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Shadowy Friends, 1989 (watercolour)
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The house of sighs, 1906 (oil on canvas)
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Therewith the goddess plunged into a shadowy cave
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Burial, 1909-14
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Christ, for 'Christ between Lucifer and Ahriman', c.1913 (charcoal with white chalk on paper)
The Concierge, cover of 'L'Assiette au Beurre', 28th January 1905 (colour litho)
Century Piece, 1986 (oil & charcoal collage on art board mounted on 3 panels)
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Shadowy Shelter, 1940 (chalk, pen, wash & w/c)
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Cloaked Shadows, 1963 (synethic polymer on composition board)
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The Lovers, c.1626-78 (oil on canvas)
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Moonlightitself, with its shadowy and spectral appearances (colour litho)
12 Prophets, Congonhas do Campo, 1947 (etching, engraving & aquatint)
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Tree's branches at night (photo)
Black Smoke Oriental shorthaired cat with shadowy tabby markings, sitting
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1960s: Underwater aquarium shot with small fish swimming in dark, shadowy water.
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1960s: Underwater aquarium shot with small fish swimming in dark, shadowy water.
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Sunset across the Indus Valley, Ladakh (photo)
Sibelius' 'Finlandia', 1962 (mixed media on paper)
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Shadows of the Wanderer, 2008 (polychrome wood)
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Cowgate (oil and acrylic on board)
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One more day drops into the shadowy gulf of bygone things, 1875 (oil on canvas)
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MEMBERS OF SHADOWY MALAYSIAN MUSLIM CULT ARRIVE AT THE COURTHOUSE IN KUALA LUMPUR, 2000-12-07 (photo)
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Monuments to the Earl and Countess of Brownlow, Church of St Peter & St Paul, Belton, Lincolnshire (b/w photo)
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MEMBERS OF MALAYSIAN SHADOWY MUSLIM CULT GROUP LEAVE THE COURTHOUSE IN KUALA LUMPUR, 2000-12-07 (photo)
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Out of the Blue, 2000 (oil on panel) Woman looking at shadow of couple
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FAMILY MEMBERS OF A SHADOWY MALAYSIAN MUSLIM CULT GROUP WAVE AS THEY LEAVE THE COURTHOUSE IN KUALA ..., 2000-12-07 (photo)
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Shadow Trees
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Detail of a wall monument to James Vaulx and family, St Mary's Church, Meysey Hampton, Gloucestershire (photo)
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United States 1960s: A dark, shadowy figure appears in a grainy space and moves downward. The silhouette expands as it descends toward the bottom of the frame, becoming more defined with jagged edges and grainy textures. The figure's shape shifts as it moves through the dark, shadowy area against a light background surface.
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THE LEADER OF A SHADOWY MOSLEM CULT, MOHD AMIN MOHD RAZALI IS BEING LEAD BY POLICEMEN TO A POLICE ..., 2000-08-09 (photo)
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Tintagel Castle, Cornwall (b/w photo)
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Avishai Raviv (C) the head of the shadowy Jewish militant group Eyal, in handcuffs and flanked by po.., 1995-11-08 (photo)
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British Army Soldier standing on corner of West Belfast Street in front of Republican Mural depicting Shadowy IRA Sniper, 1984 (photo)
Berry Pomeroy Castle, Devon (b/w photo)
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A leaflet, printed by the shadowy so-called "Macedonian para-army 2000" calls all ethnic Albanians l.., 2001-06-26 (photo)
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Meet on the Ledge, 1999 (oil on canvas)Fantasy multiple dimensions
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Table in the shade; wooden chairs under a Tamarisk or Salt Cedar (Tamarix); beach of Kato Zakros; Crete; Greece; Mediterranean; Europe
Untitled 24, c.1953-64 (b/w photo)
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The Hermetic Vessel, c1760. Hermetic vessel in the alchemical furnace. The serpent within the vase symbolises the earthy substances of which the Philosopher's Stone is made. From Fr Basilii Valentini Benedictiner Ordens Chymische Schriften. (Leipzig, 1760?). Basil Valentine (Basilius Valentinus) is a shadowy 15th century figure. He is supposed to have been a Benedictine monk, and is credited with a deep knowledge of alchemical mysteries. Whether the books attributed to him are his work, or that of a 16th century alchemists who used his name, is open to debate. His famous Twelve Keys (being the twelve stages to the possession of the Philospher's Stone) was first published in 1599 and continued to appear in various languages until the end of the 18th century.
Chillingham Castle, Northumberland (b/w photo)
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Man in Straw Hat with Model, 1980 (charcoal on paper)
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In the Flare-Path, 1941 (pastel on paper)
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Members of a Home Guard Ack-Ack Gun Team, September 1943 (pastel on paper)
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United States 1960s: A dark, shadowy figure stands in a dimly lit room. The silhouette remains stationary and centered against an industrial-looking wall with horizontal lines, appearing as a dark shape in the center of several frames.
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Homage to Neruda X, 2013 (monotype)
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Tristan und Isolde (photo)
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United States 1960s: A dark, shadowy figure stands in a dimly lit room. The silhouette remains stationary as small particles or debris appear to move around its base and lower body, creating a flickering effect against the textured floor.
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The Acting Manager, 1884 (etching)
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Tristan und Isolde (photo)
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Tristan und Isolde (photo)
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Tristan und Isolde (photo)
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Tristan und Isolde (photo)
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Tristan und Isolde (photo)
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Tristan und Isolde (photo)
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Tristan und Isolde (photo)
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Tristan und Isolde (photo)
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United States 1960s: A dark, shadowy figure appears in a room and moves downward. The silhouette is elongated as it descends from the top of the frame toward the bottom, appearing to move in a vertical path. The background is light and textured with horizontal lines across the top of its movement area.
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