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Paesaggio versione anemica con smalto e anima, 1965, Mario Schifano (oil on canvas)
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Sanremo Music Festival 1990. Brazilian singer-songwriter Toquinho performing the song “” Nas asas de um violao””, combined with the Italian version “” Ringrazio Dio”” sung by Paola Turci/Festival di Sanremo 1990. Il cantautore brasiliano Toquinho canta “” Nas asas de um violao””, abbinata alla versione italiana “” Ringrazio Dio”””, cantata da Paola Turci -
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Sanremo Music Festival 1990. Italian pop singer and record producer Caterina Caselli sings “” Bisognerebbe non pensare che a te”” (coupled to the English version sung by Miriam Makeba: “” Give me a Reason”)/Festival di Sanremo 1990. Caterina Caselli canta “” Bisognerebbe non pensare che a te”” (abbinata alla versione inglese cantata da Miriam Makeba: “” Give me a Reason””) -
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Sanremo Music Festival 1990. Brazilian singer-songwriter Toquinho performing the song “” Nas asas de um violao””, combined with the Italian version “” Ringrazio Dio”” sung by Paola Turci/Festival di Sanremo 1990. Il cantautore brasiliano Toquinho canta “” Nas asas de um violao””, abbinata alla versione italiana “” Ringrazio Dio”””, cantata da Paola Turci -
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Venice-Lido, Venice-Film Festival 1984. Italian composer Giorgio Moroder at the festival to present a restored version of the silent film Metropolis with a new rock soundtrack/Lido di-Venezia, Mostra del Cinema di-Venezia 1984. Il compositore Giorgio Moroder, al festival per presentare una versione restaurata del film muto Metropolis con una nuova colonna sonora rock -
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Venice-Lido, Venice-Film Festival 1984. Italian composer Giorgio Moroder at the festival to present a restored version of the silent film Metropolis with a new rock soundtrack/Lido di-Venezia, Mostra del Cinema di-Venezia 1984. Il compositore Giorgio Moroder, al festival per presentare una versione restaurata del film muto Metropolis con una nuova colonna sonora rock -
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Venice-Lido, Venice-Film Festival 1984. Italian composer Giorgio Moroder at the festival to present a restored version of the silent film Metropolis with a new rock soundtrack/Lido di-Venezia, Mostra del Cinema di-Venezia 1984. Il compositore Giorgio Moroder, al festival per presentare una versione restaurata del film muto Metropolis con una nuova colonna sonora rock -
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Sanremo Music Festival 1990. Brazilian singer-songwriter Toquinho and Italian singer Paola Turci, respectively performers of the song “” Nas asas de um violao”” and of its Italian version “” Ringrazio Dio””/Festival di Sanremo 1990. Il cantautore brasiliano Toquinho e la cantante Paola Turci, interpreti rispettivamente della canzone “” Nas asas de um violao”” e della sua versione italian “” Ringrazio Dio””” -
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Sanremo Music Festival 1990. Brazilian singer-songwriter Toquinho and Italian singer Paola Turci, respectively performers of the song “” Nas asas de um violao”” and of its Italian version “” Ringrazio Dio””/Festival di Sanremo 1990. Il cantautore brasiliano Toquinho e la cantante Paola Turci, interpreti rispettivamente della canzone “” Nas asas de um violao”” e della sua versione italian “” Ringrazio Dio””” -
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Perugia 1987. Actress Marina Polla De Luca during the makeup before performing in “” Hommelette for Hamlet””, a version of the Shakespeare's Hamlet directed by Carmelo Bene (next to her in the picture) and derived from a text by Jules Laforgue (1860-1887)/Perugia 1987. L'attrice Marina Polla De Luca al trucco prima dello spettacolo “” Hommelette for Hamlet””, una versione dell'Amleto di Shakespeare diretta da Carmelo Bene (accanto a lei nella photo) e tratta da un testo di Jules Laforgue (1860-1887) -
Sanremo Music Festival 1990. Italian pop singer and record producer Caterina Caselli poses with Miram Makeba. The Caselii's song “” Bisognerebbe non pensare che a te””” is coupled to its English version “” Give me a Reason””, sung by Miriam Makeba/Festival di Sanremo 1990. La cantante e produttrice discografica Caterina Caselli posa con Miriam Makeba. La canzone di Caterina Caselli “” Bisognerebbe non pensare che a te”” e abbinata alla versione inglese “” Give me a Reason”” cantata da Miriam Makeba -
Sanremo in the World Tour 1990. U.S. pop singer Nicolette Larson and Italian pop singer Grazia di Michele in Toronto. At Sanremo Music Festival 1990 Larson sang the English version of “” Me e mio padre”” (Me and my Dad) sung in Italian by Grazia Di Michele/Sanremo nel mondo 1990. American singer Nicolette Larson and Italian singer Grazia Di Michele in Toronto. Nicolette Larson ha cantato la versione inglese di “Me e mio padre” (Me and my Dad), cantata in italiano da Grazia Di Michele -
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Model of three-masted vessel, Long-courrier version, Boyer type, Netherlands, 18th century
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Introit for the first Sunday in Advent; David at prayer. Initial. The arms of Margaret of York. A floral border.
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Perugia 1987. Actress Marina Polla De Luca performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887) (photo)
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Sanremo Music Festival 1990. Italian pop singers Mietta and Amedeo Minghi with American singer Nikka Costa (in the middle), which sang "All for Love", English version of their "Vattene Amore" winning song of the Festival (photo)
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Perugia 1987. Actress Marina Polla De Luca performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887) (photo)
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Perugia 1987. Actress Marina Polla De Luca performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887) (photo)
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Sanremo Music Festival 1990. Italian pop singers Mietta and Amedeo Minghi with American singer Nikka Costa, which sang "All for Love", English version of their "Vattene Amore" winning song of the Festival (photo)
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Festival di Sanremo 1990
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Italian composer Giorgio Moroder at the festival to present a restored version of the silent film Metropolis with a new rock soundtrack, Venice-Lido, Venice-Film Festival, 1984 (photo)
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Italian stage director and actor Carmelo Bene playing the part of Hamlet in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by himself and derived from a text by Jules Laforgue (1860-1887), Perugia 1987 (photo)
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Perugia 1987. Actress Marina Polla De Luca performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene and derived from a text by Jules Laforgue (1860-1887) (photo)
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Festival di Sanremo 1990
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Festival di Sanremo 1990
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Perugia 1987. Stage director and actor Carmelo Bene during the makeup before performing in "Hommelette for Hamlet", , a version of the Shakespeare's Hamlet directed by himself and derived from a text by Jules Laforgue (1860-1887) (photo)
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Festival di Sanremo 1990
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Italian composer Giorgio Moroder at the festival to present a restored version of the silent film Metropolis with a new rock soundtrack, Venice-Lido, Venice-Film Festival, 1984 (photo)
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Perugia 1987. Actress Marina Polla De Luca during the makeup before performing in "Hommelette for Hamlet", a version of the Shakespeare's Hamlet directed by Carmelo Bene (next to her in the picture) and derived from a text by Jules Laforgue (1860-1887) (photo)
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Festival di Sanremo 1990
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Festival di Sanremo 1990
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Giorgio Moroder
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Italian composer Giorgio Moroder at the festival to present a restored version of the silent film Metropolis with a new rock soundtrack, Venice-Lido, Venice-Film Festival, 1984 (photo)
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Hommelette for Hamlet
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Giorgio Moroder
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Hommelette for Hamlet
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Festival di Sanremo 1990
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Giorgio Moroder
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Giorgio Moroder
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Hommelette for Hamlet
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Festival di Sanremo 1990
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Inlaid bookbindings, 16th and 17th centuries.1869-1873 (chromolithograph)
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Classic Motorbike Mignon 125 N (photo)
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Classic Motorbike Vespa 125 U Sidecar, Scooter (photo)
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Classic Motorbike Mondial 175. Engine (photo)
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Classic Motorbike Mondial 175 	 (photo)
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Classic Motorbike Lambretta FB 125, Scooter, Commercial vehicle of the ice-cream seller (photo)
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Hampton Court Conference
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Toco _ Color version, 2002 (illustration)
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Be I (second version), 1970 (acrylic on canvas)
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The Painter's Mother, 2nd version, 1982 (etching on paper)
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First version of 'Clair
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Suspended Ball, 1931 (1965 version) (plaster & metal)
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Les femmes d'Alger (Version 'O'), 1955 (oil on canvas)
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Improvisation 28 (second version), 1912 (oil on canvas)
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1934 (relief - version 1)
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The Cage, first version, c.1949-50 (bronze)
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Spoon Woman, 1927 (1953 version) (plaster)
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Gladys Swarthout RCA release
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Spring Summer Versace Fashion Collection 1991 (photo)
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1938 (painting - version 1)
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The Browning Version
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The Browning Version
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The Browning Version
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The Browning Version
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Greek version
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The Women of Algiers, version L; Les femmes d'Alger, version L, 1955 (oil on canvas)