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Immagini di 'Abiti Classici' trovate, 54

Blossoms, c.1881 (oil on canvas)
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The Fury of Athamas, in the Hall, 1790 (marble)
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Illustration of statue of woman in classical robes. Igia.
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Man in Classic Clothes Plays Golf on a Sunny Day at the Golf Course in 1930s
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Silver George III style center piece with female figure in classical clothes on engraved pedestal, by Philip Rundell, 1819
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Two men in classical robes walk by a stream through a vaulted tunnel supported by arches on its right side, with a waterfall in the foreground
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Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background.
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A man, a woman and a young child dressed in classical robes stand by a stream under a coffered arch, with fragments of ancient sculpture and architecture abandoned on the grass on the right
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Full page botanical painting of Poligonum aviculare, labelled 'Poligono maschio Sanguinaria Seminale Coregiola centonodi' (common Knotgrass) with a man in classical robes sitting against a tree, sketching in the foreground and a mountainous landscape behind.
Four figures in Classical robes contemplate the sea from a hill next to a temple under two pine-trees in the foreground at left, with view of the Bay of Naples, Pozzuoli as it was in Roman times, and Mount Vesuvius in the background at right.
Late empire-style mantel clock, with clock face and mechanism forming table where girl is sitting dressed in classical clothes studying law, ca 1820, gilt bronze, marble base on turned feet. France, 19th century.
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Abiti Hettermarks, Italy, 1971 (photo)
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Abiti Hettermarks, Italy, 1971 (photo)
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Late empire-style mantel clock, with clock face and mechanism forming table where girl is sitting dressed in classical clothes studying law, ca 1820, gilt bronze, marble base on turned feet. France, 19th century.
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Abiti Hettermarks, Italy, 1971 (photo)
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Abiti Hettermarks, Italy, 1971 (photo)
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Two men dressed in classical robes sit and draw by a stream at the arched entrance to a cave where the sculpture of a reclining nymph can be seen glistening in the dark in the background. Fragments of ancient sculpture and architecture on the grass can be seen in the foreground
The Martyrdom of St Lawrence, 1869 (oil on canvas)
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Three Men, 17th century (Chalk, Pencil)
Psyche Adored Like a Goddess, 1550 (fresco)
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JACOB PERKINS
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'Invaded But Not Conquered', 1939-45 (colour litho)
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Maenads (Menadi), by Agostino Comerio, 1817, 19th Century, encaustic
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Vintage golfers enjoying a sunny day on uk course
Allegorical scene with man seducing a woman as she plays guitar,, 1803 (engraving)
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Dancing scandal, 1980 (black ink on cotton paper)
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Melpomene, the Muse of Tragedy
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Terpsichore, the Muse of Dancing and Song
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Erato, the Muse of Lyric and Love Poetry
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Tripod (Tripode), by sicilian manifactory, 1780 - 1820, 18th - 19th Century, bronzo
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The Return of Orestes
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Indoor of the Royal Palace at the Age of Joachim Murat (1808-1815) (Interno della Reggia di Napoli al tempo di Gioacchino Murat (1808-1815)), by Elie Honorè Montagny, 1811, 19th century (watercolour)
The Muses: Terpsichore and Polyhymnia
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A Child seated in a Chariot pulled by Doves
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THAILAND'S COVER BAND OF THE BEATLES PERFORM IN CHIANG MAI, 2000-06-22 (photo)
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Orestes and Electra
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Three Personifications of Cities
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The Muses: Euterpe and Melpomene
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JOHN LENNON IMPERSONATOR PERFORMS IN CHIANG MAI, 2000-06-22 (photo)
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Paetus and Arria
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Bacchic Celebrations
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The Marriage of Peleus and Thetis
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Bacchus (Dionysus), Ampelos, Silenus and a Maenad
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