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'Herzen' images et/ou videos résultats page 1 of 36

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ALEXANDER HERZEN
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Portrait of Alexander Herzen (1812 – 1870) (photo)
Herzen Alexandre, 19th century (photography)
Portrait of Alexander Ivanovich Herzen (Hertzen) 1812-1870.
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Portrait of Alexander Herzen (1812 – 1870) (photo)
Portrait of Alexander Herzen (1812 – 1870) (photo)
Portrait of Alexander Herzen (1812 – 1870) (photo)
Alexander Ivanovich Herzen - Russian Writer and Agitator
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Am Herzen kann man sich nicht kratzen
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Harte Zeiten; Harte Pflichten; Harte Herzen, 1943 (poster)
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Bolshaya Nikitskaya Street (Nowadays, Herzen Street) at the Beginning of 20th Century.
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Mary Pickford in 'Sonne im Herzen', 1925 (b/w photo)
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Gary Cooper in the movie Herzen in Flammen, 1931 (b/w photo)
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Shooting of the crime scene 'Im Herzen Eiszeit' with Rudolph Moshammer, 1994 (photo)
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Portrait of Alexander Ivanovich Herzen (Moscow, 1812-Parid, 1870), Russian philosopher, writer and politician, engraving
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Silk designed by Michel Dubost, based on a geometric scheme by Monod-Herzen, 1920's
Portrait of Alexander Ivanovich Herzen (Moscow, 1812-Paris, 1870), Russian writer and philosopher, Drawing by Aleksandr Viteberg (1787-1855)
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Marlene Dietrich in a scene from the film 'Morocco' in Germany known as 'Herzen in Flammen', 1930 (b/w photo)
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Statue Karl Marx et Friedrich Engels
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Guests of a carnival party, Germany 1937 (b/w photo)
Missa Solemnis - Ludwig
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Mary Pickford (b/w photo)
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Silhouette of courting couple (postcard)
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Mary Pickford in 'Sun in the heart', 1925 (b/w photo)
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You can't scratch your heart
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Lee Parry in 'A Bit of Love', 1932 (b/w photo)
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You can't scratch your heart
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You can't scratch your heart
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Lute player on Score
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Szoke Szakall in 'Two Hearts in Waltz Time', 1930 (b/w photo)
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Vienna 2
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Gianni Franciolini, 1955  (b/w photo)
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II. WK, Hold out slogan in Berlin, 1944 (photo)
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Gianni Franciolini, 1955  (b/w photo)
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He loves me from the heart
Delegates attending the 1st Solvay Physics Conference, Brussels, 1911 (b/w photo)
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Wagner's opera 'Parsifal', 1883 (print)
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5th International Scientific Congress of Solvay, 1927 (b/w photo)
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Robert Stolz 's '2
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Fifth Physics Congress Solvay, Brussels, 1927 (b/w photo)
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Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug.

Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East
Manpower by Raoul Walsh, 1941 (film still)
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