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Immagini di 'Atto' trovate, 11,086

Baptim registration of composer Gioacchino Rossini on the same day of his birth, 29th February 1792 in Pesaro/Registrazione del battesimo del compositore Gioacchino Rossini nello stesso giorno della sua nascita, il 29 febbraio 1792 a Pesaro
 
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Baptim registration of composer Gioacchino Rossini on the same day of his birth, 29th February 1792 in Pesaro/Registrazione del battesimo del compositore Gioacchino Rossini nello stesso giorno della sua nascita, il 29 febbraio 1792 a Pesaro

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Baptim registration of composer Gioacchino Rossini on the same day of his birth, 29th February 1792 in Pesaro/Registrazione del battesimo del compositore Gioacchino Rossini nello stesso giorno della sua nascita, il 29 febbraio 1792 a Pesaro

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Mussolini ultimo atto by Carlo Lizzani, 1974
 
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Mussolini ultimo atto by Carlo Lizzani, 1974

Angelo Deligio

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Mussolini ultimo atto by Carlo Lizzani, 1974

Angelo Deligio

MEP2358673

Life and places of Giacomo Casanova
 
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Life and places of Giacomo Casanova

Mencarini, Marcello

MME4065970

Life and places of Giacomo Casanova

Mencarini, Marcello

MME4065970

Life of Rudolph Valentino / Vita di Rodolfo Valentino
 
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Life of Rudolph Valentino / Vita di Rodolfo Valentino

Mencarini, Marcello

MME4066867

Life of Rudolph Valentino / Vita di Rodolfo Valentino

Mencarini, Marcello

MME4066867

Life and places of Giacomo Casanova in Venice
 
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Life and places of Giacomo Casanova in Venice

Mencarini, Marcello

MME4066011

Life and places of Giacomo Casanova in Venice

Mencarini, Marcello

MME4066011

Birth certificate of Giacomo Leopardi/Atto di nascita di Giacomo Leopardi -
 
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Birth certificate of Giacomo Leopardi/Atto di nascita di Giacomo Leopardi -

Mencarini, Marcello

MME4730982

Birth certificate of Giacomo Leopardi/Atto di nascita di Giacomo Leopardi -

Mencarini, Marcello

MME4730982

Somalia's warlord Osman Hassan Ali Atto holds his head at the opening of Somali peace talks in Nairo.., 2001-11-01 (photo)
 
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Somalia's warlord Osman Hassan Ali Atto holds his head at the opening of Somali peace talks in Nairo.., 2001-11-01 (photo)

Antony Njuguna

REU7507291

Somalia's warlord Osman Hassan Ali Atto holds his head at the opening of Somali peace talks in Nairo.., 2001-11-01 (photo)

Antony Njuguna

REU7507291

Birth certicate of JOSEPH RATZINGER (Pope Benedict XVI)/Atto di nascita di JOSEPH RATZINGER (Papa Benedetto XVI) - Reproduced by Marcello MENCARINI
 
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Birth certicate of JOSEPH RATZINGER (Pope Benedict XVI)/Atto di nascita di JOSEPH RATZINGER (Papa Benedetto XVI) - Reproduced by Marcello MENCARINI

Mencarini, Marcello

MME4805304

Birth certicate of JOSEPH RATZINGER (Pope Benedict XVI)/Atto di nascita di JOSEPH RATZINGER (Papa Benedetto XVI) - Reproduced by Marcello MENCARINI

Mencarini, Marcello

MME4805304

Etruscan warriors hit by Greek arrows at the siege of Thebes
 
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Etruscan warriors hit by Greek arrows at the siege of Thebes

Corsi (19th century)

FLO6339910

Etruscan warriors hit by Greek arrows at the siege of Thebes

Corsi (19th century)

FLO6339910

Certificate of the wedding between composer Gioacchino Rossini and Spanish soprano Isabella Colbran (celebrated at Castenaso, near Bologna, on March 22, 1822)/Atto di matrimonio tra il compositore Gioacchino Rossini e il soprano spagnolo Isabella Colbran (celebrato a Castenaso, Bologna, il 22 March 1822))
 
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Certificate of the wedding between composer Gioacchino Rossini and Spanish soprano Isabella Colbran (celebrated at Castenaso, near Bologna, on March 22, 1822)/Atto di matrimonio tra il compositore Gioacchino Rossini e il soprano spagnolo Isabella Colbran (celebrato a Castenaso, Bologna, il 22 March 1822))

Mencarini, Marcello

MME4795817

Certificate of the wedding between composer Gioacchino Rossini and Spanish soprano Isabella Colbran (celebrated at Castenaso, near Bologna, on March 22, 1822)/Atto di matrimonio tra il compositore Gioacchino Rossini e il soprano spagnolo Isabella Colbran (celebrato a Castenaso, Bologna, il 22 March 1822))

Mencarini, Marcello

MME4795817

Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- poses at Castel Sant'Angelo where takes place the last act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, ritratta a a Castel Sant'Angelo dove si svolge l'ultimo atto dell'opera -
 
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Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- poses at Castel Sant'Angelo where takes place the last act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, ritratta a a Castel Sant'Angelo dove si svolge l'ultimo atto dell'opera -

Mencarini, Marcello

MME4741867

Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- poses at Castel Sant'Angelo where takes place the last act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, ritratta a a Castel Sant'Angelo dove si svolge l'ultimo atto dell'opera -

Mencarini, Marcello

MME4741867

Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- poses at Castel Sant'Angelo where takes place the last act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, ritratta a a Castel Sant'Angelo dove si svolge l'ultimo atto dell'opera -
 
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Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- poses at Castel Sant'Angelo where takes place the last act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, ritratta a a Castel Sant'Angelo dove si svolge l'ultimo atto dell'opera -

Mencarini, Marcello

MME4741876

Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- poses at Castel Sant'Angelo where takes place the last act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, ritratta a a Castel Sant'Angelo dove si svolge l'ultimo atto dell'opera -

Mencarini, Marcello

MME4741876

Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- poses at Castel Sant'Angelo where takes place the last act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, ritratta a a Castel Sant'Angelo dove si svolge l'ultimo atto dell'opera -
 
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Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- poses at Castel Sant'Angelo where takes place the last act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, ritratta a a Castel Sant'Angelo dove si svolge l'ultimo atto dell'opera -

Mencarini, Marcello

MME4741911

Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- poses at Castel Sant'Angelo where takes place the last act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, ritratta a a Castel Sant'Angelo dove si svolge l'ultimo atto dell'opera -

Mencarini, Marcello

MME4741911

Rome, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- in front of the Sant'Andrea della Valle Church, where takes place the first act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, davanti alla Chiesa di Sant'Andrea della Valle dove si svolge il primo atto dell'opera -
 
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Rome, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- in front of the Sant'Andrea della Valle Church, where takes place the first act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, davanti alla Chiesa di Sant'Andrea della Valle dove si svolge il primo atto dell'opera -

Mencarini, Marcello

MME4741856

Rome, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- in front of the Sant'Andrea della Valle Church, where takes place the first act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, davanti alla Chiesa di Sant'Andrea della Valle dove si svolge il primo atto dell'opera -

Mencarini, Marcello

MME4741856

Rome, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- in front of the Sant'Andrea della Valle Church, where takes place the first act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, davanti alla Chiesa di Sant'Andrea della Valle dove si svolge il primo atto dell'opera -
 
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Rome, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- in front of the Sant'Andrea della Valle Church, where takes place the first act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, davanti alla Chiesa di Sant'Andrea della Valle dove si svolge il primo atto dell'opera -

Mencarini, Marcello

MME4741851

Rome, 1998. Ukrainian soprano Maria Guleghina -main protagonist in the opera Tosca at the Olynpic Stadium- in front of the Sant'Andrea della Valle Church, where takes place the first act of the opera/Roma, 1998. Il soprano Maria Guleghina, protagonista dell'opera Tosca allo Stadio Olimpico, davanti alla Chiesa di Sant'Andrea della Valle dove si svolge il primo atto dell'opera -

Mencarini, Marcello

MME4741851

Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina, main protagonist in the opera Tosca at the Olynpic Stadium, and her husband Mark Guleghin at Castel Sant'Angelo, where takes place the last act of the opera/Roma, 1998. La cantante Maria Guleghina -protagonista dell'opera Tosca allo Stadio Olimpico- e suo marito Mark Guleghin a castel Sant'Angelo, dove si svolge l'ultimo atto dell'opera -
 
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Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina, main protagonist in the opera Tosca at the Olynpic Stadium, and her husband Mark Guleghin at Castel Sant'Angelo, where takes place the last act of the opera/Roma, 1998. La cantante Maria Guleghina -protagonista dell'opera Tosca allo Stadio Olimpico- e suo marito Mark Guleghin a castel Sant'Angelo, dove si svolge l'ultimo atto dell'opera -

Mencarini, Marcello

MME4741846

Rome, Castel Sant'Angelo, 1998. Ukrainian soprano Maria Guleghina, main protagonist in the opera Tosca at the Olynpic Stadium, and her husband Mark Guleghin at Castel Sant'Angelo, where takes place the last act of the opera/Roma, 1998. La cantante Maria Guleghina -protagonista dell'opera Tosca allo Stadio Olimpico- e suo marito Mark Guleghin a castel Sant'Angelo, dove si svolge l'ultimo atto dell'opera -

Mencarini, Marcello

MME4741846

The Virgin in Glory in the act of handing the scapular to St. Simon Stock (fresco)
 
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The Virgin in Glory in the act of handing the scapular to St. Simon Stock (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

CPH365851

The Virgin in Glory in the act of handing the scapular to St. Simon Stock (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

CPH365851

Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini. , 1952 (pencile and tempera on a canvas board)
 
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Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini. , 1952 (pencile and tempera on a canvas board)

Savinio, Alberto (Chirico, Andrea de) (1891-1952)

Ghigo Roli

GRL6283536

Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini. , 1952 (pencile and tempera on a canvas board)

Savinio, Alberto (Chirico, Andrea de) (1891-1952)

Ghigo Roli

GRL6283536

St. Nicholas in the act of cutting down a tree worshiped by heathens (oil on board)
 
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St. Nicholas in the act of cutting down a tree worshiped by heathens (oil on board)

Corona, Leonardo (1561-1605)

CPH365834

St. Nicholas in the act of cutting down a tree worshiped by heathens (oil on board)

Corona, Leonardo (1561-1605)

CPH365834

Music Score for ‘Don Giovanni’ by Wolfgang Amadeus Mozart (print)
 
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Music Score for ‘Don Giovanni’ by Wolfgang Amadeus Mozart (print)

German School

XLE3746429

Music Score for ‘Don Giovanni’ by Wolfgang Amadeus Mozart (print)

German School

XLE3746429

Third act scene for Norma by V. Bellini,1935 (tempera on cardboard)
 
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Copyright/Diritti d'Autore
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Third act scene for Norma by V. Bellini,1935 (tempera on cardboard)

Casorati, Felice (1886-1963)

Ghigo Roli

GRL6283574

Third act scene for Norma by V. Bellini,1935 (tempera on cardboard)

Casorati, Felice (1886-1963)

Ghigo Roli

GRL6283574

First act for Don Carlos by G. Verdi, 1950 (wax pencil and watercoloured tempera on card)
 
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First act for Don Carlos by G. Verdi, 1950 (wax pencil and watercoloured tempera on card)

Sironi, Mario (1885-1961)

Ghigo Roli

GRL6283566

First act for Don Carlos by G. Verdi, 1950 (wax pencil and watercoloured tempera on card)

Sironi, Mario (1885-1961)

Ghigo Roli

GRL6283566

Birth certicate of JOSEPH RATZINGER (Pope Benedict XVI) (photo)
 
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Birth certicate of JOSEPH RATZINGER (Pope Benedict XVI) (photo)

Mencarini, Marcello

MME4069689

Birth certicate of JOSEPH RATZINGER (Pope Benedict XVI) (photo)

Mencarini, Marcello

MME4069689

Third act second scene for Don Carlos by G. Verdi, 1950 (wax pencil and watercoloured tempera on card)
 
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Third act second scene for Don Carlos by G. Verdi, 1950 (wax pencil and watercoloured tempera on card)

Sironi, Mario (1885-1961)

Ghigo Roli

GRL6283552

Third act second scene for Don Carlos by G. Verdi, 1950 (wax pencil and watercoloured tempera on card)

Sironi, Mario (1885-1961)

Ghigo Roli

GRL6283552

Act by rectors of Lombard League, 1175, manuscript, Italy, 12th century
 
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Act by rectors of Lombard League, 1175, manuscript, Italy, 12th century

Giancarlo Costa

DGA5186804

Act by rectors of Lombard League, 1175, manuscript, Italy, 12th century

Giancarlo Costa

DGA5186804

Praying geisha, ivory sculpture, height 4 cm, detail, Japan 19th century
 
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Praying geisha, ivory sculpture, height 4 cm, detail, Japan 19th century

DGA3939237

Praying geisha, ivory sculpture, height 4 cm, detail, Japan 19th century

DGA3939237

Procurement Concession Act, March 9, 1472, manuscript, Venice, Italy, 15th century
 
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Procurement Concession Act, March 9, 1472, manuscript, Venice, Italy, 15th century

A De Gregorio

DGA5186743

Procurement Concession Act, March 9, 1472, manuscript, Venice, Italy, 15th century

A De Gregorio

DGA5186743

First act third scene for The Puritans by V. Bellini,1933 (pencil and watercoloured tempera on paper sticked on cardboard)
 
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First act third scene for The Puritans by V. Bellini,1933 (pencil and watercoloured tempera on paper sticked on cardboard)

Chirico, Giorgio de (1888-1978)

Ghigo Roli

GRL6283586

First act third scene for The Puritans by V. Bellini,1933 (pencil and watercoloured tempera on paper sticked on cardboard)

Chirico, Giorgio de (1888-1978)

Ghigo Roli

GRL6283586

First act first scene for The Puritans by V. Bellini,1933 (pencil and watercoloured tempera on paper sticked on cardboard)
 
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First act first scene for The Puritans by V. Bellini,1933 (pencil and watercoloured tempera on paper sticked on cardboard)

Chirico, Giorgio de (1888-1978)

Ghigo Roli

GRL6283588

First act first scene for The Puritans by V. Bellini,1933 (pencil and watercoloured tempera on paper sticked on cardboard)

Chirico, Giorgio de (1888-1978)

Ghigo Roli

GRL6283588

William Tell, 1859, 2nd Act, by Gioachino Rossini (1792-1868), engraving by Celestin Deshays (1817-1893)
 
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William Tell, 1859, 2nd Act, by Gioachino Rossini (1792-1868), engraving by Celestin Deshays (1817-1893)

Deshays, Celestin (1817-c.1890)

DGA3676050

William Tell, 1859, 2nd Act, by Gioachino Rossini (1792-1868), engraving by Celestin Deshays (1817-1893)

Deshays, Celestin (1817-c.1890)

DGA3676050

Postal card by Adolf Hohenstein (1854-1928) for first performance of La Boheme, 1st Act, by Giacomo Puccini (1858-1924), Italy, 19th century
 
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Postal card by Adolf Hohenstein (1854-1928) for first performance of La Boheme, 1st Act, by Giacomo Puccini (1858-1924), Italy, 19th century

Hohenstein, Adolfo (1854-1928)

DGA3676089

Postal card by Adolf Hohenstein (1854-1928) for first performance of La Boheme, 1st Act, by Giacomo Puccini (1858-1924), Italy, 19th century

Hohenstein, Adolfo (1854-1928)

DGA3676089

Dr Cajus, Fenton, Ford (Act I), Ford (Act III); costumes for first execution of Falstaff, by Giuseppe Verdi, at La Scala of Milan, February 9, 1893, Italy, engraving from L'Illustrazione Italiana, Year XX, No 8, February 19, 1893
 
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Dr Cajus, Fenton, Ford (Act I), Ford (Act III); costumes for first execution of Falstaff, by Giuseppe Verdi, at La Scala of Milan, February 9, 1893, Italy, engraving from L'Illustrazione Italiana, Year XX, No 8, February 19, 1893

DGA3717418

Dr Cajus, Fenton, Ford (Act I), Ford (Act III); costumes for first execution of Falstaff, by Giuseppe Verdi, at La Scala of Milan, February 9, 1893, Italy, engraving from L'Illustrazione Italiana, Year XX, No 8, February 19, 1893

DGA3717418

Nannetta (Act I), Mrs Quickly and Nannetta (Act III), first performance of Falstaff, by Giuseppe Verdi, at La Scala of Milan, February 9, 1893, Italy, engraving from L'Illustrazione Italiana, Year XX, No 8, February 19, 1893
 
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Nannetta (Act I), Mrs Quickly and Nannetta (Act III), first performance of Falstaff, by Giuseppe Verdi, at La Scala of Milan, February 9, 1893, Italy, engraving from L'Illustrazione Italiana, Year XX, No 8, February 19, 1893

DGA3717421

Nannetta (Act I), Mrs Quickly and Nannetta (Act III), first performance of Falstaff, by Giuseppe Verdi, at La Scala of Milan, February 9, 1893, Italy, engraving from L'Illustrazione Italiana, Year XX, No 8, February 19, 1893

DGA3717421

Act of taking possession of Kingdom of Naples by Ferrante (Ferdinand) of Aragon, 1458, manuscript, Italy, 15th century
 
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Act of taking possession of Kingdom of Naples by Ferrante (Ferdinand) of Aragon, 1458, manuscript, Italy, 15th century

DGA5186811

Act of taking possession of Kingdom of Naples by Ferrante (Ferdinand) of Aragon, 1458, manuscript, Italy, 15th century

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Act V of Resurrection, novel by Leo Tolstoy (1828-1910), illustration for performance at Theatre de l'Odeon in Paris, 1902
 
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Act V of Resurrection, novel by Leo Tolstoy (1828-1910), illustration for performance at Theatre de l'Odeon in Paris, 1902

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Act V of Resurrection, novel by Leo Tolstoy (1828-1910), illustration for performance at Theatre de l'Odeon in Paris, 1902

DGA3685097

Mrs Meg Page, Mrs Alice Ford (Act I), Mrs Quickly and Mrs Alice Ford (Act III), costumes for first execution of Falstaff, by Giuseppe Verdi, at La Scala of Milan, February 9, 1893, Italy
 
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Mrs Meg Page, Mrs Alice Ford (Act I), Mrs Quickly and Mrs Alice Ford (Act III), costumes for first execution of Falstaff, by Giuseppe Verdi, at La Scala of Milan, February 9, 1893, Italy

DGA3717419

Mrs Meg Page, Mrs Alice Ford (Act I), Mrs Quickly and Mrs Alice Ford (Act III), costumes for first execution of Falstaff, by Giuseppe Verdi, at La Scala of Milan, February 9, 1893, Italy

DGA3717419

Italy, Siena, Cathedral, Piccolomini Library, Enea Silvio Piccolomini in act of submission to Pope Eugenius IV, detail from Stories of Pius II, 1503-1508, by Bernardino Pinturicchio (ca 1452-1513), fresco
 
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Italy, Siena, Cathedral, Piccolomini Library, Enea Silvio Piccolomini in act of submission to Pope Eugenius IV, detail from Stories of Pius II, 1503-1508, by Bernardino Pinturicchio (ca 1452-1513), fresco

Pinturicchio, Bernardino di Betto (c.1452-1513)

G Dagli Orti

DGA557022

Italy, Siena, Cathedral, Piccolomini Library, Enea Silvio Piccolomini in act of submission to Pope Eugenius IV, detail from Stories of Pius II, 1503-1508, by Bernardino Pinturicchio (ca 1452-1513), fresco

Pinturicchio, Bernardino di Betto (c.1452-1513)

G Dagli Orti

DGA557022

Triumph of Radames, Aida, 2nd Act, by Giuseppe Verdi (1813-1901), staged in Paris at Theatre de l'Opera, engraving, France, 19th century
 
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Triumph of Radames, Aida, 2nd Act, by Giuseppe Verdi (1813-1901), staged in Paris at Theatre de l'Opera, engraving, France, 19th century

Verdi, Giuseppe (1813-1901)

DGA3676047

Triumph of Radames, Aida, 2nd Act, by Giuseppe Verdi (1813-1901), staged in Paris at Theatre de l'Opera, engraving, France, 19th century

Verdi, Giuseppe (1813-1901)

DGA3676047

Extract of act drawn up in Genoa by the notary Ventimiglia, inherent to Christopher Columbus and the purchase of stock sugar in Madeira, Italy, 15th century
 
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Extract of act drawn up in Genoa by the notary Ventimiglia, inherent to Christopher Columbus and the purchase of stock sugar in Madeira, Italy, 15th century

DGA5186672

Extract of act drawn up in Genoa by the notary Ventimiglia, inherent to Christopher Columbus and the purchase of stock sugar in Madeira, Italy, 15th century

DGA5186672

Duncan and Macdonaldo falling during duel, illustration from Second Act, fourth scene of opera Guglielmo Ratcliff by Pietro Mascagni (1863-1945)
 
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Duncan and Macdonaldo falling during duel, illustration from Second Act, fourth scene of opera Guglielmo Ratcliff by Pietro Mascagni (1863-1945)

DGA3684401

Duncan and Macdonaldo falling during duel, illustration from Second Act, fourth scene of opera Guglielmo Ratcliff by Pietro Mascagni (1863-1945)

DGA3684401

Tavern on frontier of Saxony, illustration for 2nd scene of 1st act of Robbers, romantic tragedy by Friedrich Schiller (1759-1805), engraving by Hecht
 
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Tavern on frontier of Saxony, illustration for 2nd scene of 1st act of Robbers, romantic tragedy by Friedrich Schiller (1759-1805), engraving by Hecht

DGA3684261

Tavern on frontier of Saxony, illustration for 2nd scene of 1st act of Robbers, romantic tragedy by Friedrich Schiller (1759-1805), engraving by Hecht

DGA3684261

Maria Guleghina
 
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Maria Guleghina

Mencarini, Marcello

MME3828882

Maria Guleghina

Mencarini, Marcello

MME3828882

Act of Accession of Charles Emmanuel III of Savoy to Treaty of Aachen at end of Austrian Civil War, manuscript, Italy, 18th century
 
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Act of Accession of Charles Emmanuel III of Savoy to Treaty of Aachen at end of Austrian Civil War, manuscript, Italy, 18th century

Chomon & Perino

DGA5186525

Act of Accession of Charles Emmanuel III of Savoy to Treaty of Aachen at end of Austrian Civil War, manuscript, Italy, 18th century

Chomon & Perino

DGA5186525

In the sacred wood of Vesta, Act III, engraving by Dante Paolocci from sketches by Zandomenico from L'Illustrazione Italiana, No 58, December 3, 1876
 
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In the sacred wood of Vesta, Act III, engraving by Dante Paolocci from sketches by Zandomenico from L'Illustrazione Italiana, No 58, December 3, 1876

Paolocci, Dante (1849-1926)

DGA5195073

In the sacred wood of Vesta, Act III, engraving by Dante Paolocci from sketches by Zandomenico from L'Illustrazione Italiana, No 58, December 3, 1876

Paolocci, Dante (1849-1926)

DGA5195073

Assassination of Britannicus, illustration for the 5th act of Britannicus, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours
 
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Assassination of Britannicus, illustration for the 5th act of Britannicus, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684011

Assassination of Britannicus, illustration for the 5th act of Britannicus, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684011

Berenice reproaching Titus, illustration for 2nd act of Berenice, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours
 
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Berenice reproaching Titus, illustration for 2nd act of Berenice, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684146

Berenice reproaching Titus, illustration for 2nd act of Berenice, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684146

Illustration for the 2nd act of Esther, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours
 
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Illustration for the 2nd act of Esther, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684010

Illustration for the 2nd act of Esther, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684010

Silvio rejecting Dorinda, illustration for the 2nd act of The Faithfull Shepherd, pastoral tragicomedy by Giovanni Battista Guarini (1538-1612), engraving, published in 1797, Verona
 
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Silvio rejecting Dorinda, illustration for the 2nd act of The Faithfull Shepherd, pastoral tragicomedy by Giovanni Battista Guarini (1538-1612), engraving, published in 1797, Verona

DGA3684054

Silvio rejecting Dorinda, illustration for the 2nd act of The Faithfull Shepherd, pastoral tragicomedy by Giovanni Battista Guarini (1538-1612), engraving, published in 1797, Verona

DGA3684054

SOMALIA WARLORD OMAR HASSN ALI HOLDS HIS HAND, 2001-11-01 (photo)
 
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SOMALIA WARLORD OMAR HASSN ALI HOLDS HIS HAND, 2001-11-01 (photo)

Antony Njuguna

REU8512948

SOMALIA WARLORD OMAR HASSN ALI HOLDS HIS HAND, 2001-11-01 (photo)

Antony Njuguna

REU8512948

Bertha and Ulrich of Rudenz, illustration for 2nd scene of 3rd act of William Tell, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)
 
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Bertha and Ulrich of Rudenz, illustration for 2nd scene of 3rd act of William Tell, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684298

Bertha and Ulrich of Rudenz, illustration for 2nd scene of 3rd act of William Tell, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684298

Silvio meeting the old Linco, illustration for the 1st act of The Faithfull Shepherd, pastoral tragicomedy by Giovanni Battista Guarini (1538-1612), engraving, published in 1768, Venice
 
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Silvio meeting the old Linco, illustration for the 1st act of The Faithfull Shepherd, pastoral tragicomedy by Giovanni Battista Guarini (1538-1612), engraving, published in 1768, Venice

DGA3684053

Silvio meeting the old Linco, illustration for the 1st act of The Faithfull Shepherd, pastoral tragicomedy by Giovanni Battista Guarini (1538-1612), engraving, published in 1768, Venice

DGA3684053

Phedre talking about Hippolytus to Oenone, Act I, Scene III, illustration for Phedre, tragedy by Jean Racine (1639-1699), engraving by Jules Huyot (1841-1921)
 
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Phedre talking about Hippolytus to Oenone, Act I, Scene III, illustration for Phedre, tragedy by Jean Racine (1639-1699), engraving by Jules Huyot (1841-1921)

Huyot, Jules (1841-1921)

DGA3685288

Phedre talking about Hippolytus to Oenone, Act I, Scene III, illustration for Phedre, tragedy by Jean Racine (1639-1699), engraving by Jules Huyot (1841-1921)

Huyot, Jules (1841-1921)

DGA3685288

Part of act by the notary Quilico, drawn up in Genoa on February 21, 1429, which mentioned the father and grandfather of Christopher Columbus, Italy, 15th century
 
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Part of act by the notary Quilico, drawn up in Genoa on February 21, 1429, which mentioned the father and grandfather of Christopher Columbus, Italy, 15th century

DGA5186671

Part of act by the notary Quilico, drawn up in Genoa on February 21, 1429, which mentioned the father and grandfather of Christopher Columbus, Italy, 15th century

DGA5186671

Maria Guleghina
 
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Maria Guleghina

Mencarini, Marcello

MME3828880

Maria Guleghina

Mencarini, Marcello

MME3828880

Don Caesar's despair, illustration for 4th act of Bride of Messina, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)
 
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Don Caesar's despair, illustration for 4th act of Bride of Messina, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684295

Don Caesar's despair, illustration for 4th act of Bride of Messina, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684295

Illustration for the 4th act of Iphigenie, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours
 
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Illustration for the 4th act of Iphigenie, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684013

Illustration for the 4th act of Iphigenie, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684013

In the nefarious camp, Rome Vaincue by Alexandre Parodi, Act V, engraving by Dante Paolocci from sketches by Zandomenico from L'Illustrazione Italiana, No 58, December 3, 1876
 
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In the nefarious camp, Rome Vaincue by Alexandre Parodi, Act V, engraving by Dante Paolocci from sketches by Zandomenico from L'Illustrazione Italiana, No 58, December 3, 1876

Paolocci, Dante (1849-1926)

DGA5195075

In the nefarious camp, Rome Vaincue by Alexandre Parodi, Act V, engraving by Dante Paolocci from sketches by Zandomenico from L'Illustrazione Italiana, No 58, December 3, 1876

Paolocci, Dante (1849-1926)

DGA5195075

Bajazet and Roxane, illustration for 2nd act of Bajazet, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours
 
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Bajazet and Roxane, illustration for 2nd act of Bajazet, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684147

Bajazet and Roxane, illustration for 2nd act of Bajazet, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684147

Othello at Teatro alla Scala, final scene of Act III, Milan, Italy, engraving from drawing by Eduardo Ximenes, from L'Illustrazione Italiana No 8, February 20, 1887
 
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Othello at Teatro alla Scala, final scene of Act III, Milan, Italy, engraving from drawing by Eduardo Ximenes, from L'Illustrazione Italiana No 8, February 20, 1887

DGA5194559

Othello at Teatro alla Scala, final scene of Act III, Milan, Italy, engraving from drawing by Eduardo Ximenes, from L'Illustrazione Italiana No 8, February 20, 1887

DGA5194559

Final scene of Act 3 of Rienzi, opera by Richard Wagner, engraving from volume Richard Wagner sa vie et ses oeuvres, from L'Illustrazione Italiana, No 2, January 9, 1887
 
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Final scene of Act 3 of Rienzi, opera by Richard Wagner, engraving from volume Richard Wagner sa vie et ses oeuvres, from L'Illustrazione Italiana, No 2, January 9, 1887

DGA5194509

Final scene of Act 3 of Rienzi, opera by Richard Wagner, engraving from volume Richard Wagner sa vie et ses oeuvres, from L'Illustrazione Italiana, No 2, January 9, 1887

DGA5194509

Italy, Siena, Cathedral, Piccolomini Library, Enea Silvio Piccolomini in act of submission to Pope Eugenius IV, detail from Stories of Pius II, 1503-1508, by Bernardino Pinturicchio (ca 1452-1513), fresco
 
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Italy, Siena, Cathedral, Piccolomini Library, Enea Silvio Piccolomini in act of submission to Pope Eugenius IV, detail from Stories of Pius II, 1503-1508, by Bernardino Pinturicchio (ca 1452-1513), fresco

Pinturicchio, Bernardino di Betto (c.1452-1513)

DGA557048

Italy, Siena, Cathedral, Piccolomini Library, Enea Silvio Piccolomini in act of submission to Pope Eugenius IV, detail from Stories of Pius II, 1503-1508, by Bernardino Pinturicchio (ca 1452-1513), fresco

Pinturicchio, Bernardino di Betto (c.1452-1513)

DGA557048

Mr Baddeley in role of Trinculo, 4th Act, 1st Scene, from Tempest, by William Shakespeare (1564-1616), engraving from Bells Edition of Shakespeare's Plays, 1775-1776, United Kingdom, 18th century
 
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Mr Baddeley in role of Trinculo, 4th Act, 1st Scene, from Tempest, by William Shakespeare (1564-1616), engraving from Bells Edition of Shakespeare's Plays, 1775-1776, United Kingdom, 18th century

DGA3676101

Mr Baddeley in role of Trinculo, 4th Act, 1st Scene, from Tempest, by William Shakespeare (1564-1616), engraving from Bells Edition of Shakespeare's Plays, 1775-1776, United Kingdom, 18th century

DGA3676101

Atalide's suicide, illustration for 5th act of Bajazet, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours
 
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Atalide's suicide, illustration for 5th act of Bajazet, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684148

Atalide's suicide, illustration for 5th act of Bajazet, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684148

Sacrifice of Eriphile, illustration for the 5th act of Iphigenie, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours
 
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Sacrifice of Eriphile, illustration for the 5th act of Iphigenie, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684012

Sacrifice of Eriphile, illustration for the 5th act of Iphigenie, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684012

Nero and Agrippina, illustration for 5th act of Britannicus, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours
 
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Nero and Agrippina, illustration for 5th act of Britannicus, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684145

Nero and Agrippina, illustration for 5th act of Britannicus, tragedy by Jean Racine (1639-1699), engraving by Valentin Foulquier (1822-1896), from Theatre de Racine, published in 1876-77, Tours

Foulquier, Jean Antoine Valentin (1822-1896)

DGA3684145

Representation of Carmen with L Beyle (Don Jose) and Marie de Lisle (Carmen), 1st Act, by Georges Bizet (1838-1875), opera Comique of Paris, drawing by M Jambon, France, 19th century
 
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Representation of Carmen with L Beyle (Don Jose) and Marie de Lisle (Carmen), 1st Act, by Georges Bizet (1838-1875), opera Comique of Paris, drawing by M Jambon, France, 19th century

DGA3676060

Representation of Carmen with L Beyle (Don Jose) and Marie de Lisle (Carmen), 1st Act, by Georges Bizet (1838-1875), opera Comique of Paris, drawing by M Jambon, France, 19th century

DGA3676060

Cino da Pistoia teaching his pupils, relief from Cino da Pistoia's tombstone, attributed to Agostino di Giovanni (died before 1347), Pistoia Cathedral, Tuscany, detail, Italy, 14th century
 
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Cino da Pistoia teaching his pupils, relief from Cino da Pistoia's tombstone, attributed to Agostino di Giovanni (died before 1347), Pistoia Cathedral, Tuscany, detail, Italy, 14th century

DGA1086994

Cino da Pistoia teaching his pupils, relief from Cino da Pistoia's tombstone, attributed to Agostino di Giovanni (died before 1347), Pistoia Cathedral, Tuscany, detail, Italy, 14th century

DGA1086994

Pastoral scene, illustration for the 1st act of The Tragedy of Orpheus, by Angelo Poliziano (1454-1494), engraving by Gianantonio Zuliani, illustration from Parnaso Italiano, published by Antonio Zatta e figli, 1785, Venice
 
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Pastoral scene, illustration for the 1st act of The Tragedy of Orpheus, by Angelo Poliziano (1454-1494), engraving by Gianantonio Zuliani, illustration from Parnaso Italiano, published by Antonio Zatta e figli, 1785, Venice

DGA3683953

Pastoral scene, illustration for the 1st act of The Tragedy of Orpheus, by Angelo Poliziano (1454-1494), engraving by Gianantonio Zuliani, illustration from Parnaso Italiano, published by Antonio Zatta e figli, 1785, Venice

DGA3683953

Esmeralda, comedy by Giacinto Gallina (1852-1897), last scene, 1st act, engraving by E Mancastroppa from drawing by G Amato from L'Illustrazione Italiana, year 16, no 11, March 17, 1889
 
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Esmeralda, comedy by Giacinto Gallina (1852-1897), last scene, 1st act, engraving by E Mancastroppa from drawing by G Amato from L'Illustrazione Italiana, year 16, no 11, March 17, 1889

DGA5195932

Esmeralda, comedy by Giacinto Gallina (1852-1897), last scene, 1st act, engraving by E Mancastroppa from drawing by G Amato from L'Illustrazione Italiana, year 16, no 11, March 17, 1889

DGA5195932

William Tell saving Conrad Baumgarten on Lake Lucerne, illustration for 1st scene of 1st act of William Tell, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)
 
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William Tell saving Conrad Baumgarten on Lake Lucerne, illustration for 1st scene of 1st act of William Tell, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684296

William Tell saving Conrad Baumgarten on Lake Lucerne, illustration for 1st scene of 1st act of William Tell, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684296

Henry of Halden, blind and in rags, moves from door to door, illustration for 4th scene of 1st act of William Tell, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)
 
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Henry of Halden, blind and in rags, moves from door to door, illustration for 4th scene of 1st act of William Tell, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684297

Henry of Halden, blind and in rags, moves from door to door, illustration for 4th scene of 1st act of William Tell, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684297

Miss P Hopkins in role of Lavinia, 2nd Act, 2nd Scene, from Titus Andronicus, of William Shakespeare (1564-1616), engraving from Bells Edition of Shakespeare's Plays, 1775-1776, United Kingdom, 18th century
 
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Miss P Hopkins in role of Lavinia, 2nd Act, 2nd Scene, from Titus Andronicus, of William Shakespeare (1564-1616), engraving from Bells Edition of Shakespeare's Plays, 1775-1776, United Kingdom, 18th century

DGA3676100

Miss P Hopkins in role of Lavinia, 2nd Act, 2nd Scene, from Titus Andronicus, of William Shakespeare (1564-1616), engraving from Bells Edition of Shakespeare's Plays, 1775-1776, United Kingdom, 18th century

DGA3676100

Senate rejecting the Carthaginian proposals, Act II, illustration for Attilio Regolo, opera by Pietro Metastasio (1698-1782), engraving by Giovanni De Pian (1764-1800), from Parnaso italiano, published by Antonio Zatta e figli, 1790, Venice
 
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Senate rejecting the Carthaginian proposals, Act II, illustration for Attilio Regolo, opera by Pietro Metastasio (1698-1782), engraving by Giovanni De Pian (1764-1800), from Parnaso italiano, published by Antonio Zatta e figli, 1790, Venice

DGA3684017

Senate rejecting the Carthaginian proposals, Act II, illustration for Attilio Regolo, opera by Pietro Metastasio (1698-1782), engraving by Giovanni De Pian (1764-1800), from Parnaso italiano, published by Antonio Zatta e figli, 1790, Venice

DGA3684017

Asrael, opera by Alberto Franchetti (1860-1942), last scene, 4th act, Teatro alla Scala, Milan, Italy, engraving from drawing by G Amato from L'Illustrazione Italiana, year 16, no 3, January 20, 1889
 
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Asrael, opera by Alberto Franchetti (1860-1942), last scene, 4th act, Teatro alla Scala, Milan, Italy, engraving from drawing by G Amato from L'Illustrazione Italiana, year 16, no 3, January 20, 1889

DGA5195878

Asrael, opera by Alberto Franchetti (1860-1942), last scene, 4th act, Teatro alla Scala, Milan, Italy, engraving from drawing by G Amato from L'Illustrazione Italiana, year 16, no 3, January 20, 1889

DGA5195878

Young Artist Drawing
 
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Young Artist Drawing

MEV5050175

Young Artist Drawing

MEV5050175

Mr Weston in role of Costard, 1st Act, 1st Scene, from Lost Love's Labour's, by William Shakespeare (1564-1616), engraving from Bells Edition of Shakespeare's Plays, 1775-1776, United Kingdom, 18th century
 
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Mr Weston in role of Costard, 1st Act, 1st Scene, from Lost Love's Labour's, by William Shakespeare (1564-1616), engraving from Bells Edition of Shakespeare's Plays, 1775-1776, United Kingdom, 18th century

DGA3676098

Mr Weston in role of Costard, 1st Act, 1st Scene, from Lost Love's Labour's, by William Shakespeare (1564-1616), engraving from Bells Edition of Shakespeare's Plays, 1775-1776, United Kingdom, 18th century

DGA3676098

Regolo's departure, Act III, illustration for Attilio Regolo, opera by Pietro Metastasio (1698-1782), engraving by Giovanni De Pian (1764-1800), from Parnaso italiano, published by Antonio Zatta e figli, 1790, Venice
 
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Regolo's departure, Act III, illustration for Attilio Regolo, opera by Pietro Metastasio (1698-1782), engraving by Giovanni De Pian (1764-1800), from Parnaso italiano, published by Antonio Zatta e figli, 1790, Venice

DGA3684018

Regolo's departure, Act III, illustration for Attilio Regolo, opera by Pietro Metastasio (1698-1782), engraving by Giovanni De Pian (1764-1800), from Parnaso italiano, published by Antonio Zatta e figli, 1790, Venice

DGA3684018

Reconciliation between Don Manuel and Don Caesar, illustration for 5th scene of 1st act of Bride of Messina, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)
 
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Reconciliation between Don Manuel and Don Caesar, illustration for 5th scene of 1st act of Bride of Messina, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684294

Reconciliation between Don Manuel and Don Caesar, illustration for 5th scene of 1st act of Bride of Messina, tragedy by Friedrich Schiller (1759-1805), engraving by Richard Brend'Amour (1831-1915)

Brend'amour, Richard (1831-1915)

DGA3684294

Supreme Pontiff's cabinet in the palace, Postumia begging Fabio Massimo, Rome Vaincue by Alexandre Parodi, Act V, engraving by Dante Paolocci from sketches by Zandomenico from L'Illustrazione Italiana, No 58, December 3, 1876
 
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Supreme Pontiff's cabinet in the palace, Postumia begging Fabio Massimo, Rome Vaincue by Alexandre Parodi, Act V, engraving by Dante Paolocci from sketches by Zandomenico from L'Illustrazione Italiana, No 58, December 3, 1876

Paolocci, Dante (1849-1926)

DGA5195072

Supreme Pontiff's cabinet in the palace, Postumia begging Fabio Massimo, Rome Vaincue by Alexandre Parodi, Act V, engraving by Dante Paolocci from sketches by Zandomenico from L'Illustrazione Italiana, No 58, December 3, 1876

Paolocci, Dante (1849-1926)

DGA5195072

Don Carlos rebelling against his father, murderer of Marquis de Posa, illustration for 4th scene of 5th act of Don Carlos, tragedy by Friedrich Schiller (1759-1805), engraving after drawing by Ferdinand Keller (1842-1922)
 
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Don Carlos rebelling against his father, murderer of Marquis de Posa, illustration for 4th scene of 5th act of Don Carlos, tragedy by Friedrich Schiller (1759-1805), engraving after drawing by Ferdinand Keller (1842-1922)

Keller, Ferdinand (1842-1922)

DGA3684268

Don Carlos rebelling against his father, murderer of Marquis de Posa, illustration for 4th scene of 5th act of Don Carlos, tragedy by Friedrich Schiller (1759-1805), engraving after drawing by Ferdinand Keller (1842-1922)

Keller, Ferdinand (1842-1922)

DGA3684268

Maggiolata, scene from performance at Teatro dal Verme in Milan of Act III of I Medici, opera by Ruggero Leoncavallo, Italy, engraving after drawing by E Ximenes, from L'Illustrazione Italiana, Year XX, No 47, November 19, 1893
 
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Maggiolata, scene from performance at Teatro dal Verme in Milan of Act III of I Medici, opera by Ruggero Leoncavallo, Italy, engraving after drawing by E Ximenes, from L'Illustrazione Italiana, Year XX, No 47, November 19, 1893

DGA3717726

Maggiolata, scene from performance at Teatro dal Verme in Milan of Act III of I Medici, opera by Ruggero Leoncavallo, Italy, engraving after drawing by E Ximenes, from L'Illustrazione Italiana, Year XX, No 47, November 19, 1893

DGA3717726

STOLTZFUS FAMILY AFTER BEING RELEASED IN LA ANCHURA COUNTRY HOUSE, 1998-06-30 (photo)
 
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STOLTZFUS FAMILY AFTER BEING RELEASED IN LA ANCHURA COUNTRY HOUSE, 1998-06-30 (photo)

Reuters Photographer

REU8257335

STOLTZFUS FAMILY AFTER BEING RELEASED IN LA ANCHURA COUNTRY HOUSE, 1998-06-30 (photo)

Reuters Photographer

REU8257335

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