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Anamorphosis (oil on canvas)
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Anamorphosis (oil on panel)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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An engraving depicting a method of using a camera obscura as a drawing aid, 19th century
Anamorphosis (oil on panel)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Gray Scramble (single), 1969 (acrylic on canvas)
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The Triumph of Christianity, in the Room of Constantine, Raphael Rooms, c.1585 (fresco)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)
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Thaumatrope
Coffered ceiling of the chapel, c.1522 (photo)
The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a display of sections of armour in a curtained cupboard, designed by Baccio Pontelli (d.1492), 15th century (wood)
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The Great Blue Room, 1951 (oil on canvas)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting open cupboards and niches designed by Baccio Pontelli (d.1492) displaying above the portraits of illustrious men painted by Pedro Berruguete (d.1503) and Juste Gand (1435-80) (photo)
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Vega-WA-3, 1968 (tempera on board)
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The children of King Christian II of Denmark, Norway and Sweden (1481-1559); John, Christina and Dorothea
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Through the Window, 1981 (oil on board)
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premium
Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78488)
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Still Life, 1675 (oil on canvas)
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Convexity, 1966 (acrylic on canvas)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a cupboard with latticework doors open to reveal shelves of books, designed by Baccio Pontelli (d.1492), 15th century (wood)
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Zoetrope optical illusion disc
Example of an optical illusion - composite picture of an old woman and a girl
The Theatre (photo)
Planches, 1972 (acrylic on panel and canvas)
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Pailles vues a travers un prisme - Drinking straws beneath a glass prism-Photo by Dave King
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optical illusion (print)
Lorenzo amongst the artists (fresco)
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Lake Reflecting Moonlight, 1989 (oil on wood)
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OPTICAL ILLUSION/GHOST
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OPTICAL ILLUSION/GHOST
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Untitled (screenprint)
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Optical illusion disc
optical illusion (print)
White cross-ruling on a black background, optical illusion, kinetic art
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Reclining Nude, 1983 (oil on canvas)
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Untitled (b/w photo)
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Door with Lanterns, c.1880 (oil on canvas)
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An engraving depicting a method of using a camera obscura as a drawing aid, 19th century
Merging Markets, 2009 (acrylic on canvas)
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Untitled, c.1970s (colour screenprint)
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A door flanked by two guards, from the Tomb of the Augurs, 5th century BC (mural painting)
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Sala dei Giganti, view of two walls showing the destruction of the rebellious giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78483-86)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting (L) an open cupboard of books and (R) Hope in an architectural niche with musical instruments on a shelf below (wood)
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Roof structure in Sony Center, Potsdamer Platz, Berlin, Germany, Europe
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Lorenzo de' Medici (1449-92) surrounded by artists, admiring Michelangelo's 'Faun' (fresco)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a reading stand in an alcove designed by Baccio Pontelli (d.1492), 15th century (wood)
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Modular 13, series 2, 1970 (acrylic on hardboard)
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Vega Pal, 1969 (oil on canvas)
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Interior view of the house with frescoes dating from 25 BC - AD 25 (fresco)
The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a bird-cage and a clock designed by Baccio Pontelli (d.1492), 15th century (wood)
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Communication Gaps, 2009 (acrylics on canvas)
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Example of an optical illusion - two happy children, framed by an arch play at a table with their pet dog
Detail of the cyclops, from the destruction of the giants by Jupiter's thunderbolts, Sala dei Giganti, 1536 (fresco)
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Communication Gaps- Coping, 2009 (acrylic on canvas)
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G.A. Reid and Chas. Wagner: Philadelphia in Perspective, c.1883 (cyanotype)
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Double Metamorphosis, 1968-69 (oil on aluminium)
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