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A study of a woman's hands, c.1490 (metalpoint, heightening and charcoal on paper)
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A tempest, c.1517-18 (pen & ink, chalk, wash and heightening on paper)
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A lily (lilium candidium), c.1475 (pen & ink, wash. chalk and white heightening on paper)
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St. John the Baptist, c.1485 (metalpoint with white heightening on paper)
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Oak and dyer's greenweed, c.1505-10 (red chalk with white heightening on paper)
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A branch of blackberry (Rubus fruticosus), c.1505-10 (chalk & white heightening on paper)
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St. Jerome, c.1490 (metalpoint, ink & heightening on paper)
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The anatomy of a bear's foot, c.1485-90 (pen & ink with heightening over metalpoint on paper)
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The Neck, c.1485-90 (metalpoint, pen & ink, leadpoint and white heightening on paper)
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Artist Painting by a Burn, 1886 (w/c with heightening on paper)
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The body of a horse in profile, c.1490 (metalpoint, with white heightening, on blue prepared paper)
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The drapery of the Virgin's thigh, c.1515-17 (charcoal & black chalk, with brown wash, and white heightening)
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Head of the Madonna, c.1510-15 (chalk, ink & white heightening on red paper)
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A bear's foot, c.1488-90 (metalpoint and pen & ink with white heightening on blue paper)
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The drapery of the Virgin's hip, c.1510-15 (black chalk, with white heightening on paper)
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Study for a portrait of Louis Clarke (graphite with white heightening on paper)
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Princess Victoria, 1829 (pencil with white heightening on paper)
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The Virgin and Child with St Elizabeth, c.1512 (metalpoint with white heightening on paper)
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Ramat Rahel (black ink with white heightening on buff paper)
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  • Le droit d'auteur s'applique
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A Windy Day (w/c with bodycolour & white heightening on paper)
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The Taj Mahal, Agra, 24th January 1870 (pencil with white heightening on paper)
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Aeneas and Anchises escaping from Troy, c.1587 (pen & ink and oil with white heightening)
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The Conversion of the Proconsul, c.1514 (metalpoint, wash and white heightening over pen & ink on paper)
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Number forty-nine, 1924 (pen & ink with heightening on paper)
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The arm of St Peter in the Last Supper c.1495 (black chalk, with white chalk, pen and ink and white heightening on paper)
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The Alps seen from Milan, c.1510-11 (red chalk with white heightening on pale red prepared paper)
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Still life, c.1936 (b/w photo & heightening)
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The pointing hand of the angel in The Virgin of the Rocks, c.1517-20 (black chalk, with white heightening, on dark grey prepared paper)
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Sydney Gardens, Bath II, 1861 (wash with white heightening on paper)
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Giuseppe Verdi on his deathbed (pencil with wash & white heightening on paper)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
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Sydney Gardens, Bath I, 1861 (wash with white heightening on paper)
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The Virgin and Child with angels, c.1501-4 (pen & ink with white heightening & chalk on paper)
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