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Vitruvian Man, c.1492 (pen & ink on paper)
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Head of a Young Woman with Tousled Hair or Leda (gouache on wood)
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Leonardo da Vinci painting the portrait of the Mona Lisa
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La Gioconda Nude (gouache & black chalk on paper)
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Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper
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De divina proportione. Figure XXXVI, sheet 109 recto: Perpendicular empty body with twenty-six bases, rhombicuboctahedron, Vigintisex basivm planvs vacvvs
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Fight between a Dragon and a Lion (brown ink with wash on paper)
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Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
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Studies of flowing water, with notes, c.1510-13 (pen & ink of black chalk on paper)
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De divina proportione, Figure XL, sheet 111 recto: Empty body with seventy-two bases, Septvaginta dvarvm basivm vacvvm
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St. John the Baptist, 1513-16 (oil on canvas)
Self-portrait, c.1515-16 (red chalk on white paper)
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Study for the Head of Mary Magdalene (charcoal on paper)
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A plan of Imola, 1502 (pen & ink, wash and chalk on paper)
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Portrait of a Musician, 1485-90 (tempera & oil on panel)
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L.H.O.O.Q., 1919 (litho)
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The Last Supper, 1495-97 (fresco) (post restoration)
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A comparison of the legs of a man and of a horse, c.1506-10 (pen & ink with red chalk on paper)
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A horse in profile, and from the front (metalpoint on paper)
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Leonardo da Vinci painting Mona Lisa by Cesare Maccari (1840-1919), 1863
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A rearing horse, c.1503-04 (pen & ink and chalk on paper)
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The muscles of the shoulder, arm and leg, c.1510 (pen & ink with wash over black chalk on paper)
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Flying machine drawing, 16th century (manuscript)
Three dancing figures and a study of a head (sepia & black ink on linen paper)
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A woman in a landscape, c.1517 (black chalk on paper)
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A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)
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De Divina Proportione, Figure XVIII, sheet 100 recto: Cut empty octahedron, Octocedron abscisvs vacvvs
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Cats, lions and a dragon, c.1513-16 (pen & ink with wash over blue chalk)
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Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)
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Studies of proportions of face and eye (with notes), c. 1489-90 (metallic tip, pen and brown ink on paper)
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Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
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Portrait of Leonardo, c.1505-10 (tempera on panel)
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Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
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Drapery study for a kneeling figure in Profil Perdu to the right, c.1472-75 (brush & grey tempera with white on canvas)
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The muscles of the shoulder, c.1510 (pen & ink with wash over black chalk on paper)
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MS B fol.88v Testing the load tolerance of a wing, 1487-90 (pen and ink on paper)
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De Divina Proportione, Figure X, sheet 96 recto: Cut empty hexahedron, cube, Exacedron abscisvs vacvvs
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De Divina Proportione, Figure XXXIIII, sheet 108 recto: Cut and elevated empty dodecahedron, Dvodecedron abscisvs elevatvs vacvvs
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The anatomy of the neck, c.1512-13 (pen & ink on blue paper)
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De Divina Proportione, Figure XXVI, sheet 104 recto: Elevated empty icosahedron, Ycocedron elevatvs vacvvs
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De Divina Proportione, Figure XII, sheet 97 recto: Elevated empty hexahedron, cube, Exacedron elevatvs vacvvs
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Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper)
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De Divina Proportione, Figure XXII, sheet 102 recto: Perpendicular empty icosahedron, Ycocedron planvs vacvvs
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A Cranium Sectioned, 1489 (pen & ink over black chalk on paper)
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Portrait of Leonardo da Vinci, copy of Selfportrait of Leonardo da Vinci, sanguigna, Accademia Gallery, Venice
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A Scheme for a canal to bypass the Arno, c.1503 (brush & ink over black chalk on paper)
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Neptune, c.1504-05 (chalk on paper)
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Study of the Flowers of Grass-like Plants (Briza Maxima) c.1481-83 (pen and ink on paper)
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The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)
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