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Carolina Zucchi, 1825 (oil on canvas)
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The Stolen Pail, by Zucchi, engraving
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Mercury (Mercurio), by Jacopo Zucchi, 1550, 16th Century
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Stories of St Peter the martyr, 1580,  Jacopo Zucchi, chapel of St Peter the martyr also known as chapel of St Pius V, fresco, Vatican museums, Rome, Italy
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Cupid and Psyche, 1589, by Jacopo Zucchi (1540 - 1589-90), oil on canvas, 173x130 cm
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Stories of St Peter the martyr, 1580,  Jacopo Zucchi, from the drawings of Giorgio Vasari, chapel of St Peter the martyr also known as chapel of St Pius V, ceiling fresco, Vatican museums, Rome, Italy
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Stories of St Peter the martyr, 1580,  Jacopo Zucchi, chapel of St Peter the martyr also known as chapel of St Pius V, fresco, Vatican museums, Rome, Italy
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Stories of St Peter the martyr, 1580,  Jacopo Zucchi, from the drawings of Giorgio Vasari, chapel of St Peter the martyr also known as chapel of St Pius V, ceiling fresco, Vatican museums, Rome, Italy
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St Peter the martyr chases the devils away with the host, part of the stories of St Peter the martyr, 1580,  Jacopo Zucchi, chapel of St Peter the martyr also known as chapel of St Pius V, fresco, Vatican museums, Rome, Italy
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THE DIRECTOR OF THE C.I.G.A. HOTELS DANIELI AND EXCELSIOR RICCARDO ZUCCHI - 195?
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Mine, by Jacopo Zucchi (ca 1540-1596). Studiolo (small study) of Francesco I, Palazzo Vecchio, Florence. Italy, 16th century.
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Portrait of Carolina Zucchi in a Medieval Costume, c.1825 (oil on panel)
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Portrait of a Dame, by Jacopo Zucchi, ca. 1570, 16th Century, oil on canvas, 49,5 x 37,8 cm
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The arrest of General Carlo Zucchi, commander of armed forces during uprising in Romagna, 1831, Unification era, Italy, 19th century
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David Piper, Franco Zucchi and Tony Lanfranchi survey wreckage of Ferrari 250LM, 1968 (photo)
Tomb in necropolis in Cavo degli Zucchi, Via Amerina, Falerii Novi, Lazio, Italy, Roman civilization
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Tomb in necropolis in Cavo degli Zucchi, Via Amerina, Falerii Novi, Lazio, Italy, Roman civilization
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Bathsheba at her bath
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Elizabeth Taylor sitting on a sunbed on the Lido Beach, with Zucchi Hilton standig next to her Venice, 1950 (photo)
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Tomb in necropolis in Cavo degli Zucchi, Via Amerina, Falerii Novi, Lazio, Italy, Roman civilization
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The sick woman, portrait of Carolina Zucchi by Francesco Hayez (1791-1882), oil on canvas, 60x495 cm, 1825
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Piazza Portello, near Centro Congressi MiCo, Milan, Italy (photo)
Portrait of Pope Benedict XIII (Pietro Francesco Orsini, 1649-1730), 1725 engraving by Francesco Zucchi (1696-1764)
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Zucchi barracks, home of 15th Field artillery regiment, Reggio Emilia, Emilia-Romagna, Italy, photograph by Roberto Sevardi, Reggio Emilia, circa 1905
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Christ Savior, copy of gilded bronze statue, by Pietro Zucchi, on top of Basilica of San Gaudenzio cupola, 1841-1878, Novara, Piedmont, Italy
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Necropolis in Cavo degli Zucchi, Via Amerina, Falerii Novi, Lazio, Italy, Roman civilization, 3rd century BC-3rd century AD
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Necropolis in Cavo degli Zucchi, Via Amerina, Falerii Novi, Lazio, Italy, Roman civilization, 3rd century BC-3rd century AD
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Christ The Savior, copy of gilded bronze statue, by Pietro Zucchi, on top of Basilica of San Gaudenzio cupola, 1841-1878, Novara, Piedmont, Italy
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A view of the town of Brescia with fields in front and a dedication below; a key on either side of the dedication; beneath are twelve seperate views of buildings in Brescia each printed from a seperate plate and etched 'Fso Battaglioli dis.; Fco Zucchi scolp'
Coral fishing Allegorical representation of the discovery of the New World. Aquatic and Indian nymphs pares of the riches of the sea, coral, pearl shells. Painting by Jacopo Zucchi (1551-1589) 1585 approx. Dim. 55 x 45 cm Rome, galleria Borghese
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Fete Champetre at The Oaks, near Epsom: The Ballroom (oil on canvas) (204107)
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Catullus comforting Lesbia over the Death of her Pet Sparrow and writing an Ode
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Interior of a House in Regio VIII, insula 2, Pompeii. Woman reading near a fountain in the impluvium (pool). Chromolithograph by D. Capri from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Fete Champetre at The Oaks, near Epsom: The Supper Room (oil on canvas) (see 204108)
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View of a street and fountain of Mercury, VI.8.24, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Madonna of the Rosary, c.1569 (oil on canvas)
House in Regio VIII, insula 2, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Hector and Andromache
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Angelica, and Medoro carving his Name on the Trunk of a Tree
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View of the Street of Tombs outside the Herculaneum Gate, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Demonstrators against the march of the tiny party "Die Rechte" (The Right) hold portraits of the murdered Walter Lübcke in front of their faces, Kassel, Germany, 20th July 2019 (photo)
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View over the crowd on the stage of the rally "Together we are strong" for Walter Lübcke in front of the Regierungspräsidium, 27th June 2019 (photo)
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Artist Lara Favaretto directs the removal of an artwork by her, which consisted of a scrap heap, in Kassel, Germany, 18th September 2012 (photo)
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Copyright
  • Le droit d'auteur s'applique
The house of the cannibal from Rotenburg, Armin Meiwes, in the Wüstefeld district was overgrown by weeds on Tuesday, 7th August 2007 (photo)
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Ai Weiwei
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Robert Plant et Jimmy Page
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Chloe playing the Lyre to Daphnis (or ? Sappho and Anacreon)
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The Mine, 1572 (oil on slate)
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The Return of Telemachus to Penelope, 1773 (oil on canvas)
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Capriccio with the Ruins of a Triumphal Arch and a Bridge
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Socrates drinking the Hemlock
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The house of the cannibal from Rotenburg, Armin Meiwes, in the Wüstefeld district was overgrown by weeds on Tuesday, 7th August 2007 (photo)
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A swing stands in front of the house of the Rotenburg cannibal, Armin Meiwes, in the Wüstefeld district, Germany, 7th August 2007 (photo)
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At the end of the "Together we are strong" rally, employees of the regional council released 99 balloons into the sky for Walter Lübcke, Germany, 27th June 2019 (photo)
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The Age of Gold, c.1565 (oil on panel)
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View of the Forum, Pompeii. A nobleman is carried in a sedan chair to the steps of the Forum. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Psyche Surprising Cupid (oil on canvas) (b/w photo)
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House of the Tragic Poet, Pompeii VI.8.5. Slave boy filling an amphora at the well near the impluvium pool in the tablinum. In the background, the peristyle garden courtyard and aedicula lararium shrine. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Wisdom (Prudence) and Temperance
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Apollo and the Muses
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A Greek Philosopher and Disciples
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Putto with Personification of Drawing
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A Ruined Temple and Fountain with Musicians
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Contemporary architecture : Copycat Empathy and Envy as For-makers - Architecture Biennale 2012, Venice, Italy
Contemporary architecture : Copycat Empathy and Envy as For-makers - Architecture Biennale 2012, Venice, Italy
Nymphs garlanding Cupid
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Diogenes casting away his Wooden Bowl as a superfluity, on seeing a Youth drinking from his Hand
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Putto with Personification of Painting
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Dancing Women
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Justice and Strength (Fortitude)
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Capriccio of Figures dancing amongst Classical Ruins, with a Ruined Arch
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Putto with Personification of Architecture
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Venus and Cupid
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Mitellus ordering a Marble Crow to be put on the Tomb of his Former Master, Diodurus Siculus
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Detail of ceiling painting
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Philetus explaining Love to Daphnis and Chloe
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