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'Beauty Accessory' immagini e video risultati page 1 of 11

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Young woman a sa toilette, 1626 (oil on canvas)
Egyptian antiquity: spoon for cosmetics, a swimmer holding a duck, 1391 BC (wood and ivory)
Antiquite etrusque: fibule a gold disc from the tomb Regolini a Galassi di Cerveteri. 650 BC. Museo Etrusco Gregoriano, Vatican
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Self Portrait, 1646 (Painting)
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Reflective mirrors by Fresnel (1788 - 1827).
Oriental Art: pin a head decoree of two characters, c. 3300-3200 BC (bronze)
A young woman in a bathrobe in front of the bathroom.
Egyptian antiquite: wooden spoon decorated with a young girl playing lute, 1550-1069 BC (wooden)
Etruscan art: bronze mirror back: seduction scene. 3rd century BC. Rome, Museo Nazionale di Villa Giulia
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Hairdressing - in “” Le Bon Genre””, deb. 19th century
Greek antiquite: Aphrodite has her toilet (bronze)
Soaps of different colors and fragrances.
Deer-shaped bronze incense burner on wheels, 8th century BC
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Etruscan Art, Mirror, Tarquinia
Servant at the baths, Paris, early 19th century, in lace bonnet and collar, pink dress and white apron, carrying a dish of soap and bath linen - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Roman lady at her toilet, 1856 (Engraving)
Still Life in Trompe-l'oeil (Painting, 17th century)
Shaving the beard: a little girl on her grandfather's shaves her beard. Chromolithography of the late 19th century
American mirror in wood, decor.
A blonde woman looks at herself in a mirror while she gets her hair styled. Poster for Une faillite et Le Poete et le Financier, pieces of theatre represented in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration en lithographie by Henri de Toulouse Lautrec (Toulouse-Lautrec) (1864-1901), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
The toilet: Two young women help older women with baby bonnets and false bosoms - while giving knowing looks to the viewer. Women of 19 and 20 are in open war with women of a certain age (30). They adopt fashions that suit only them, such as flat bonnets and childish caps.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
An Athenian, 1825 (engraving)
In a boudoir of ancient Rome, a woman has her toilet, assisted by her slaves, holding a mirror, styling her hair and presenting her a tray with makeup products and ointments - Engraving by Gabry, extracted from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - A Roman lady's boudoir - slaves (cosmetae) hold a mirror, dress her hair and hold trays of makeup and unguents - Woodcut engraving by Gabry from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865
La Prudence, l'Amour et les Graces, 1645 (oil on canvas)
A young woman contemplating herself in a mirror in a narcissistic way, she is clothed in the fashion of the crazy years, around 1920
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Women of Venice dying their hair (a wide brim hat with a hole in the centre), one with a sponge A, and one with comb in front of a mirror after Cesare Vecellio B, and wooden comb C. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Illustration for an Abecedary for the brand Chocolat Louit de Louis Freres et Cie, c.1870 (chromo)
Woman at her mirror - Tonkin
Greek Art: mirror box cover in bronze decorating two women at their toilet (bronze)
17th century Venetian mirror (decorative arts)
Woman on a chaise longue in fringed shawl admiring a new hat held by her milliner, while a maid holds a bottle of perfume. The best remedy, or the Longchamp hat. New styles in clothes, hats, dresses and carriages were debuted at race meetings at Longchamp. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Fitting scene at the couturier, by Albert Guillaume (1873-1942), ca. 1895
Bird-shaped razor. 3rd-2nd century BC (bronze)
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Etruscan art: mirror back in bronze: Aphrodite persuaded Helene to follow Paris to Troy. 5th century BC. Rome, Museo Nazionale di Villa Giulia
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A reception. Facsimile after the tomb of two sculptors in Thebes, period of Amenophis II, c.1450-1425 BC
Etruscan civilization: two fibules in the shape of leech in gold from Bisenzio, Italy 750-725 BC Dim 13 cm (Etruscan art: two gold leech-shaped fibula, 750-725 BC) Florence, Museo Archeologico
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Etruscan civilization: fibule in the form of a leech in gold from the tomb of the Littore, Vetulonia 630 BC Dim 15,6 cm (Etruscan art: gold leech-shaped fibula, 630 BC) Florence, Museo Archeologico
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Corset designer - Corset maker, Paris, early 19th century, in chocolate brown bodice, pink petticoat, green gloves - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
A young girl from Yedo (or Edo, present-day Tokyo), painting her lips in front of her mirror, has her dimensions the lacquer box containing her necessities: combs, brushes and hairpins, toothpowder, rice powder and other cosmetics. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Dryer Moulinex orange annees 70
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Golden garment ornament, detail, 7th century BC
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Golden fasteners, 675-650 BC
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Etruscan civilization: bronze mirror - 4th century BC From Tuscania, Italy Diam 12,3 cm (Etruscan art: bronze mirror, 4th century BC) Florence, Museo Archeologico, inv 77759
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The toilet of Greek women in Antiquite. Illustration around 1920.
A woman is pampered by her seamstress, her clothes seller, her hairdresser and two chambermaids. As Montesquieu said, “” For one man to live deliciously, one hundred others must work tirelessly.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Dryer on table helmet Calor orange 70
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Perma Tieda perm material for hairdresser circa 1950
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Merciere - Haberdasher of sewing items, Paris, early 19th century, in orange dress, black apron, white bonnet, and green shawl, holding a box of ribbons and threads - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Cartoon about Parisian couples. A man shaving and arguing with his wife in a ridiculous way, “Why don't you come when I call you?”
David and Bethsabee, 18th century (oil on canvas)
France: genre scene, preparation of the bride, 1865
Portrait of the French comedian Jeanne Granier (1852-1939) circa 1895 Photo reutlinger
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Hair Braider of hair, Paris, early 19th century, in long dress, black apron, lace collar, with her hair in ringlets - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Golden plate, 675-650 BC
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Young Woman in the Mirror, 1515 (painting)
Advertising postcard for Malacéíne beauty products. circa 1920.
Merciere ambulante - Itinerant haberdasher, Paris, early 19th century, in black apron over green coat with epaulettes, lace collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Badger and razor from the 1910's.
Gold fibula, 6th century BC
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Mirror from the tumulus n°4 of Kelermes, 7th century BC (silver covered with gold)
Greek wedding in Athenes., in "Journey to Athenes and Constantinople', 1825 (engraving)
Shop girls dressing in the morning. Four shop girls dressing, fixing their hair in front of mirror, adjusting their stockings, playing with a cat. “These little workers show such ingenious coquetry. They wear ordinary negliges, but have the art to add value to simple things.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
THE ACTRESS RITA RUBIROSA IN ROME - 1958
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Display of products and shampoos anti-dandruff S32 circa 1960
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