photo)
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BARAK AND DENNIS ROSS LOOK GLUM BEFORE THEIR MEETING IN THE KNESSET, 2000-03-27 (photo)
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Shostakovich (1906-75) 2003 (oil & tempera on panel)
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A glum looking deliveryman sits aboard his Boots The Chemists delivery van (b/w photo)
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Seated Nude, 1951 (oil on canvas)
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PRIME MINISTER EHUD BARAK AND DENNIS ROSS LOOK GLUM PRIOR TO THEIR MEETING IN KNESSET, 2000 (photo)
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Grand Duke Dmitri shedding tears and addressing his chiefs, discussing the unfavourable aspects of the recent battle.
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Prasnik Street, Moscow (oil on canvas)
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Two Sad Children, 1968 (graphite & oil on board)
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Sairey Hann, aged ten, left alone to manage a hospital. Cartoon from
'Quite a lucky accident'.
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Sad Child (Boy) I, 1968 (graphite & oil on board)
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"And when we came at least to the five thousand cheeses (canes he made it tha day, I remember), my mother burst out crying". David Coppefield and Mr Murdstone.
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"A small square of paper fluttered down." Doctor Watson standing at the Reichenbach falls. Illustration for the story 'the adventure of the final problem'.
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ENGLAND MANAGER KEVIN KEEGAN AND ALAN SHEARER LOOK GLUM DURING NEWS CONFERENCE IN SPA, 2000-06-21 (photo)
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Ваши родиные и близкие стонут под игом большевистских комиссаров. Они мрут от насилия и голода, они зовут вас, идите-же спасать их! Your family and friends suffer under the yoke of the Bolshevik commissars. They are perishing from violence and hunger, they call to you to come and save them! Depicts an anguished mother clutching a child in her arms. In the background a village is on fire.
The Tinder Box
There sat the dog with eyes as big as teacups.
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A Hong Kong stock trader looks glum as the market suffered its biggest decline ever October 23. The .., 1997-10-22 (photo)
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Self Portrait and Still Life, c.1947 (oil on canvas)
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U.S. President Bill Clinton pulls a glum expression after his translation device failed briefly at t.., 1997-03-24 (photo)
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Clarita sitting with a man on a divan. She is asking him for money as a result of misfortune.
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A South Korean investor looks glum as he watches falling stock markets in Seoul July 11. The stock m.., 1998-07-11 (photo)
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Bas-de-page scene of a poor neighbour of Nicholas and his three daughters
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Portrait of John Minton, c.1949 (oil on canvas)
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Girl in Grey, 1970s (tempera on paper)
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Engraving of a mourning woman at a graveside.
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Clarita visiting a priest and seeking forgiveness.
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Portrait of Mrs. Peto No. 2, c.1972-73 (oil on board)
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Thumbkinetta.
Thumbkinetta very desolate on the water lily-leaf.
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Disconsolate: A Pondo baby, sitting on a Pondo "pillow", 1904
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A robin in winter on a snowy branch
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The Station Public House, formerly The Stoneleigh Hotel, The Broadway, Stoneleigh, Ewell, Surrey (photo)
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Melenconia I, 1514 (Burin engraving)
Grant Wood subclip 1
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Marriage a la Mode, Plate II, The Tete a Tete, engraved by Bernard Baron (1696-1762) 1745 (engraving) (see also 4395)
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Office of the Passion of Christ at Compline. The dead Christ is lowered into a tomb, as his arm held by the Virgin
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Administrator at the kolkhoz, 1960s (tempera on paper)
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Polly, Barney and Christopher Bramham, 1990-91 (oil on canvas)
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Stone, 1938 (oil on canvas)
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