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Immagini di 'Archi Neri' trovate, 18

Black arches and owlet moth.

Black arches and owlet moth.

Bock, Johann Carl (1757-1843)

FLO5893447

Mediaeval Arches, Ireland Yard, Blackfriars, 1900 (colour litho)

Mediaeval Arches, Ireland Yard, Blackfriars, 1900 (colour litho)

Norman, Philip (1842-1931)

LLM2794000

A View of Part of the Intended Bridge at Blackfriars, London, designed by Robert Mylne, 1766 (engraving)

A View of Part of the Intended Bridge at Blackfriars, London, designed by Robert Mylne, 1766 (engraving)

Piranesi, Giovanni Battista (1720-78)

VHP342372

Ponte Vecchio in Florence, 1345

Ponte Vecchio in Florence, 1345

Sergio Anelli

ELC853489

Six little girls wearing tutus during Child Health Day at the Sumner-Magruder elementary school in Washington, D.C. 1936

Six little girls wearing tutus during Child Health Day at the Sumner-Magruder elementary school in Washington, D.C. 1936

EVB2943877

An old Fiat cruising the streets of downtown Addis Ababa (photo)

An old Fiat cruising the streets of downtown Addis Ababa (photo)

Reboredo, Sergi

SRB6221787

Old red Beetle cruising the streets of downtown Addis Ababa (photo)

Old red Beetle cruising the streets of downtown Addis Ababa (photo)

Reboredo, Sergi

SRB6221788

An public bus cruising the streets of downtown Addis Ababa (photo)

An public bus cruising the streets of downtown Addis Ababa (photo)

Reboredo, Sergi

SRB6221790

Monk And Crusader (chromolitho)

Monk And Crusader (chromolitho)

American School, (19th century)

LLL733323

Ponte Vecchio in Florence, 1345

Ponte Vecchio in Florence, 1345

ELC855244

islamic art-panel-mother of pearl and white,red,yellow and black marble set into plaster-inv.n.3075-from the mausoleum of al Asrhraf Barsbay-Cairo-gift B.Naggar 1903-Mamluk 1432-MIA - 13 07 09 024

islamic art-panel-mother of pearl and white,red,yellow and black marble set into plaster-inv.n.3075-from the mausoleum of al Asrhraf Barsbay-Cairo-gift B.Naggar 1903-Mamluk 1432-MIA - 13 07 09 024

Sandro Vannini

VIS693535

Church of the Rock Abreha Atsbeha, Monastery Abreha wa Atsbeha, Ethiopia (photo)

Church of the Rock Abreha Atsbeha, Monastery Abreha wa Atsbeha, Ethiopia (photo)

Reboredo, Sergi

SRB6236357

Church of the Rock Abreha Atsbeha, Monastery Abreha wa Atsbeha, Ethiopia (photo)

Church of the Rock Abreha Atsbeha, Monastery Abreha wa Atsbeha, Ethiopia (photo)

Reboredo, Sergi

SRB6236358

Church of the Rock Abreha Atsbeha, Monastery Abreha wa Atsbeha, Ethiopia (photo)

Church of the Rock Abreha Atsbeha, Monastery Abreha wa Atsbeha, Ethiopia (photo)

Reboredo, Sergi

SRB6236354

Holy Land Abraham to Allenby – Jerusalem, Crusader Castles and history, Rome

Holy Land Abraham to Allenby – Jerusalem, Crusader Castles and history, Rome

BOF700250

Print commemorating the Fifteenth Amendment, 1865

Print commemorating the Fifteenth Amendment, 1865

UIG1576358

At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history
of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book
itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a
few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity
of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence
on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow
are witnesses to the meeting between King John and the barons, and he suggests that their rustling provides a warning to monarchs
who dare to disregard their subjects. Kipling's handwriting is crabbed, and some of his original words were altered when the poem was
being prepared for publication. For example, the opening lines of the manuscript version read, 'What moves the reeds at Runnymede',
reproduced in print as 'What say the reeds'. The penultimate stanza of the poem is rewritten extensively in the manuscript, with this being
Kipling's final draft:
At Runnymede, at Runnymede,
Your rights were won at Runnymede!
No freeman shall be fined or bound,
Or dispossessed of freehold ground,
Except by lawful judgement found
And passed upon him by his peers!
Forget not, after all these years,
The charter signed at Runnymede. — At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow are w

At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow are w

BL3305448

The Fifteenth Amendment and its results drawn by G.F. Kahl 1870. commemorating the celebration in Baltimore of the enactment of the Fifteenth Amendment

The Fifteenth Amendment and its results drawn by G.F. Kahl 1870. commemorating the celebration in Baltimore of the enactment of the Fifteenth Amendment

UIG2599143

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