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Young Woman Reading a Letter (oil on canvas)
Keepsake sheet
Wedding keepsake
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A Woman's Keepsake by Alfred Parsons
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The Keepsake, 2005 (oil on canvas)
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August Keepsake, exh.1940
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Portrait of a gentleman (w/c on ivory in metal & glass locket)
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Keepsake Magazine Advert, USA, 1940s
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Keepsake Magazine, advert, USA, 1940s
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Lord Charles Bentinck (1780-1826), gold locket with lock of hair in opposite compartment
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Time marks. Abstract art showing forms as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Photography by Michel Lunardelli.
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Feather Boxes (wood)
Time marks. Abstract art showing forms as a witness of passing time. Photography by Michel Lunardelli.
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Heros too forgotten from our colonial era: allegorical drawing of colonization
Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Traces on wood. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Traces on wood. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Traces of paint on wood. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Traces on wood. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Traces on wood. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Here shadow portrays on a wall. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Shadow portrays on a concrete wall. Photography by Michel Lunardelli.
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Time marks. Abstract art showing shapes with lines as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. This is a damaged painting of a skylight. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Lock of hair encased in a locket, c 1850
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Here, wall breaks Michel Lunardelli's Photography.
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Time marks. Abstract art showing forms as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Shadow portrays on a concrete wall. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms as a witness of passing time. Here crack on a wall. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Time marks. Abstract art showing forms on a wall as a witness of passing time. Photography by Michel Lunardelli.
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Green memory (1953, oil on canvas)
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Copyright
  • Le droit d'auteur s'applique
Memento (w/c on paper)
Copyright
  • Le droit d'auteur s'applique
Convict love token, named to John Woodfield, 1831 (engraving on metal coin)
Time marks. Abstract art showing forms as a witness of passing time. Tree bark. Photography by Michel Lunardelli.
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Selection of convict love tokens (engraving and stippling on metal coin)
Mr. John Shiels, Kingston, 1856 (tinted daguerreotype with case)
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Aix en provence 13100 - Commemorative monument of the Armenian Genocide committed from 1915 to 1916 by the Turkish Ottoman Empire. Sculptor Toros Raguelenian did in 1934 in Aleppo in Syria
Convict love token, named to William Bates, 1838 (stippling on metal coin) (obverse, for reverse see 126053)
Convict love token, named to Daniel Bates, 1833 (stippling on metal coin) (reverse, for obverse see 126049)