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'Linee Nere' images et/ou videos résultats page 1 of 1

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63 médias trouvés pour 'Linee Nere'

Town behind Bars, c.1950 (oil on hardboard)
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  • Le droit d'auteur s'applique
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Black lines (oil on canvas)
Flotsam, c.1955-60 (oil on canvas)
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  • Le droit d'auteur s'applique
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Composition in Harmony with Black Lines, c.2020 (charcoal and gesso on paper)
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  • Le droit d'auteur s'applique
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Black and White Lines Abstract Motion Art, 2024
Instructions spéciales
  • Screener copy. Hi-resolution master available upon request. Additional fees may apply.
Sign has poetic joust. Iran, Isfahan, mid-17th century. Ceramic, decor of black lines. Louvre Museum
Black and white line drawing. A woolly mammoth (Mammuthus) from England and elsewhere.
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  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Flutist sign. Iran, Isfahan or Qazvin, circa 1680-1730. Ceramic, decor of black lines. Louvre Museum
Two tiles with animal decor. Iran, Esfahan (?) , 17th century. Ceramic, decor of black lines. Louvre Museum
Black neon damselfish (Abudefduf oxyodon), deep-blue fish with small electric blue lines and a white vertical stripe
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  • Not available to clients invoiced in China
Cerura vinula, Puss Moth, mounted female, white forwings with grey black zigzag lines, hindwings have grey dark veins
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  • Not available to clients invoiced in China
Le Premier Matin, 1957 (oil on canvas)
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  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Copyright
  • Le droit d'auteur s'applique
Warsaw, 1955. Cerkiew Prawoslawna and Sleeping four monument.
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  • Not available to clients invoiced in Poland
Four lines of script, 2025 (Ink and acrylic on paper)
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  • Le droit d'auteur s'applique
premium
Grammodora nigrolineata, Black-lined Eggar, mounted male moth, cream with orange and red streaks and black vein lines with pale hindwings. Female is larger and darker in colour with short antennae
Composition with Blue, Red and Yellow, 1935-42 (oil on canvas)
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  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
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  • Not available to clients invoiced in Italy
Surface, by Giuseppe Capogrossi, 20th Century, oil on paper on canvas, 130 x 81 cm
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  • Not available to clients invoiced in Italy
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  • Le droit d'auteur s'applique
Untitled, 2019 (drawing)
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  • Le droit d'auteur s'applique
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Autumn Landscape (oil on canvas)
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  • Le droit d'auteur s'applique
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Poster for the Venice Biennale, 1976 (poster)
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  • Not available to clients invoiced in Italy
Milton, Kent. 19th century map.
This original protraction of the Swale in Kent extends from Milton to Conyer Creek, and comprises the first plottings from the field book of the area. Ruled-black sheet lines indicate the edges of the area that were copied for the finished drawings OSD 112 and OSD 113. The plan is made up of two pieces of paper, irregularly cut and then joined together.
Abstract Motion Art Making Shape of Face, 2024
Instructions spéciales
  • Screener copy. Hi-resolution master available upon request. Additional fees may apply.
Olive Trees and Vineyard, Nyons, France (photo)
Vineyards in France (photo)
Yemen: Leaf from a Qur'an featuring four types of script, 14th century.
portrait of Piet Mondrian, Paris 1899 (b/w photo)
Pattern Design SB 329, 1960-70 (gouache on paper)
Copyright
  • Le droit d'auteur s'applique
Manufacturers Hanover Trust, New York, 1957 (silver gelatin print)
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  • Le droit d'auteur s'applique
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Street map of London, Maps K.Top.27.47, 1768 (engraving)
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Yemen: Leaf from a Qur'an featuring four types of script, 14th century.
Design for textile or wallpaper, 1960-70 (gouache on paper)
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Barges, Compiegne, France, 1958 (Watercolour)
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Pattern Design SB 218, 1950-59 (gouache on paper)
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AGINCOURT CAROL manuscript score of anonymous English 15th Century Carol, in 2 and 3 part harmony, in English and Latin
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Town from the Water Meadows, c.1935-38 (oil on canvas)
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Map of Lord Kitchener's Blockhouse System in South Africa, 1916 (litho)
Figure of Captain James Cook (1728-1779), c.1840 (earthenware)
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Female Black Grouse (print)
Copper Mines in Arizona - USA - Open pit Copper mines - Arizona: Three open-air copper mines near the city of Green Valley in Arizona. Image taken from the International Space Station (ISS) on January 14, 2010. This astronaut photograph illustrates three open-pit mines located west-northwest of the town of Green Valley, Arizona. While the mines appear to be close to each other, each exploits a separate porphyry copper deposit. The mine pits are recognizable by the concentric lines of benches cut into the pit sides. The benches allow equipment and personnel access to the fresh ore (gray) exposed at the bottom of the excavation. Water may also pool at the bottom of inactive pits, such as in the Twin Buttes Mine at image upper right (black areas). The open pit areas are surrounded by an array of sculpted tailings ponds and mine dump areas; these receive mine waste rock for storage and later leaching for further recovery of metals. The green color of the water in the tailings pond at image right is likely due to the presence of leached metals. The Asarco-Mission complex (image left) is an active producer of copper and molybdenum (important in making steel and other metal alloys), processing approximately 53,700 tons of ore per day (as of 2008). The Twin Buttes Mine (image top right), also a producer of copper and molybdenum, was closed in 1994 but was recently purchased by a new owner (Freeport-McMoran Copper & Gold) and may reopen. The Sierrita Mine at image lower right (also owned by Freeport-McMoran Copper & Gold) produces copper, molybdenum, and the rare metal rhenium. Rhenium is used to make high-temperature alloys for jet engine parts and in high-octane, lead-free gasoline. This mine can process over 115,000 tons of ore per day (as of 2007). Astronaut photograph was acquired on January 14, 2010 from the International Space Station (ISS)
Seru Thakombau [Seru Epenisa Cakobau], 1815 - 83; King of Fiji, 1852-74, 1849 (watercolour, graphite)
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A Red and Grey Parrot With Other Exotic Birds, 18th century (gouache and watercolor, black chalk, on vellum)
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