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'Nightmarish' images et/ou videos résultats page 1 of 10

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The anxiety, 1894 (oil on canvas)
Advertisement for the play, 'Presumption; or The Fate of Frankenstein' by Richard Brinsley Peake, based on the novel, 'Frankenstein; or, The Modern Prometheus , by Mary Shelley.
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Frankenstein.'By the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open: it breathed hard and a convulsive motion agitated its limbs. I rushed out of the room'.
Deep, deep, and for ever, into some ordinary and nameless grave. From the story The Premature Burial.
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Macabre
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Flora and Varney
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They swarmed upon me in ever accumalating heaps. From the story The Pit and the Pendulum.
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Studies of death
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Bloody Man with Stick
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Os Lyaque
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Nightmare (oil on canvas)
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Dracula
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The Torment of Saint Anthony, c.1487-88 (tempera & oil on panel)
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The Swarm, 1904-05 (pen & ink and wash on paper)
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Spring-heeled Jack, the terror of London. The window shattered as Spring-heeled Jack leaped bodily through it.
Spring-heeled Jack is an entity in English folklore of the Victorian era who was known for his startling hops. He was described by people who claimed to have seen him as having a terrifying and frightful appearance, with diabolical physiognomy, clawed hands, and eyes that "resembled red balls of fire".
The Flying Medusa, 1944 (oil on canvas)
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The Maze, 1953 (gouache on board)
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Vampire and woman
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Bertalda Frightened by Apparitions (oil on canvas)
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Midnight visit
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Untitled, 1958 (pencil on paper)
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Voices of the Night, 1870 (engraving)
Count Dracula appearing at an open window
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To the Farm, c.1987 (oil on canvas)
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The Downfall, 1903 (sprayed pen and Indian ink and wash on paper)
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What a terrible shaking it is to their poor nerves (colour litho)
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Nightmare, 2006 (computer graphics)
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Land incognita. Drawing by Fred Deux (Jean Douassot, born 1924), 2008. Mixed media on paper. Dim: 76x57cm. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention
Monas and Una
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Lady Ligeia.
"Ligeia" is a short story by Edgar Allan Poe. The story follows an unnamed narrator and his wife Ligeia, a beautiful and intelligent raven-haired woman. She falls ill, composes "The Conqueror Worm", and quotes lines attributed to Joseph Glanvill (which suggest that life is sustainable only through willpower) shortly before dying. After her death, the narrator marries the Lady Rowena. Rowena becomes ill and she dies as well. The distraught narrator stays with her body overnight and watches as Rowena slowly comes back from the dead - though she has transformed into Ligeia.
Untitled, 1963 (pencil and white gouache on paper)
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The cook's nightmare: the rabbit she used to make a stew himself prepares the sauce! Anonymous and undated Isolated engraving (probably late 19th century).
Spiritual ascension. Spiritual rooting. Dyptica, 2003 (drawing)
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The fall of the house of Usher.
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Visions of the night. A man reading a book, is visited by an owl; vampire bats; ghouls and an imp. Illustration in 'Fun'.
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A large dog on the moors. Illustration for 'The Hound of the Baskervilles', a crime novel by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes. Originally serialised in The Strand Magazine.
Gathering Storm, 1985 (oil on canvas)
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Self Portrait, 1951 (oil on canvas)
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Frankenstein
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Illustration for 'the murders in the Rue Morgue'. A short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been recognized as the first detective story. C. Auguste Dupin is the man who solves the murder of two women, which is committed by an orangutan.
Visions of the night. Visions of the night. A man reading a book, is visited by an owl; vampire bats; ghouls and an imp. Illustration in 'Fun'.
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My Tomb (oil on canvas)
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The dagger dropped gleaming upon the sable carpet. From the story The Masque of the Red Death.
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Untitled, 1942 (pencil on paper)
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Midnight
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The night mare
Three girls and Death, 1941 (gouache on paper)
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The dream of Italian composer Giuseppe Tartini, who saw a devil playing violin, who would become the Devil's Trill Sonata (Illustration, 1824)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
The Temptations of St. Anthony, 1947 (oil on canvas)
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Baron Frederick Von Metzengerstein.
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The hermit Eparchus and the nightmare of seeing his church full of devils. Lithograph Perrin, Turin 1836.
Come Back Mr Partington (mixed media)
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The narrator. Illustration for 'The War of the Worlds'.
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The man of the crowd
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Marie Rogêt
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