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Lady offering laurel wreath to a poet. Miniature. sd.
Portrait of Dante (1265-1321), Italian poet, engraving 19th century.
Horace. Roman lyric poet (engraving)
Portrait of Francesco Petrarca, called Petrarch, 17th century (painting)
Father Christmas's face with leaf crown and white beard
Portrait of the Roman Emperor Marcus Aurelius (engraving)
Portrait of Dante (1265-1321)
Portrait of Lady in a Wreath of Flowers (oil on canvas, 17th century)
Dante Alighieri 1265-1321 - engraving - 19th century
Woman with a laurel wreath driving a Greek four-horse chariot. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Man and woman native to the harbour of Dorei, Papua.
Civilization of Antiquity: Portrait of Jules Cesar crowns with laurels. 19th century colour engraving.
Portrait of Dante - Cigar box label, late 19th century
Portrait of Attila the Hun - From series "Leaders of Men" , 20th century (chromo)
Roman mythology: Flora, goddess of flowers and spring, with a crown of flowers and holding a garland of leaves - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Flora, Roman goddess of flowers and spring, holding a garland of flowers - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Napoleon Bonaparte 1769-1821 - engraving - 19th century
Dante and his poem the 'Divine Comedy', 1465 (tempera on panel)
Restrizioni immagine
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Detail from the panel depicting a solemn procession of the young Dionysos through the world - A half naked maenad leading the group and one of the two centaurs driving Dionysos cart - Paphos Mosaics, House of Aion, 3rd Century AD - Cyprus - Detail of the Mosaic showing the cortege of young Dionysos back from India - A menade opens the procession in front of one of the two centaurs firing the tank of Dionysus - Paphos Mosaics, Aion House - 3rd Century after JC - UNSCO Site - Cyprus
Portrait of the writer Torquato Tasso (Le Mupe, 1544-1595) - Torquato Tasso, 1544-1595, Italian Renaissance poet
The French Republic. Represented as a woman dressed in an antique drape and holding a plaque with the motto “Liberte, Egalite, Fraternite”, the hive at its feet represents fertility and order, the axe and beam are insignia of power, this allegory reproduces the usual shema of republican monuments that bloom in France after the revolution. of 1848, then after 1870 under the third republic. Artwork by Ferdinand Taluet (1820-1904), cast in plaster, 1848. Museum of Fine Arts in Angers.
Roman art: allegory of spring. Detail of the mosaic of the four seasons in the house of Dionysus. About 200 AD. Paphos, Cyprus.
Basketweaver wearing a ricinium (short pallium) and a Greek dancer. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Detail from the panel depicting a solemn procession of the young Dionysos through the world - A half naked maenad leading the group and one of the two centaurs driving Dionysos cart - Paphos Mosaics, House of Aion, 3rd Century AD - Cyprus - Detail of the Mosaic showing the cortege of young Dionysos back from India - A menade opens the procession in front of one of the two centaurs firing the tank of Dionysus - Paphos Mosaics, Aion House - 3rd Century after JC - UNSCO Site - Cyprus
Portrait of Giovanni Boccaccio (painting)
ETHIOPIAN ATHLETE HAILE GEBRSELASSIE HOLDS HIS LEAF CROWN OF THE LISBON
HALF-MARATHON, 2002-03-24 (photo)
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Apollo Crown by Minerve, 1668 (oil on canvas)
Portrait of The Roman Emperor Caracalla (188-217)
Terracotta amphora representing young naked people, 380 BC
A satyre in erection reveals the veil of an elongated bacchante (fresco by Herculanum) - Lithography from the Royal Museum of Naples, paintings, bronzes and erotic statues from the secret cabinet by Cesar Famin (1799-1835), 1836 - Fresco from Herculaneum: satyr and bacchante - Handcoloured lithograph from The Cesar Famin's “” Royal Museum at Naples,” 1836
The duke. Assisted by his courtiers, the Duke is docked in the street by a beggar with her child asking for charity. He turns defiantly to the other side of the supplication, while Death, strangely crowned with leaves, appears unexpectedly. Or the Duke looks in the direction of Death. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Representation of Anatrophe and the personification of Nysa - Detail of the panel: The bath of Dionysos - Moment at wich baby Dionysos seated in the lap of Hermes, is about to be handed over to Tropheus, his futur tutor, and to the nymphs of Mount Nysa - Paphos Mosaics, House of Aion, 3rd Century AD - Cyprus - Anatrophe et Nysa, personification de welcomes Dionysos - Detail of the mosaic showing the Bath of Dionysos - Hermes about to give the little Dionysos to the silene Trophy and the nymphs of Mount Nysa - Mosaics of Paphos, House of Aion - 3rd Century after JC - UNESCO Site - Cyprus
L'Arioste - Ludovico Ariosto 1474-1533 - engraving - 19th century
Greek mythology: Calliope, muse of epic poesy and eloquence, with a crown and a tablet (or book) - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Calliope, Greek muse of epic poetry, wreath and writing tablet - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Attic amphora with red figures of Cresus and Euthymos setting fire to the rodins (ceramic)
Greek mythology: Melpomene, muse of tragedies, with its attributes, a vine crown, a tragic mask and a stick (cane) - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Melpomene, Greek muse of tragedy, with wreath, club and tragic mask - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Painting formerly exhibited at Villa Valmante in Marseille. Allegory of painting (?). Artwork of Pierre Victor Galland (1822-1892), dim 98x42 cm, 1863
Nancy (Department 54), Detail architecture, 900026981
Crown of stems of ivy leaves, berries, bunches of grapes, grasshoppers and locusts are inserted, 2nd half-4th century BC (Bronze and clay with gold leaf)
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Golden crown, 4th to 3rd BC
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Magna Graecia: lekythos representing Poseidon, 480-460 BC
Putti (painting, 16th century)
Greek mythology: Clio, muse of history, with its attributes, a laurel wreath, the trumpet of renown and a scroll on which are redipped the recits of the pass - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Clio, Greek muse of history, with laurel wreath, horn and scrolls - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
House of Puccini, Celle dei Puccini, Tuscany, Italy
Women with laurel wreath and fluttering mantles driving a Greek four-horse chariot. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
The judgment of Midas, between the satyr Marsyas and Apollo (Painting, 17th century)
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Portrait of Dante Alighieri (1265-1321). 19th century chromolithography.
Erotic scene, Roman art. Mercury (Hermes) with penis (phallus) demesure (ithyphallic). Shop sign from Pompei. Cartoon (fresco)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
OVID Roman poet - Portrait of Ovid Latin poet
Greek mythology: Terpsichore, muse of dance, with its attributes, a leaf crown and a lyre - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 -Terpsichore, Greek muse of dance, seated with lyre - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Crowns of leaves (inlaid marble, 17th century)
Greek mythology: Thalie, muse of comedy, with an ivy crown and its attributes, a comic mask and a tambourine - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Thalia, Greek muse of comedy, with comedy mask and staff - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820