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The last woman
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The last woman
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The last woman
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The last woman
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Touchez Pas Au Grisbi 1953 directed By Jacques Becker
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The last woman
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The last woman
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Romeo & Juliette
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Jeanne Moreau And Jean Gabin, Touchez Pas Au Grisbi 1953 Directed By Jacques Becker
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Senta Berger
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Senta Berger
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On The Set, Jean Gabin, Lucilla Solivani With Jacques Becker, Touchez Pas Au Grisbi 1953 Directed By Jacques Becker
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Ancient Egypt: Wrapping of the Mummy, 1866 (engraving)
Senegalese black weaver
Ancient Rome: Selling and manufacturing books, 1866 (engraving)
Touchez pas au grisbi
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Oil mill used on the west coast of Africa
Ancient Egypt: Embalming animals, 1866 (engraving)
Ancient Egypt: Carving a statue of the Abu Simbel Temple, 1866 (coloured engraving)
Ouarzazate, Morocco, 1993. Chairman of Lux Vide Production Company, Ettore Bernabei/Ouarzazate, Marocco, 1993. Ettore Bernabei, presidente della casa di produzione cinematografica Lux Vide -
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Commandos with Lee Van Cleef and Jack Kelly, 1968 (fim still)
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Commandos with Lee Van Cleef, 1968 (film still)
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Ouarzazate, Morocco, 1993. Chairman of Lux Vide Production Company, Ettore Bernabei, his daughter Matilde and some background actors on the set of the TV movie “” The Bible: Abraham””/Ouarzazate, Marocco, 1993. Ettore Bernabei, presidente della casa di produzione cinematografica Lux Vide, sua figlia Matilde e alcune comparse sul del film set per la TV “” La Bibbia: Abramo”” -
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Milano, Hangar Bicocca, 2006. Serbian artist Marina Abramovic at his exhibition “” Balkan Epic””, six video installations that collect her production about Balkans from 1997 to 2005/Milano, Hangar Bicocca, 2006. L'artista serba Marina Abramovic alla sua mostra “” Balkan Epic”””, sei video installazioni che raccolgono la sua produzione sul tema dei Balcani dal 1997 al 2005 -
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Milano, Hangar Bicocca, 2006. Serbian artist Marina Abramovic at his exhibition “” Balkan Epic””, six video installations that collect her production about Balkans from 1997 to 2005/Milano, Hangar Bicocca, 2006. L'artista serba Marina Abramovic alla sua mostra “” Balkan Epic”””, sei video installazioni che raccolgono la sua produzione sul tema dei Balcani dal 1997 al 2005 -
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Nesso table lamp for Artemide, 1961 (fiberglass-reinforced polyester resin)
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Milano, Hangar Bicocca, 2006. Serbian artist Marina Abramovic at his exhibition “” Balkan Epic””, six video installations that collect her production about Balkans from 1997 to 2005/Milano, Hangar Bicocca, 2006. L'artista serba Marina Abramovic alla sua mostra “” Balkan Epic”””, sei video installazioni che raccolgono la sua produzione sul tema dei Balcani dal 1997 al 2005 -
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audio cassette manufacturing
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audio cassette manufacturing
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audio cassette manufacturing
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Accordion players in Castelfidardo, the world center of production of this instrument
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audio cassette manufacturing
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Book chair
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Plastic cactus, Gufram production, 1972
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ESTOUFFADE A LA CARAÎBE 1967 (film still)
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Ant chair
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Chimera lamp, 1970 Artemide production, Italy, 20th century
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L'HOMME QUI VALAIT DES MILLIARDS 1967 (film still)
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Pop portable record player, Minerva production, 1968
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Lamp, model Frine, 1967, Artemide production, Italy, 20th century
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Pair of leather armchairs, Zanoncelli production, Milan, Italy, 20th century
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LEGEND OF THE LOST 1957 (film still)
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Ariante model fan with case, Vortice production, Italy, 20th century
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Wooden food trolley, by Moscatelli production, Milan, Italy, 1950s
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Bow chair, 1970
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L'HOMME QUI VALAIT DES MILLIARDS 1967 (film still)
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LA CHAIR DE L'ORCHIDEE (The Flesh of the Orchid) 1979 (film still)
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Amphora, 1980s, lustred majolica
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Steamed beech chair, made by Jacob & Josef Kohn, Austria, 20th century
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John Wayne on set of LEGEND OF THE LOST 1957 (photo)
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LA MONTAGNE DU DIEU CANNIBALE 1978 (film still)
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L'HOMME QUI VALAIT DES MILLIARDS 1967 (film still)
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LA CHAIR DE L'ORCHIDEE (The Flesh of the Orchid) 1980 (film still)
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The Conformist, 1970 (film still)
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The Conformist, 1970 (film still)
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LA MONTAGNE DU DIEU CANNIBALE 1978 (film still)
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LEGEND OF THE LOST 1957
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The Conformist, 1970 (film still)
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L'HOMME QUI VALAIT DES MILLIARDS 1967 (film still)
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Twisted vase, 1960, glazed lustred majolica
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Table top, 1970
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The Conformist, 1970 (film still)
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LA CHAIR DE L'ORCHIDEE (The Flesh of the Orchid) 1975 (film still)
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The Conformist, 1970 (film still)
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The Conformist, 1970 (film still)
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Stoup made in Campania, 18th century, Raito, Vietri sul Mare, Campania, Italy
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Thonet chair, curved beech, made by Jacob & Josef Kohn, Germany, 20th century
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The Conformist, 1970 (film still)
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LA CHAIR DE L'ORCHIDEE (The Flesh of the Orchid) 1976 (film still)
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The Conformist, 1970 (film still)
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Toga chair
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L'HOMME QUI VALAIT DES MILLIARDS 1967 (film still)
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LA CHAIR DE L'ORCHIDEE (The Flesh of the Orchid) 1977 (film still)
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Orange plastic nesting tables, 1968
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DANSE MACABRE 1964 (film still)
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Youth
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LA CHAIR DE L'ORCHIDEE (The Flesh of the Orchid) 1981 (film still)
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St Nicholas, Icon, Russian production, Castle Ooidonk, Deize, Belgium, 18th Century.
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DANSE MACABRE 1964 (film still)
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ANNA DE BROOKLYN 1958 (film still)
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Chair with original leather and spool legs made in Lombardy, Italy, 17th century, Detail
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ANNA DE BROOKLYN 1958 (film still)
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