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John Duns, aka Duns Scotus
At Coffee (vintage gelatin silver photograph)
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Lissadell House, 1971 (w/c on paper)
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A Subtle Device, 1881 (oil on canvas)
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Alex Jennings as Subtle in The Alchemist (photo)
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A Subtle Intelligence, 2018 (mixed media on paper)
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Subtle Evaporation Plate, HD Liquid Lights
Homage, 1960 (oil on canvas)
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Alex Jennings as Subtle and Simon Russell Beale (photo)
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Torso of a Young Man I, c.1917-22 (maple & limestone)
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Subtle Color, 1937 (w/c on wove paper)
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The Cow with the Subtle Nose, 1954 (oil & enamel on canvas)
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Still Life, 1945 (oil on canvas)
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The subtle seduction of masks, 1981 (black ink on cotton paper)
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The Garden Door, c.1933 (oil on tracing paper)
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Low Tide, 1929 (oil on canvas)
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Composer Marvin David Levy making subtle changes of his score, 1967 (photo)
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Louis XV style writing desk with subtle gilt decoration, France, 18th century
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Simon Russell Beale as Face, Bryan Dick (photo)
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Simon Russell Beale as Face, Alex Jennings (photo)
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The Corridor, 1952 (etching)
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Planting Seedlings, a design for Gardener's Choice, 1937 (pen & ink on paper)
BREEDERS CUP TURF HOPEFUL SUBTLE POWER LEAVES TRACK AT CHURCHILL DOWNS, 2000-11-02 (photo)
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Add MS 22047 f.5r, The Galley Subtle, the centrepiece of the three rolls, from 'The Anthony Roll', 1546 (vellum)
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Moonlight, 1921 (oil on canvas)
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The rising tide at dawn describes a calm sea in subtle tones, with two coastal boats and a larger vessel moored in a golden sea
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Tunisian artist Hassan Hakmoun and his band play subtle, quiet rythms on imporvised instruments at t.., 2000-07-23 (photo)
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This fine ceremonial cloth with a central diamond motif chagsi pangkheb, demonstrates the intricate weaving of supplementary-warp and weft patterns in subtle colours
Add MS 22047 f.5r, The Galley Subtle, the centrepiece of the three rolls, and New Bark below, from 'The Anthony Roll', 1546 (vellum)
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Oval still life, 1940 (oil on canvas)
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Ella Wheeler Wilcox (1854-1919), author and poet whose popular works incorporated a Victorian religion, morals, and even subtle eroticism. c. 1905
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Ella Wheeler Wilcox (1854-1919), author and poet whose popular works incorporated a Victorian religion, morals, and even subtle eroticism. Photo, c. 1917
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John Duns Scotus (c.1265-c.1308) 1450 (fresco)
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The Red Lounge I, 1987 (oil on board)
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Loepa katinka, Golden Emperor, mounted male moth, with subtle parallel wavy markings and prominent eyespots on each wing, brown leading edge on angular forewings, the female is the larger moth (photo)
untitled, 2021 (oil/collage on canvas)
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Illustration from Ben Jonson's play
Champaca (Michelia champaca), a variety of magnolia with orange fruit clusters, native to Southeast Asia. Cultivates for its white and yellow flowers with a subtle fragrance, uses in perfumery. Appoints after the Florentine botanist (Italy) Pietro Antonio Michele (1679-1737). Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in Decade of Curious and Elegant Trees and Plants (new edition), by John Hill.
US Civil War. Battle of Antietam, also called Battle of Sharpsburg, Sept. 17, 1862. Crossing over Antietam Creek, the three-arched, 12-foot-wide, 125-foot long bridge was built in 1836. It connected local farmers to the produce and livestock to market in Sharpsburg. In the photo these is subtle evidence of the three hour battle fought over this structure. Photographed at the battlefield by Alexander Gardner on Sept. 20-21 or Oct 3, 1862
Nebula Sh2 - 155 in Cephee - The Cave Nebula The north is at top. The Cave Nebula is a faint region of Hii emission and surrounding dust in Cepheus constellation. This area is rich of colours and fine details. The central “” cave - like”” structure name the nebula, but notice also the subtle patch of blue reflection nebulosity all around in the field. The star colors are also beautiful, which adds a nice touch to this celestial field. This image is based on data acquired by the Oschin Telescope at the Mount Palomar Observatory
The Muted Bloom, 2025 (acrylic on canvas)
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Tue 03, 1953 - There is no place like home: and especially for this small kitchen as already over 200 years old with its tiny utensils made of copper and tin much money was already offcuts to its proprietor. Mister Brink, however, does not sell any piece of it. “not for 1000 dollars.” He says. But he permits that everybody can see this small wonder. It has its place in the” Tradelstube”, a well-known maremborg wine restaurant far off the Nuremberg toy Fair which right now takes place with all its roe fined and subtle toys.
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Tue 03, 1953 - There is no place like home! - and especially for this small kitchen which is already over 200 years old with its tiny utensils made of copper and tin much money was already offered to its proprietor. Mister Brinke, however, does not sell any piece of it. “Not for 1000 dollars,” he says. But he permits that everybody can see this small wonder. It has its place in the” Trodelstube”, a well-known Nuremberg wine restaurant far off the Nuremberg Toy Fair which right now takes place with all its refined and subtle toys.
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Tue. 03, 1953 - There is no place like home; and especially for this small kitchen which in already over 200 years old with its tiny utensils made of copper and tin much money was already offered to its proprietor Lister Brinke. however, does not sell any piece of it. “Not for 1000 dollars.” He says. But he permits that everybody can see this small wonder. It has its place in the” Trodelstube”, a well-known Nuremberg wine restaurant far off the Nuremberg Toy Fair which right now takes place with all its refined and subtle toys.
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Tue 03, 1953 - There is no place like home: and especially for this small kitchen which is already over 200 years old with its tiny untensile made of copper and tin much money was already offered to its proprietor. Mister Brinke, however, does not sell any piece of it. “Not for 1000 dollars,” he says. But he permits that overbody can see this small wonder. It has its place in the” Trodeletube”, a well-known Nuremberg wine restaurant far off the Nuremberg Toy fair which right now takes place with all its rev fined and subtle toys.
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Elliptical galaxy NGC 4696 in Centaur - Elliptical galaxy NGC 4696 - Image of the elliptical galaxy NGC 4696, in Centaur, obtained by the Hubble space telescope. This picture, taken by Hubble's Advanced Camera for Surveys, shows NGC 4696, the largest galaxy in the Centaurus Cluster. The huge dust lane, around 30 000 light - years across, that sweeps across the face of the galaxy makes NGC 4696 look different from most other elliptical galaxies. Viewed at certain wavelengths, strange thin filaments of ionised hydrogen are visible within it. In this picture, these structures are visible as a subtle marbling effect across the galaxy's bright centre
Posters, distributed by the Militia and for a campaign to join the RNP, 1943
LEA & PERRINS RECIPES
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Pluto seen by the New Horizons probe: Pluto seen in false colors by the New Horizons probe. Composite image created from images obtained on July 14, 2015 - Nasa's New Horizons spacecraft captured this high-resolution enhanced color view of Pluto on July 14, 2015. The image combines blue, red and infrared images taken by the Ralph/Multispectral Visual Imaging Camera (MVIC). Pluto's surface sports a remarkable range of subtle colors, enhanced in this view to a rainbow of pale blues, yellows, oranges, and deep reds. Many landforms have their own distinct colors, telling a complex geological and climatological story that scientists have only just begun to decode. The image resolves details and colors on scales as small as 0.8 miles (1.3 kilometers).
Cardinal Ratzinger receives Valentin Award
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'The Alchemist' by Ben (photo)
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Arthur Schnitzler
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'The Alchemist' by Ben (photo)
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Guiding the helmsman through the reefs within an atoll, Maldives 2008 (photo)
Portrait of the Artist's Sister, 1888 - 1892 (oil on canvas)
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Nassau, 2026 (Acrylic on Canvas)
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Jeune fille de l’Egypte, 2022 (mixed media on canvas)
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Marco Island, 2014 (Acrylic on Canvas)
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Cassone (Cassone), by tuscan manufacture, 1450, 15th Century, wood, gilded and painted pastiglia
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Morning Dove, 1993 (Watercolor on Paper)
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Vera Kholodnaya, 2023 (digital mixed media)
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Piero Chiara, 2006 (digital coloured pencil drawing)
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Instructions spéciales
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'The Alchemist' by Ben (photo)
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Yellow-Bellied Sapsucker, 1993 (Watercolor on Paper)
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Big Cypress, 2020 (Acrylic on Canvas)
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Traces of the impact crater Chicxulub - Chicxulub impact crater - Excessive relief view of the Yucatan peninsula obtained from radar altimetric data acquired by the SRTM instrument aboard the space shuttle Endeavour in 2000. An arc of circle is visible to the north-west of the peninsula, marking the outer edge of the Chicxulub impact crater whose centre is located off the Mexican coast. This meteorite impact would have caused the disappearance of dinosaurs 65 million years ago. This shaded relief image of Mexico's Yucatan Peninsula show a subtle, but unmistakable, indication of the Chicxulub impact crater. Most scientists now agree that this impact was the cause of the Cretatious - Tertiary Extinction, the event 65 million years ago that marked the sudden extinction of the dinosaurs as well as the majority of life then on Earth. Most of the peninsula is visible here, along with the island of Cozumel off the east coast. The Yucatan is a plateau composed mostly of limestone and is an area of very low relief with elevations varying by less than a few hundred meters (about 500 feet.) In this computer - enhanced image the topography has been greatly exaggerated to highlight a semicircular trough, the darker green arcing line at the upper left corner of the peninsula. This trough is only about 3 to 5 meters (10 to 15 feet) deep and is about 5 km. wide (3 miles), so subtle that if you walked across it you probably would not notice it, and is a surface expression of the crater's outer boundary. Scientists believe the impact, which was centered just off the coast in the Caribbean, altered the subsurface rocks such that the overlying limestone sediments, which formed later and erode very easily, would preferentially erode on the vicinity of the crater rim. This formed the trough as well as numerous sinkholes (called cenotes) which are visible as small circular depressions. Two visualization methods were combined to produce the image: shading a
'The Alchemist' by Ben (photo)
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