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The Wounded Chimera of Bellerophon (bronze) (for detail see 104199)
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A troll.
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(Whole folio) A unicorn, ensnared by a virgin, is caught by a hunter.
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Pen and ink drawing of a unicorn, with colour wash; rubrication and text
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The deeds of Merlin: Vortigern finds red and white dragons beneath the foundation of his castle.
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Demonic beasts.
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The Green knight.
A letter T and a figure.
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A griffin
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He struck a violent blow upon the monster's head as it passed.
The lambton worm.
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An engraving of a dragon.
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Male and female sea creatures on a parade float
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A map of Guiana.
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A scene from 'Marvels of the East'
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Rustam and his horse Rahksh fighting a dragon
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A 17th century woodcut depicting a winged serpent.
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ACT IV: Scene I, line 37
Go bring the rabble
O'er whom I give thee power, here to this place.
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Animals of the zodiac with explanations and illustrations of lucky and unlucky omens.
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A dragon.
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Frontispiece of 'Il Seneca di G. F. Bonomi'
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The dragon and the grandmother.
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Miniature of a human-headed dragon, representing the papacy of Urban VI whose election was contested and resulted in the appointment of the anti-pope Clement VII
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An illustration of a double-headed serpent
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Illustration of the marriage of the dragon and the tiger. A boy rides the tiger, and a girl rides the dragon. They infuse their energies into the alchemical crucible
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Dragons (colour litho)
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Bringing together the four symbols. A dragon, tiger, tortoise and a bird, the animals of the four directions, surround an alchemical crucible
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Lucky and unlucky omens.
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'He saw a genie of monstrous bulk advancing towards him'
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(Detail). Sea monsters attacking a ship.
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Dragon in a pit, with a woman holding a crucifix.
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Inside of a manuscript cover decorated with animals, mythical beasts, trees and plants
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Gave the warm rich milk to him.
The Prince-Dragon.
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Pen and ink drawing of a centaur , with colour wash; rubrication and text
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The genie.
An illustration for 'Aladdin and his Wonderful Lamp ..'.
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Illustration of human-bird hybrid creatures.
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John the Baptist flanked by a lion and a unicorn.
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Illustration of two human-elephant hybrid creatures standing upright, and a baby on the ground.
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Father time and the fairies.
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A unicorn.
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Scene from 'La Sylphide', a romantic ballet. James, a Scottish farmer, pursues the sylph through the woods.
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Drawings based on the Chinese zodiac.
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Mascot figures who influence the fortunes of persons born in the year of the rabbit
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"Stopping beside a fountain, she let her hair fall loose, and dipped her weary feet in the cool in the cool water."
The Blue Bird.
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Story of Susa, the impetuous.
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ACT I: Scene II, line 382
BURTHEN [dispersedly]. Hark, hark.
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Scene from 'La Sylphide', a ballet. James, a Scottish farmer, dreams of the Sylph.
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"At this very instant the young fairy came out from behind the hangings". Illustration for the story 'the Sleeping Beauty in the wood'.
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The Phoenix (colour litho)
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Diagram symbolizing the Trinity
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St. Michael Killing the Dragon (or Vanquishing the Devil), early 15th century (tempera and gold on panel)
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Inside of a decorated manuscript cover showing animals, mythical beasts, trees and plants
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A woodcut showing a woman riding a dolphin, in the sea.
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Dragon with the head of king. Allegorical.
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A lady and a unicorn
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When Caliban was lazy and neglected his work, Ariel would come slily and pinch him'.
Scene from 'the Tempest'.
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Red lacquer cover with a design of carved dragons and calligraphy by the Quianlong Emperor (1711-99).
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Scene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman, sees the naiad arise from the water, standing on a sea shell.
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Red lacquer cover with a design of carved dragons.
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Red lacquer cover with a design of carved dragons and calligraphy by the Quianlong Emperor (1711-99).
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A serpent with wings, passing through an object. Showing the snake sheds its skin by crawling through a narrow hole.
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Werewolves (colour litho)
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Scene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman,
watches Ondine, the water sprite.
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Midsummer's night dream.
Act IV. Scene I
A wood. Titiana, Queen of the fairies, Bottom, fairies, attending etc
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The Lamassu (colour litho)
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A figure slaying a multi-headed beast
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"Three spirits mad with joy come dashing down on a tall wayside flower." Illustration for a poem by Tennyson. "A Fairy Revel, before the coming of Guinevere."
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Bahram Gur killing the dragon
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Pegasus at the foot of a mountain.
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ACT IV: Scene I, line 132
Come, temperate nymphs, and help to celebrate
A contract of true love.
Prospero instructs Ariel to leave garish clothing on a tree to tempt the men.
The Temple of God and the Ark of His Testament; the Woman and the Dragon (Rev. 11: 19, 12: 1-5).
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The mermaid.
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Ewaiponoma or Blemmyae. Headless human creatures with their faces on their chests as described in the accounts of Raleigh's search for El Dorado.
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Unicorns (colour litho)
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Title page of 'Tre quesiti in dialogo sopra il fare batterie..'.
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The Cailleach-Bheur (colour litho)
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"Oh ! they do get away down under ground. In hollow pleazen where they can't be found." A scene of Faries and other mythical beings.
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Illustrations of characters from Harley Granville Barker's production of a Midsummer Night's Dream
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Miniature shows a queen in bed with a dragon, the king looking on from a window
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Thumbelina
She should be Queen of all the Flowers.
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ACT IV: Scene I, line 259
Go charge my goblins that they
grind their joints
With dry convulsions
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The Naga-King (colour litho)
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The Leshy (colour litho)
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Very Nearly! "All alone, those rocks amid- one night I very nearly did!"
Three mermaids
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"The fairy there welcomed her majesty."
The Butterfly.
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A naked, dragon-tailed woman hanging from the branches and caressing a naked man sat on the trunk of the tree; they are surrounded on either side by five gold feathers (to the left) or five silver feathers (to the right), each labelled ('spiritus', 'anima'); the base of the tree stands within a heptagonal enclosure filled with water; a man and a woman are standing beside the trunk; alchemists holding flasks stand in the turrets at the corners of the enclosure.
A pillar descends from the base of this enclosure, again resting in a square battlemented enclosure filled with water; a large man is grasping the pillar, and is accompanied by a man and woman; parts of their bodies are labelled; the pillars at the corners of the enclosure support flasks that contain various objects or scenes. The front wall of the enclosure bears an inscription ('The Red Sea, the red Lune, the red sol'), a large dragon and green frog, and a further inscription; beneath, verses.
"The lady then gave him a purse."
Fortunatus.
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The Wounded Chimera of Bellerophon (bronze) (for detail see 104199)
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A lion ('leo viridis') and a dragon ('basiliseus horribilis') salient , the left one white and the right one red, rearing up before a hermetic flask (labelled above 'matrimonium viri et mulieris', and below 'hec duo mercurious mundi') that contains golden droplets, a golden bird ('spiritus'), a white woman ('anima') and golden man ('corpus').A furnace heating a bath containing a flask, entitled 'Ignis viseralis calida sed humido operatur in frigides et siccis virtutem'); a verse in English beneath.Two distillation flasks with conjoined spouts, containing golden droplets.a tower furnace enclosing two conjoined flasks that separate 'spiritus' (above) from 'anima' and 'corpus' (below); Latin verses on either side.