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The Moon and the Stars: The Moon, 1902 (colour litho)
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Carnival, cover of “” Revue illustrée””, by Jan Vanbeers, sd. 19th century
Woman Flower, 1946 (oil on canvas)
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Classical figures and coins with allegorical representations of Africa, including a woman with an elephant-head helmet and cornucopia. Handcoloured copperplate engraving by Andrea Bernieri from Guilio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Flora Repanding His Favours on Earth Strong Water, from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812
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Henriette d'Angeville first woman to climb Mont-Blanc in 1838.
Allegory of Justice - 1882 - Woodcut -
The costume (A woman with a guitar), sd. 19th
Russia, St Petersburg, adorned with figures representing four great Russian rivers, the rostral columns stand on the eastern tip of Vasilevskiy island
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The Venus of Willendorf, 30000-25000 BC (limestone coloured with red ochre)
Allegory of Italy, 1856 (engraving)
Freedom at the foot of the cross, 19th century.
Greek mythology: Les Cabinets, deities of fate, Clotho, the spinner, Lachesis, the splitter who wraps the thread and Atropos, the relentless, who cuts the thread - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in prints or divine figures - fabulous, circa 1820 Clotho, Lachesis and Atropos, the Greek Fates or Moirai - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Bust of Marianne modelled on the features of Brigitte Bardot c.1960 (plaster)
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Painting formerly exhibited at Villa Valmante in Marseille. Allegory of painting (?). Artwork of Pierre Victor Galland (1822-1892), dim 98x42 cm, 1863
Scenographia: Systematis Copernicani Astrological Chart, 1660 (hand-coloured engraving)
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Russia, Northwest, a statue of muse of love and poetry, Pavlovsk.
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Patriotic WW1-era postcard - Stars and Stripes Flag - USA
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Bust of Marianne, symbol of the French Republic (marble)
Greek mythology: the Erinyes or infernal goddesses, Megere (jealousy), Alecto (anger) and Tisphone (revenge) - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Megaera, AlThe Greek Enrinyes or Roman Furies - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Spring or harmony inspired by Love. Artwork by Pierre Victor Galland (1822-1892), 98x142 cm, 1863. Painting formerly exhibited at Villa Valmante in Marseille
La Donna Gravida (pregnant woman), 1506 - Painting by Raphael (Raffaello Sanzio 1483 - 1520), oil 66 x 52 cm. Palatine Gallery, Florence
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Anonymous painting of the 16th century Musee Granet, Aix en Provence.
The Hands of Fatima, 1989 (oil on canvas)
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Russia, St Petersburg, State Russian Museum, formerly Mikhailovsky Palace, statues and royal emblem on facade, close-up
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Allegory of the plebiscite of 8 May 1870, last plebiscite organized under the Second Empire, 1870 (engraving)
Amaterasu, Goddess of the Sun by Paul Francois Quinsac, 1899 (engraving)
Charity in Heaven. Engraving 1866
Allegory of greece, 1856 (engraving)
Allegory of Europe, 1856 (engraving)
France: Photograph of a painting depicting the legend of Ophelia, Roman martyrdom, floating on water, 1885
The world upside down, 19th century (Epinal print)
Holland, Leiden, statue of justice on Stadhuis Wall (photo)
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Roman mythology: Rename, goddess ailee, of public or social recognition, blowing in his trunk - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 -Fama, Roman allegorical figure of fame or rumor, shown with wings, blowing on a horn - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
The Three Ages of Woman, 1905 (oil on canvas)
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Temperance
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
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Allegory of Rome, 1856 (engraving)
The new room - Marianne with her face covered in a phrygian cap, 1898 (engraving)
Woman with a stereo camera (b/w photo)
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Islamic dress, Doha, Qatar
Symbol of America (print)
Anticlerical living painting on the separation of Church and State, 1907. The mariana, emblem of the state, says to the Church: “Let us separate, I keep your possessions”.
Militant of the PCI with the Party's symbol
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  • Not available to clients invoiced in Austria;Not available to clients invoiced in Germany;Not available to clients invoiced in Italy;Not available to clients invoiced in Switzerland
Close-up of a frowning male symbol with a happy female symbol.
Close-up of a happy male symbol with a frowning female symbol.
La fee Fleurette - Lithography by Louis Lassalle, extracted from Les fleurs parlantes by Louise Leneveux (1800-18?) , Paris, 1848 - (The fairy floret within a garland of flowers - Handcoloured frontispiece lithograph by Lassalle from L. Leneveux, The Talking Flowers, Paris, 1848)
Capuchine - young girl in costume constitutes leaves and flowers - Lithography by Louis Lassalle, extracted from Les fleurs parlantes by Louise Leneveux (1800-18?) , Paris, 1848 - (Garden nasturtium flower fairy, Tropaeolum majus - Handcoloured frontispiece lithograph by Lassalle from L. Leneveux, The Talking Flowers, Paris, 1848)
Tulip des jardins - young woman dressed in a petal dress - Lithograph by Louis Lassalle, extracted from Les fleurs parlantes by Louise Leneveux (1800-18?) , Paris, 1848 - (Tulip flower fairy, Tulipa gesneriana - Handcoloured frontispiece lithograph by Lassalle from L. Leneveux, The Talking Flowers, Paris, 1848)
Holy Crowned Wood sculpture, 16th century (Crowned saint, 16th century) Cistercian monastere of Royaumont (abbey) 1228-1235 Asnieres-sur-Oise (Asnieres sur Oise), Val-d'Oise (Val d'Oise)
Roman mythology: the Occasion, allegorical figure of opportunite, described in full course - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 -Occasio, Roman allegorical figure of opportunity, shown running - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Fragrant violet - two young girls drenned with flowers - Lithography by Louis Lassalle, extracted from Les fleurs parlantes by Louise Leneveux (1800-18?) , Paris, 1848 - (Sweet violet flower fairy, Viola odorata - Handcoloured frontispiece lithograph by Lassalle from L. Leneveux, The Talking Flowers, Paris, 1848)
Paleochristian sarcophagus called of the orante, 4th century (marble)
Representation of Anatrophe and the personification of Nysa - Detail of the panel: The bath of Dionysos - Moment at wich baby Dionysos seated in the lap of Hermes, is about to be handed over to Tropheus, his futur tutor, and to the nymphs of Mount Nysa - Paphos Mosaics, House of Aion, 3rd Century AD - Cyprus - Anatrophe et Nysa, personification de welcomes Dionysos - Detail of the mosaic showing the Bath of Dionysos - Hermes about to give the little Dionysos to the silene Trophy and the nymphs of Mount Nysa - Mosaics of Paphos, House of Aion - 3rd Century after JC - UNESCO Site - Cyprus