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'Banting' immagini e video risultati page 1 of 2

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Frederick Grant Banting,  1923 (drawing)
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BANTING IN THE YEOMANRY
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Frederick Grant Banting
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Sir Frederick Banting, 1923
New Banting Bed for Reducing the Figure
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Representation of a banting. Late 19th century (chromolithograph)
Frederick Banting, 1927 (b/w photo)
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Banting, Best, and diabetes (colour litho)
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Frederick Banting, 1941 (b/w photo)
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The Adoration of the Magi, 1929 (oil on canvas with rope frame)
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Still Life with Pears (oil on canvas)
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Self Portrait with String (oil & string on board)
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Aries, 1935 (oil on canvas)
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Frederick Grant Banting (1891-1941) Canadian physiologist, c.1923 (photo)
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L'Inconscient du Desire (collage and gouache on paper)
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Rosewood bookcase, one of set of four by Banting, France and Co, 1829
Brass-inlaid rosewood chess table, by Banting, France and Co, 1829
Squeezebox, Guitarface and Birds, c.1950s/1960s (oil on canvas)
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John Banting: African Emperor Moth, Natural History Museum … (litho)
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One Man Band, Guitar and Squeeze-Box, 1951 (oil on board)
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Rayograph, c.1929 (b/w photo)
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Bal Musette, 1945 (oil on board)
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Frederick Grant Banting (1891-1941) Canadian physiologist, c.1923 (photo)
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Pigeons on the Grass, Alas!
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Mutual Congratulations, 1937 (oil on canvas)
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King and Queen, 1947 (w/c on paper)
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Surrealist Scene, 1933 (gouache on paper)
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Siamese Triplets Singing in the Desert, 1933 (oil on panel)
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Figure with Heart, 1930 (oil on canvas)
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Head (back of painting), 1930 (oil on board)
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Untitled, c.1938 (collage on paper)
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The Abandonment of Madame Triple-Nipples, 1939 (pencil on paper)
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Musical abstract, c.1930s (mixed media)
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The Couple, c.1932-33 (oil on board)
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Cow Parsley and Conch, c.1940 (oil on board)
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The Couple
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Untitled, c.1942 (gouache on cardboard)
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Surrealist Boxer, 1930-39 (gouache & collage on paper)
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The Art Critic, 1931 (cyanotype)
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OPPOSITION NATIONAL JUSTICE PARTY LEADER WAN AZIZAH AT A GATHERING IN BANTING, 2001-01-20 (photo)
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Cyanotype, 1932 (cyanotype on paper)
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Ruins and clothes-line, c.1937 (oil on canvas)
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Cross Country Leaf, 1931 (pen & ink on paper)
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The Dancer, 1932 (blueprint)
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Print (colour linocut)
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One-Man Band, 1954 (oil on canvas)
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Twilight Symphony, 1954 (oil on board)
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The Accordion Player, c.1933 (mixed media on paper)
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Head, 1930 (oil on board)
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Self portrait, 1942 (pastel & gouache on paper)
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Goat Man and Guitar (oil on board)
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The Secret Visit, 1931 (blueprint)
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Stephen Tomlin, 1925 (oil on canvas)
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Battle of the Jaw Bones, 1929 (oil on board)
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String Music, c.1950 (oil on canvas)
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The Exile, c.1937-39 (oil & mixed media on board)
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Guitar Head, c.1930 (gouache on card)
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Dead Gossip, 1931 (gouache on card)
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Untitled, 1930s (w/c on paper)
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Abstract, (oil on board)
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One-man Band, c.1940 (pen & ink on paper)
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Ta Gueule, c.1929 (gouache on paper)
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Cartoon commenting on William Banting's cure for obesity which excluded fats and carbohydrates
Spirit of Appeasement, 1942 (etching)
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The Queen Mother shields herself from the sun, during a visit to Banting House in Ontario, 1989-07-07 (photo)
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Woman Boxer, 1934 (charcoal on paper)
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Frederick Banting (1891-1941), Canadian physician who, with Charles H. Best, was the first to extract (1921) the hormone insulin from the pancreas
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6 yr old Matthew Cameron bows to Queen Mother after presenting her flowers during visit to Banting House, Ontario, 1989-07-07 (photo)
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Il Content Partner applica le seguenti restrizioni
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
The Yellow Harpist, 1946 (pencil, gouache and black ink)
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Accordion (ink & wash on tracing paper)
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Winter, St. Irene (oil on canvas)
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Cobalt, 1932 (oil on canvas)
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Front cover of 'A Letter to a Young Poet' by Virginia Woolf, London: the Hogarth Press, 1932 (print)
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Cadavre Exquis, c.1939 (pen & ink on paper)
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