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German schlager singer Roy Black (left) in an interview at a park, Germany 1960s
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Ms 564/1047 fol.12, 'Tout Par Compas Suy Composee..', illuminated composition by Baude Cordier, from a collection of Medieval ballads, motets, and songs (ink on vellum)
f.lr Ode to a Nightingale, Poem by John Keats (1795-1821) page:1, recto, 1819 (ink on paper)
Love's Messenger, 1869 (w/c, tempera and gold paint on paper)
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Mozart's String Quartet in G, 1782 (pen & ink on paper)
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Blue Note
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A FURTIVE NOTE
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f.2r Ode to a Nightingale, Poem by John Keats (1795-1821) page:2, recto, 1819 (ink on paper)
f.lv Ode to a Nightingale, Poem by John Keats (1795-1821) page:1, verso, 1819 (ink on paper)
The Giudecca, Note in Flesh Colour, 1879-80 (pastel on paper)
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f.2v Ode to a Nightingale, Poem by John Keats (1795-1821) page:2 - verso, 1819 (ink on paper)
Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.436 (parchment)
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Anna Pollack note to
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Ms 564/1047 f.11v, 'Belle, Bonne, Sage, Plaisante..', an illuminated composition by Baude Cordier, from a collection of Medieval ballads, motets and songs (ink on vellum)
Anton Bruckner dedication note
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Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.30 (parchment)
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Handwritten note by Janacek
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The Third Mode, from a tonary in Aquitanian notation (vellum)
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R.M.20.g.3, f.99v from G.F. Handel: Saul (oratorio by Charles Jennens), 1738 (pen & ink on paper)
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A wrong note - caricature
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Sloane MS 2222, folio 136, Notes in Robert Paston’s hand at the back of his copy of one of Theodore de Mayerne’s manuscripts, 19 May 1662 (pen & ink on paper)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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First page of Handel’s manuscript score of ‘Eternal Source of Light Divine’, 1713 (pen & ink on paper)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, page 1, c.1820 (print)
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Note by Max Beerbohm from Heroes and Heroines of "Bitter Sweet", pub.1931 (facsimile)
50 livres tournois note,1720, France
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FRESCOBALDI, G. -'Toccata Prima' -
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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Add. 9046, f.71r, Psalter in Tironian shorthand, in Latin (parchment)
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Open Book of plainsong
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Ms 564/1047 fol.21v, 'Eneumeillant M'Avint Une Version...', illuminated composition by Trebor, from a collection of Medieval ballads, motets, and songs (ink on vellum)
Sloane MS 3846 f.102v Magical notes by Ashmole wax impression of ring inscribed with magical formulae made by Simon Forman in 1598, from 'Magic: Tractatus et experiment magica', 1598 (ink & wax on paper)
Carl Weber's note on Euryanthe
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Betsy Ross Home - and note from her Great Grand-daughter
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R.M.20.f.2 f.37r, Messiah autograph score, showing ‘pifa’ or pastoral symphony, 1741 (pen & ink on paper)
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MS Add. 24198, fol. 132r, Missal, according to the use of the Augustinian Canons Regular, with special insertions for the church of St. Thomas the Martyr, Dublin (vellum)
Message to the Public, Add.51035, f.42v, from Captain Scott's Diaries, Vol III, 1912 (pencil on paper)
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Singing book “Vive le General de Gaulle”, Marche du Liberateur.
A poster showing a photograph of a French soldier, with a hand written note.
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Notation
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