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Testo (Serigraphy on paper, 1983)
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Testo cake, Soldi bakery, Città di Castello, Umbria, Italy.
Perugia 1987. Actress Marina Polla De Luca performing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887)/Perugia 1987. L'attrice Marina Polla De Luca in “” Hommelette for Hamlet””, a version of the Amleto di Shakespeare diretta da Carmelo Bene e tratta da un testo by Jules Laforgue (1860-1887) -
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Perugia 1987. Actress Marina Polla De Luca performing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887)/Perugia 1987. L'attrice Marina Polla De Luca in “” Hommelette for Hamlet””, a version of the Amleto di Shakespeare diretta da Carmelo Bene e tratta da un testo by Jules Laforgue (1860-1887) -
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Italian actor Achille Brugnini playing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887), Peru 1987/L'attore Achille Brugnini mentre recita in “” Hommelette for Hamlet”, a version of the Amleto di Shakespeare retta da Carmelo Bene e tratta da un testo di Jules Laforgue (1860-1887), Perugia 1987 -
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Italian actor Achille Brugnini playing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887), Peru 1987/L'attore Achille Brugnini mentre recita in “” Hommelette for Hamlet”, a version of the Amleto di Shakespeare retta da Carmelo Bene e tratta da un testo di Jules Laforgue (1860-1887), Perugia 1987 -
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Perugia 1987. Actress Marina Polla De Luca performing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887)/Perugia 1987. L'attrice Marina Polla De Luca in “” Hommelette for Hamlet””, a version of the Amleto di Shakespeare diretta da Carmelo Bene e tratta da un testo by Jules Laforgue (1860-1887) -
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Perugia 1987. Actress Marina Polla De Luca performing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887)/Perugia 1987. L'attrice Marina Polla De Luca in “” Hommelette for Hamlet””, a version of the Amleto di Shakespeare diretta da Carmelo Bene e tratta da un testo by Jules Laforgue (1860-1887) -
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Perugia 1987. Actress Marina Polla De Luca performing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887)/Perugia 1987. L'attrice Marina Polla De Luca in “” Hommelette for Hamlet””, a version of the Amleto di Shakespeare diretta da Carmelo Bene e tratta da un testo by Jules Laforgue (1860-1887) -
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Perugia 1987. Actress Marina Polla De Luca performing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887)/Perugia 1987. L'attrice Marina Polla De Luca in “” Hommelette for Hamlet””, a version of the Amleto di Shakespeare diretta da Carmelo Bene e tratta da un testo by Jules Laforgue (1860-1887) -
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Perugia 1987. Actress Marina Polla De Luca during the makeup before performing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene (next to her in the picture) and derived from a text by Jules Laforgue (1860-1887)/Perugia 1987. L'attrice Marina Polla De Luca al trucco prima dello spettacolo “” Hommelette for Hamlet””, una versione dell'Amleto di Shakespeare diretta da Carmelo Bene (accanto a lei nella photo) e tratta da un testo di Jules Laforgue (1860-1887) -
HULL FAIR SIDESHOW/1958
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Allegorical scene, title page of a text on infinitesimal calculus, French edition, 17th-18th century
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Text of sacred law, from temple of Giove Libero in Furfona, Abruzzo, Italy
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Autograph text on magnetic properties of electric current, by Andre-Marie Ampere, France, 19th century
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Perugia 1987. Actress Marina Polla De Luca performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887) (photo)
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Perugia 1987. Actress Marina Polla De Luca performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887) (photo)
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Perugia 1987. Actress Marina Polla De Luca performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887) (photo)
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Perugia 1987. Stage director and actor Carmelo Bene during the makeup before performing in "Hommelette for Hamlet", , a version of the Shakespeare's Hamlet directed by himself and derived from a text by Jules Laforgue (1860-1887) (photo)
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Perugia 1987. Actress Marina Polla De Luca performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887) (photo)
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Perugia 1987. Actress Marina Polla De Luca during the makeup before performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene (next to her in the picture) and derived from a text by Jules Laforgue (1860-1887) (photo)
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Italian stage director and actor Carmelo Bene playing the part of Hamlet in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by himself and derived from a text by Jules Laforgue (1860-1887), Perugia 1987 (photo)
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Hommelette for Hamlet
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Hommelette for Hamlet
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Hommelette for Hamlet
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Ringed Caecilian (print)
Letter of Indulgence to the Church of St. Nicolas, 22nd June 1484 (ink on parchment)
Text page; horses
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Buddhist text
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Or.Ms.27 Tahir Uqlidus (ink on paper)
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Robin Redbreast, border detail from the Sherborne Missal, c.1400 (manuscript)
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Marriage document in Aramaic, 3rd July 449 BC (ink on papyrus)
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Brahms' handwritten text to
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Hellenistic epigraph stone (stone), found in Ephesus
Text from the 'Brāhmasphuṭasiddhānta', c.628 (ink on paper)
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Replica of thhe Gezer Calendar, Iron Age II, 10th century BC (plaster)
Head, 1923 (collage)
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Section from the Temple Scroll, Qumram, c.1st century BC - 1st century AD (parchment)
Section from the Psalms Scrolls, Qumran cave 11, c.30-50 (parchment)
Or Ms 161 fol.88v Abraham Destroys the Idols of the Sabians, from 'The Chronology of Ancient Nations' by Al-Biruni, 1307 (gouache on paper)
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Pagoda reliquary (hyakumanto) with woodblock-printed Buddhist prayer (dharani), Nara Period, 764-770 (wood, gesso & paper)
Boy reading text at Barmitzvah
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Ms.OR.85 Scroll of Esther, 1781 (vellum)
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Cartonnage fragments bearing Demotic inscriptions (pottery)
Fragment from a Qu'ran with Kufic script, North African (vellum)
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Add 25724 fol.36 The distillation process, from 'Five Arabic Treatises on Alchemy' (vellum)
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Code of Ur-Nammu (stone)
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Add 19352 f.27v St. Nicephorus the Patriarch and the Holy Father, from the Studion or Theodore Psalter, Constantinople, 1066 (vellum)
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Illuminated text page from a Qur'an
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Papyrus, The New Gospel Fragments, 100-150 AD
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Is.1479 fol.235b Illuminated page from a Qu'ran with Naskh and Kufic scripts, early 14th century (vellum)
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Text
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